Tag: Red Mitchell

Some 10-Inch LPs and Some Bird Envy

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Here are some of the results from the Jazz Record Center auctions we were watching, including the one with the cover that has some of our readers weirded out. Let’s start with Kenny Dorham Quintet, Debut 9. This is an original 10-inch pressing, quite rare, that looked to be in M- condition for the record and VG++ for the cover. It sold for $960.

Charlie Mariano, Mariano, Bethlehem 1022. This was another 10-inch record from the collection of Tom Stewart and like the others the record was in M- condition and the cover probably VG++, with the owner’s name written in ink. This one sold for $355.

Now for the one with the weird cover, Red Mitchell, Happy Minors, Bethlehem 1033. This was from the same collection, M- for the record, VG++ for the cover. It sold for $333.88. So far I haven’t found a copy in my own collection. If I didn’t buy it originally for $50, I can say for pretty sure that it was because of the cover. Not one of my favorites, to be sure.

Speaking of covers, check out the next listing, and we will show a picture of the cover below:

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The One I Left Behind?

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Some interesting 10-inch LPs, 78s and other items on the new eBay auction from the Jazz Record Center. Here’s a few to watch, starting with Red Mitchell, Happy Minors, Bethlehem 1033. This is an original 10-inch pressing In M- condition for the record and probably VG++ for the cover. There’s writing on the back, but the writing is from the previous owner, Thomas Stewart, who also wrote the liner notes for this record. So it has some interesting provenance. It also has the presence of  Zoot Sims and Bob Brookmeyer, which can’t hurt. The start price is $200. My own story with this record: I used to travel to Palo Alto all the time for business. There was a book store that also sold records and occasionally they would get some nice jazz. The prices were a bit high for the time, but not unreasonable. I remember a mint copy of this record sitting on the shelf for $50. I had it in my hand, put it down, had it in my hand, put it down, looked at a few other records, picked it up again. This went on for a while. In my memory I wound up buying the record for $50. Except, I guess I didn’t. I just looked on my shelves and, alas, no Happy Minors. My hope is that I have the record, but I just misfiled it or something. So later, or this weekend, I will go through all of my 10-inch records in search of the one I may have left behind. It’s probably a great record, right?

A few others from the Jazz Record Center: Read more

Newcomers For the Jazz Collector Price Guide

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Here are some records that don’t often make it to the Jazz Collector Price Guide.

I’ve never thought of this record as a collectible: The Standard Sonny Rollins, RCA 3355. This was an original pressing and it was in M- condition. It sold for $122.50. It was a stereo pressing and I’m wondering, perhaps, if it is as much an audiophile collectible as much as a jazz collectible. I’m a big Rollins fan, but this is not among my favorite Sonny LPs.

How about this one: Presenting Red Mitchell, Contemporary 3538. This is an original deep groove mono pressing with the yellow label. The vinyl was listed in M- condition and the

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Watching The Next Tier: The Bidding Continues

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As I’m going through some of the items I’ve been watching on eBay, I’m actually finding less evidence than I expected of this supposed shift into a two-tier market. There is still a lot of high-priced bidding among the non-Blue Note labels and artists. Perhaps it’s just by comparison that the gap is widening because some of the Blue Note/Prestige prices have been skyrocketing lately. We’ll keep watching, but as you guys see evidence of a real drop-off in prices of second-tier labels, please post them on the site as a comment. Here are some items we’ve been watching that may give you an alternate view versus my comments and others of the past couple of days:

Red Mitchell, Bethlehem 38. This was an original red label pressing, deep groove. It was in M- condition for both the record and the cover. It sold for $190.93.

Lee Konitz with Marne Marsh, Atlantic 1217. This was an original black-label mono pressing. It looks to be generously graded at VG++. It sold for $149.99.

Here’s one that would support the theory of a developing two-tier market:

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