Favorite Jazz Ballad Vocal Performances?

I was sitting on the porch at my lakehouse with the lovely Mrs. JC yesterday afternoon and we were listing to a playlist I had made for my iPod of various ballad performances. Yes, I do have an iPod and other various digital devices and I do not only listen to music playing on a turntable, although that is always the preferred method when available. Anyway, as we were listening, one of the tracks was “Jim” from the Sarah Vaughan album with Clifford Brown, Emarcy 36004. I mentioned quite randomly that many jazz fans and jazz collectors consider this track to be one of the greatest jazz vocal ballad performances of all time. I’m not sure where I came up with that information, but it was definitely lodged in my brain somewhere: Perhaps there was a vote somewhere, or perhaps it had just come up in late night discussion over a few beverages. Anyway, I thought it might be an interesting topic for a lazy weekday afternoon in August, so I’m throwing it out there for the Jazz Collector community. Favorite jazz ballad vocal performances. Okay, go!

Of Dinah, Sarah, Helen Merrill and Clifford Brown

It was interesting to note the Helen Merrill record that sold for almost $1,800 the other day (Emarcy 36006). This is a terrific record featuring Clifford Brown and it’s highly valued by collectors. Clifford, of course, made records with other vocalists before he died so young, including the great Sarah Vaughan LP on Emarcy and this great one by Dinah Washington: Dinah Jams, Emarcy 36000. Dinah Jams not only features Clifford, it also features Clark Terry and Maynard Ferguson in a trumpet battle tour-de force. While the Helen Merrill album can be quite pricey, and the Sarah has been known to sell for more than $100, we’ve rarely seen the Dinah — or any Dinah Washington LP — sell for high-end collectible prices. So, it was nice to see that a copy of Dinah Jams sold the other day for $109.38 to someone who, obviously, has great taste in music and records.

“Charlie Yardbirdaronee”

 

My friend Dan called the other day. He’d just bought a copy of “Slim’s Jam”, the original 78 on the Bel-Tone label, featuring one of Charlie Parker’s early recorded solos recorded in December 1945 when he was in Los Angeles. Dan paid 40 bucks on eBay for the 78. I don’t have a copy of the 78, but I do have the cut on the original Savoy 12-inch LP, The Genius of Charlie Parker, Savoy MG-12014, so I put it on. This is a classic, of course, featuring Slim Gaillard introducing each of the musicians in his own inimitable style: “Here comes Zutty in the door with his brushes . . . This is a fun, Jack McVouty and his tenor.” And, inevitably, “Charlie Yardbirdaroonee,” who, as we soon learn, was “ havin’ a little reed trouble.”

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