Tag: Tadd Dameron

Watching Some Original Original And Not So Original Jazz Vinyl

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Very interesting thread on the previous post. Glad everyone has been able to keep the conversation going in my absence. For the record, I am and always will be an original, no matter what anyone says. And now, back to watching original rare jazz vinyl on eBay. I have a lot of stuff I am watching now, so let’s go, starting with Frank Morgan With Conte Candoli and Machito’s Rhythm Section, GNP 12. This is an original pressing with the red vinyl. The record and cover are both listed in VG+ condition. The start price is $250 with more than two days left on this auction. I was fortunate to acquire a near mint copy of this record when I purchased the Bruce M. West collection in Baltimore. For some reason, I always considered this to be an album for the $1,000 bin. I guess the reason is that it’s really rare and hard to find, plus there’s not that much early Frank Morgan on record. When I did a search on Popsike, however, I discovered that the top price for this record was $331, and that was back in 2006. I guess it’s just not a Blue Note. Read more

Vinyl Classics From Riverside and Prestige

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Let’s look at the Jazz Collector watchlist on eBay for an update, starting with Bill Evans, New Jazz Conceptions, Riverside 223. This is an original white label pressing. The record is in VG condition and the cover is also VG. The bidding is in the $294 range with two days left on the auction. As of now there have been 12 bidders and 46 bids. Such a great cover – you wonder what Riverside was thinking when they replace it for the second pressing. The seller for this one is Carolina Soul, which often has nice jazz vinyl on eBay, this week being no exception. Here’s one more: Curtis Fuller, New Trombone, Prestige 7107. This is an original yellow label pressing with the New York address. The record is in VG+ condition and the cover is VG. The bidding is in the $60 range with two days left. The seller mentions a “slight storage warp,” on both of these records, so that may be effecting the bidding, particularly on the Fuller. But , looking closer at the Fuller, the real gating factor is probably the huge writing in black marker on the back cover. When I first started buying jazz records, it was always about the music, but when I became a “collector” my values changed, perhaps not for the better, and the condition of the cover became almost-but-not-quite-as-important as the music. I imagine I am not the only one here was a similar experience. Read more

Miles, Morgan, Monk and More

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Today we will view some random jazz vinyl from my eBay watch list, starting with Miles Davis, Volume 2, Blue Note 5022. This is an original 10-inch Lexington Avenue pressing. The record and cover are both listed in VG+ condition. Bidding starts at around $100 and so far there is no auction action. The auction closes in about three days. This record caught my eye, even though I already own it, because it is such an awesome cover and because I recently view a collection loaded with 10-inch records. At this point I have passed on purchasing the collection because the seller has it over-priced, but I am hoping he comes back to me when he realizes I made a fair offer. Will keep you posted. Read more

And Another Rare Jazz Vinyl Quartet

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tadd-dameronAnyway. Here are some of the rare jazz records we are watching on eBay, starting with Tadd Dameron, Fontainebleau, Prestige 7037. This is an original yellow label pressing with the New York address. The record is listed in M- condition for the vinyl and Ex for the cover, with a promo stamp and some damage on the back. The bidding is in the $225 range with more than four days left. Although this is a nice record from the early Prestige 12-inch catalogue, it’s never been one that has been overly attractive to collectors, although it looks pretty good to me. Here’s another Prestige from the same seller that most collectors will find to be quite a bit more enticing: Hank Mobley, Mobley’s Message, Prestige  7061. This is also an original New York yellow label. The record is in M- condition and the cover is listed as M-, although I may slightly quibble and push it down to VG++ based on the picture. The price is in the $560 range, also with four days left on the auction.

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Whither the 16-RPM Jazz LP?

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miles-davis-16-rpm-jazz-vinylHere are a few collectible rare jazz records we are following this week on eBay, starting with  Miles Davis and the Modern Jazz Giants, Prestige 3. This is the 16-RPM version of the record and it is, of course, an original pressing. The condition doesn’t look so great and the seller is asking for a starting price of $400 so it is not going to be of interest to me as a potential buyer, but I do have interest in the record as an oddity. Does anyone own this record and, if so, have you ever listened to it — indeed, do you have equipment to listen to it? Is the sound better, worse, the same as a 33-RPM record? And finally, does anyone have any idea why Prestige issued this record and several others in the 16-RPM format? Inquiring minds want to know.

Here are a couple more nice Prestiges from the Jazz Collector era:

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Bargain Day at Jazz Collector?

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mating call copyLet’s update some of the records we were watching on eBay, starting with: Tadd Dameron and John Coltrane, Mating Call, Prestige 7070. This was an original New York yellow label pressing. The record was listed in M- condition and the cover was just a shade below, probably VG++. The record sold for $393. I listened to this recently and had forgotten just how good it is. It was released before Coltrane’s first record as a leader on Prestige, but his playing is much more confident and assured than on the earlier Miles record or even the contemporaneous jam session records such as John Coltrane, Hank Mobley, Al Cohn, Zoot Sims, Tenor Conclave, Prestige 7074, which was sold by the same seller in the same lot. This one was in M- condition for both the record and the cover. It sold for $420.

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Having Fun With Jazz Records

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mating callI had fun with my records last night. I had about an hour and a half where I had nothing to do, nothing I wanted to read, and I decided I would just sit and listen to two records fully rapt, eyes closed, no distractions. But what to play? I just went to the shelves and the first record that caught my eye was Mating Call, Tadd Dameron and John Coltrane, Prestige 7070. Why Mating Call? I’m not sure. It’s not a record I’ve listened to often and it’s not on my regular play list. When I want to listen to Coltrane, there are other records that grab my eye. Perhaps I haven’t listened to Mating Call in 10 years, so I wanted to check it out again. And I did. What a great record. This is actually, I think, the first record on which Coltrane was the sole featured horn player. His playing is great, not nearly as adventurous as it would become, but far more confident than on Miles, Prestige 7014. He had either come a long way in the period between those recordings, or the format gave him more room to showcase his gifts. As for Tadd Dameron, Read more

Another Adventure in Jazz Collecting, Baltimore Part 6

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Zemanta Related Posts ThumbnailSo now some of the best records from the Uncle Bruce Baltimore collection were in my apartment and it was about 1 in the morning and, of course, I couldn’t sleep knowing the records were sitting there waiting to be perused. I moved the records from boxes to crates and began just looking through them one more time, this time with no hurry, no rush. It was a great moment, a man, a dog and his score. I didn’t listen to any of the records at this point. There was just something about keeping them as a whole and letting the feeling linger that I didn’t want to disturb.

When morning came I had to get ready for the WFMU Record Fair. I already had 14 boxes of other records in my cramped apartment. I started looking through the Baltimore collection to see if there was anything obvious I could pull out and possibly sell at the record show. I found a few items: There were three Sonny Rollins Blue Notes I now had in triplicates; the copy of Mating Call was an upgrade from my copy; I already had two mint copies of Study in Brown, so I could sell a spare. Same with John Coltrane with the Red Garland Trio, Prestige 7123, and one of the Bud Powell Blue Notes

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Today on eBay: Tadd, Zoot, Fuller, Miles, et al

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We’re back from The Berkshires after our successful gig in the Monterey General Store and it’s time to get back to the ever-lasting grind that is eBay. We took a look at listings over the next couple of days, and it’s actually pretty quiet out there, although our friends at Euclid Records have a few nice items closing today. Here’s some of what we’re watching:

Tadd Dameron, Fontainebleau, Prestige 7037. This is an original New York pressing that is in M- condition for both the record and the cover. This one is not usually among the higher-priced early Prestiges, but the bidding is already at $162, which is nice to see for a nice record.

Zoot Sims and Joe Newman, Locking Horns, Rama 1003. This is a rare record on a rare label. The vinyl is listed as M- and the cover is VG++. The price is nearly $300, with more than an hour left.

Miles Davis, Miles, The New Miles Davis Quintet, Prestige 7014. This is the album that introduced John Coltrane to

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Another $1,000 Item, Plus A Few More

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We were right in predicting that this record would surpass the $1,000 barrier:  It was in near mint condition and it is a rare Blue Note and it was being sold by Euclid Records. We’ve seen it sell for more than $900 previously in the Jazz Collector Price Guide, so it was no surprise that this copy sold yesterday for $1,563. 

Here are some of the other items we’ve been watching that will be entered into the Price Guide:

Wes Montgomery, Full House, Riverside 434. This was an original blue label pressing. The record was in VG++ condition and the cover was VG+. The price was $255. This is always one of the higher priced Montgomery collectibles, ostensibly aided by the presence of Johnny Griiffin on tenor. 

Bobby Hutcherson, Happenings, Blue Note 4231. This was an original New York USA pressing. The record was M- and the cover was VG++. The price was $221.40.

Paula Castle, Love Lost, Bethlehem 1036. This was an original 10-inch pressing in M- 

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