Tag: Red Carraro

Back To Blue Note, Prestige and Fond Memories

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Just logged onto eBay for the first time in a couple of weeks and my searches led me very quickly to a wide range of Blue Notes and Prestiges currently up for auction, almost all of which seem destined to sell for pretty high prices, indicative that the demand is continuing to be as strong as ever for rare and vintage jazz LPs, particularly for records on these iconic labels. Here are a few that I’ve put into my watch list, starting with Jackie McLean, New Soil, Blue Note 4013. This is an original deep-groove West 63rd Street pressing. The record and cover both look to be in M- condition and that cover looks particularly nice, with an important caveat (see the Lee Morgan record below). The bidding is currently at $350 and the auction closes about two hours from the time I am typing this. There are 10 bidders and 24 watchers and I wouldn’t be surprised at all to see this record enter or approach the $1,000 bin. But what about that cover?

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Later Pressings and Rising Prices: Merry Christmas

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Stan Getz Jazz VinylCeeDee sent a note last week with a few links, including the Red Garland Manteca we mentioned the other day. Another one from the list: Stan Getz, The Steamer, Verve 8294. This also came from the Herb Wong collection. I love this record, but this was a second pressing with the MGM logo. It was in VG++ condition for the record and VG+ for the cover. It sold for $97. An aberration or a shift in the market? Seed’s comment was that it “looks like even the more commonly seen LPs can bring in a haul these days.” That’s true to an extent, although it’s hard to say that even the MGM presses are commonly seen. We’ll keep an eye on this trend. I saved a lot of the MGM pressings from the Irving Kalus collection. I grew my collection on these pressings, almost all purchased from my late friend Red Carraro, who had boxes and boxes in his basement for many years. No doubt, Irving purchased them from the same place.

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In the Eye of the Beholder

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juttaHere’s some more jazz vinyl on our eBay watch list, starting with: Jutta Hipp at the Hickory House Volume 1, Blue Note 1515. This is an original Lexington Avenue pressing in VG condition for the record and VG+ for the cover. The bidding is in the $335 range and the auction closes in about 12 hours. These records are so hard to find in any condition, that VG and playable still commands quite a high price. I recall buying my copy of this record at one of the record shows on Long Island, probably 20 or 25 years ago. The seller had price tag of $50 on the record, which seemed like a very high price in those days. I had never seen the record before and I bought it. It was in M- condition for the record and VG+ or so for the cover. I was walking around carrying the record when I ran into my old buddy Red Carraro. He had been to the show well before me and had seen the record and passed on it. He sees me with the record and says “Lit, always hustlin’, huh? Fifty bucks for that record. That’s a lot of money.” I guess it’s all in the eye of the beholder, isn’t it? And, fortunately for me, I was the one beholdin’ that record. And I still beholdin’ it, right here on my shelves.

This is another one, closing as I type this, where condition is an issue:

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The Lasting Value of Blue Notes. Or Not

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Zemanta Related Posts ThumbnailJazz Collector is on WordPress and, as such, I have access to a bunch of statistics on the site. I mention this because I noticed yesterday that there was a spike in viewership and many of the readers were looking at a trio of articles I wrote in 2010 when my friend Red Carraro passed away. Original articles are here, here and here. Anyway, I dug a little deeper and the new viewers came from this site, Steve Hoffman Music Forums. There’s a whole discussion going on there about Blue Notes and prices and why collectors pay so much for them and whether the market will continue to rise or whether it will eventually plummet and die. Worth taking a look, and perhaps worth continuing over here. For my part, I am of two minds. Read more

In Memory of a Jazz Collector

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Irving Kalus

Irving Kalus was 82 years old when he died on December 22, 2011. It was early in the evening and he had just gone to the record store around the corner, Infinity Records, in Massapequa Park on Long Island. He bought a Miles Davis record and was crossing Sunrise Highway when he got hit by a car and was killed instantly. I didn’t know Irving Kalus personally, but I seem to know him quite intimately now, at least in connection with one particularly important area of his life: His love of jazz. It was Irving Kalus’ collection that I purchased a few weeks ago and I would like to share what I have learned about the man and his life-long passion for jazz.

Irving fell in love with jazz when he was a teenager. His son Gary remembers him telling stories about musicians he had met – the time Sarah Vaughan kissed him on the cheek, the times Dizzy Gillespie would talk with him outside a club before or after a gig. Bud Powell once fixed him a drink: “He called it a Joe Louis because he said it will really knock you out,” Gary recalls his father telling him. Irving picked up on bebop quite early and it clearly had a profound influence on his life.

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Adventures in Jazz Collecting: Red Carraro, Part 1

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There was a time, before the Internet and eBay, when jazz record dealers would amass hundreds of collectible records and compile them in lists and send those lists all over the world so that collectors could bid on them, blindly, hoping they would make the top bid and receive a shipment of rare jazz vinyl several weeks later. One of the leading and last practitioners of this fading art was a gentleman, and I use that word purposefully, by the name of William Carraro, known to all as “Red.” I am sad to report that Red passed away in his sleep yesterday morning.

I will tell you more about Red in a subsequent post, but first let me tell you the story of the first time I met Red. It was back in the early 1970s and I had just started collecting jazz records. I was 19 years old. My good friend from childhood Dan Axelrod had also begun collecting jazz records at the same time and Dan was far more obsessive about it than I was, so he was always finding scores before me. He’d call from Philadelphia or Miami, out of breath, describing beautiful Blue Notes

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A Record Bash & (Another) Adventure in Jazz Collecting

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As I write this, there is a gathering of jazz collectors taking place 50 miles from me in the wilds of Iselin, New Jersey. This would be the annual Jazz Record Collector’s Bash, which, according to the promotions, has been taking place annually for 35 years. The event actually began last night with the dealers setting up and continues through today and tomorrow, starting at 8 a.m. each day. For more information, you can go to their Web site by clicking here. I used to attend this event fairly regularly when it was in East Brunswick, NJ, which, of course leads to a story. I have been a jazz collector for nearly 40 years now and have never thought of myself as a seller of jazz records. Perhaps that is why I call the site Jazz Collector as opposed to Jazz Seller. Anyway, like many of you I’m sure, through the years I had accumulated

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