Into the $1,000 Bin, Including Rare Autographs
Nov 22, 2011 $1000 Records, Autographs, Blue Note, Prestige
We’ve been away, now we are back, and we see that we’ve missed some pretty heavy-duty sales on eBay for some pretty heavy-duty dollars.Let’s catch up.
I think we predicted these two would sell for more than $2,000 and they did: Hank Mobley Quintet, Blue Note 1550. This was an original pressing in M- condition for both the record and the cover. It sold for $2,350. From the same seller was Kenny Dorham, Quiet Kenny, New Jazz 8225. This was also in M- condition for the record and the cover. The price: $2,075.
How about this one? Cannonball Adderley Quintet in Chicago, Mercury 60134. This was an original stereo pressing and it’s the one that features John Coltrane. What does it normally sell for, maybe $30? This one, however, offered by Euclid Records, happened to have been autographed by both Cannonball and Coltrane. What does that make it worth? How about $1,037. Don Lucky, where were you on this one? I know many of you are blase about autographs and actually prefer records that don’t have autographs, but to me, having a record signed by two of my heroes, that’s just priceless. Well, perhaps not priceless, but $1,037 seems a reasonable price.
Tags: Cannonball Adderley, Emarcy Records, Hank Mobley, Helen Merrill, John Coltrane, Mercury Records
Jazz Vinyl Countdown: Max Roach, Dorham, Mobley
Feb 12, 2010 The Great Jazz Vinyl Countdown
I was poring through my records the other day and stopped for a moment on this one: Max Roach Four Plays Charlie Parker, Mercury SR 80019. I’ve had this record for a while and haven’t listened to it in years, but it struck me as such: It features two of the great stalwarts of the Blue Note catalogue — Hank Mobley and Kenny Dorham — both in their primes; it has a great cover and a great concept. Yet, it is not really high on any list of collectible records and, in fact, we have never once even tagged it in the Jazz Collector Price Guide, which means we haven’t really seen it sell for a collectible price in the past seven years. And it struck me: What if this record, with this personnel, in this era — 1958 or so — had been issued on Blue Note? What would it be worth? Why is there such a profound difference between the value of a record like this, on the Mercury label, and a record with similar personnel in the same era from the Blue Note era? I think these are rhetorical questions, but I’m happy
Tags: George Coleman, Hank Mobley, Kenny Dorham, Max Roach, Mercury Records
Price Updates: Lights Out, Zoot, Kenny Drew
Dec 21, 2009 Blue Note, Jazz Vinyl, Jazz Vinyl on eBay, Prestige, Riverside
Here are some of the items we’ve been watching on eBay:
Jackie McLean, Lights Out, Prestige 7035. This was an original New York pressing with the deep groove and heavy vinyl. The record was listed in M- condition and the cover was VG+. It did not have a flat edge, according to an answer to a questioner, but I’m not sure that doesn’t mean it wasn’t original. Anyway, the price was $639.49.
Phil Woods, Warm Woods, Epic 3436. This was an original pressing and it was listed in M- condition for both the vinyl and the cover. The price was $495.
Zoot Sims, Zoot, Riverside 228. This was an original white label pressing and it was listed in VG++ condition for the vinyl and VG+ for the cover. The price was $413.
Here are a few we were watching the other day:
Tags: Epic Records, Fred Astaire, George Wallington, Jackie McLean, Kenny Drew, Mercury Records, Phil Woods, Zoot Sims
Collectibles Anyone? Astaire, Kenny Drew Riverside
Dec 18, 2009 Riverside
There are quite a few interesting items on eBay now. Here are a couple:
Fred Astaire, The Astaire Story, Mercury 1001 1004. Most of you are probably familiar with this set, produced by Norman Granz in the early 1950s. There were 1,384 copies produced, all autographed by Astaire, and the set came with four LPs, a booklet with exclusive photos and a set of drawings by David Stone Martin. The music is all jazz even though Astaire was not a “jazz singer,” and the sidemen include many of the greats within the Granz stable, such as Oscar Peterson, Flip Phillips, Ray Brown, Barney Kessel, Charlie Shavers. Anyway, it is quite a nice set and used to regularly sell in the $2,000 range. Our top price in the Jazz Collector Price Guide is
Tags: Fred Astaire, Kenny Drew, Mercury Records, Norman Granz
Jazz Collector’s Essential Cannonball Adderley
Sep 23, 2009 Blue Note, Riverside
Blipp asks on an earlier post if we can make any recommendations on Cannonball Adderley’s earlier material, in particular the Mercury records. We can certainly do that, and we’re sure others in the audience will be happy to weigh in as well. First, we will give our own Jazz Collector version of our top five Cannonball LPs altogether. Blipp has been listening mostly to the Capitol stuff, he says, and we don’t think any of those records is going to make our list. Here goes:
1. Cannonball Adderley, Know What I Mean with Bill Evans, Riverside 433. Evans and Adderley obviously had a great rapport from their days with Miles and the addition of Percy Heath and Connie Kay made for a more lyrical setting that suited both Evans and Adderley quite well. And, as one might expect, within that lyrical setting they both swing like crazy.
2. Cannonball Adderley Quintet in San Francisco, Recorded at the Jazz Workshop, Riverside 311. The ground-breaking early quintet with Bobby Timmons and the great tracks of “This Here” (with Cannonball’s engaging introduction) and “Hi-Fly,” plus a very swinging “Spontaneous Combustion.” This LP captured the energy of the group
Tags: Cannonball Adderley, John Coltrane, Mercury Records, Miles Davis
Some 10-Inchers For the Price Guide
Mar 2, 2009 10-Inch LPs, Blue Note, Jazz Vinyl, Jazz Vinyl on eBay, Prestige, Price Guide
There was a lot of discussion on Jazz Collector last week about 10-inch LPs and we said we’d keep track of some for the price guide. To be honest, based on these prices, we’re not sure if demand is diminished. We do know that prices tend to be inconsistent week to week, so it’s best to keep track over time, which is why we do the Jazz Collector Price Guide, which, so far, has been tracking prices over a five-year period. Anyway, here’s an update on some 10-inch LPs, all of which will go into the Price Guide later this week:
Elmo Hope, New Faces, New Sounds, Blue Note 5029. This was an original pressing in M- condition, both record and cover. It sold for $620.
Jon Eardley in Hollywood, New Jazz 1105. This was also in M- condition. It sold for $232.44.
Tags: Elmo Hope, Gil Melle, Illinois Jacquet, Jazz Collector Price Guide, Jon Eardley, Mercury Records, New Jazz Records, Zoot Sims
