Newcomers For the Jazz Collector Price Guide

Here are some records that don’t often make it to the Jazz Collector Price Guide.

I’ve never thought of this record as a collectible: The Standard Sonny Rollins, RCA 3355. This was an original pressing and it was in M- condition. It sold for $122.50. It was a stereo pressing and I’m wondering, perhaps, if it is as much an audiophile collectible as much as a jazz collectible. I’m a big Rollins fan, but this is not among my favorite Sonny LPs.

How about this one: Presenting Red Mitchell, Contemporary 3538. This is an original deep groove mono pressing with the yellow label. The vinyl was listed in M- condition and the

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Watching The Next Tier: The Bidding Continues

As I’m going through some of the items I’ve been watching on eBay, I’m actually finding less evidence than I expected of this supposed shift into a two-tier market. There is still a lot of high-priced bidding among the non-Blue Note labels and artists. Perhaps it’s just by comparison that the gap is widening because some of the Blue Note/Prestige prices have been skyrocketing lately. We’ll keep watching, but as you guys see evidence of a real drop-off in prices of second-tier labels, please post them on the site as a comment. Here are some items we’ve been watching that may give you an alternate view versus my comments and others of the past couple of days:

Red Mitchell, Bethlehem 38. This was an original red label pressing, deep groove. It was in M- condition for both the record and the cover. It sold for $190.93.

Lee Konitz with Marne Marsh, Atlantic 1217. This was an original black-label mono pressing. It looks to be generously graded at VG++. It sold for $149.99.

Here’s one that would support the theory of a developing two-tier market:

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