Here’s another one of those cool Esquires with a cool cover: Sonny Rollins Quintet, Esquire 20-080. This is the original U.K. version of the Prestige record Moving Out (Prestige 7058). This one is in M- condition for both the record and the cover. There are two days left on the auction and the bidding is already close to $700. What I said in my previous post about getting a good deal on these Esquires? I only wrote it a week ago. Have times changed that quickly, or does it have to do with immaculate condition of this record? Or, perhaps, a little of both?
Meanwhile, it seems as if the bidding has barely begun on this original original Prestige: Jackie McLean, Jackie’s Pal, Prestige 7068. This looks like a beauty, graded M- for the record and VG++ for the cover. There seems to be shrink wrap, which would not have been the packaging medium when it was first introduced, but that wouldn’t scare me off at all. With more than three days left, the bidding is at just $45. I would expect it to increase markedly as we get close to the end of the auction.
Two of our regular readers, Clifford and Michael, separately sent me links to this rare jazz collectible, wondering if it was legitimate: John Coltrane, A Love Supreme, Impulse A-77, Test Pressing. Take a close look at it. Does it really say “Ken” Coltrane? Anyway, it looks legit to me. Unfortunately, it was only in VG condition and, of course, it didn’t have a cover. The final price was $300, which seems pretty reasonable to me for what I imagine is a pretty rare collectible.
One of our readers, Dave Sockel, recently was in touch with a relative of Duke Pearson and sent me a PDF of this very cool collectible — duke-pearson-session-book-1969-1970. It includes rehearsals, musicians and their fees, session dates, comments on the sessions and dozens of signatures from the various musicians, confirming their payments. Thanks to Dave for sharing and allowing me to post this on Jazz Collector.
Back to eBay: Tina Brooks, True Blue, Blue Note 4041. This was an original pressing. The record was listed in VG condition and the cover was listed as VG+. The seller intimated that the record might be closer to VG+ than VG, but the pictures of the cover made it look like the cover was closer to VG than VG+, so if I were bidding I would have stuck with the VG. The final price was $1,390.
Tommy Flanagan, The Cats, New Jazz 8217. This was an original purple label deep groove pressing that was listed in VG+ condition for both the record and the cover. This record, of course, features John Coltrane as a sideman. This copy sold for $410. This is one of those records that has really increased in value and demand during the time period (eight-plus years) we’ve been doing the Jazz Collector site on a regular basis.
One of our readers living in Japan recently sent a note with a story to share so I said, please, write it up. He did and here it is:
By Stuart Levine
I am a regular reader (living in Japan), who especially enjoys Al’s record-collecting adventures. Well I have one of my own to share with the Jazz Collector community. It all started last September in Tokyo. I had heard of Disk Union and wanted to see it for myself. Perhaps, I could score on a nice LP. When I got off the train at my exit, I could immediately see it to my left – an impressive brick building with a large Disk Union window sign. The only problem was this was not the store noted for its jazz inventory. The real deal, Disk Union “Jazz Tokyo” was about six blocks away. Had it not been for a fellow Southern Californian (wearing a Dodgers cap) walking me over to the right store, I would have come away from this experience very disappointed. My good fortune really started when I was introduced to the head buyer of used jazz vinyl, a soft-spoken gentleman named Katsu. He invited me to come back three months later on Dec. 19th when the store was having a big Blue Note record sale, to the tune of 500 original mono and stereo LPs. Read more
The funkyousounds auction from the Dr. Herb Wong collection seems to have been brought out the Charles Mingus fans. Here’s Charles Mingus, Mingus Ah Um, Columbia 8171. This is an original stereo pressing with the six eyes. The record and cover are both in M- condition and there is some shrink wrap, which for some reason seems to be an enticement to some collectors, although I cannot fathom the reason. This one has more than a day left on the auction and the bidding is now over $400. I resisted the urge to put an exclamation point after the $400, but only barely. The old newspaper editor in me, I guess. Here’s another one worthy of an exclamation point, from the same auction: Charles Mingus, Blues and Roots, Atlantic 1305. This is also a stereo pressing, but not a first press. It is also in M- condition for the record and the cover, and it also has shrink wrap. This one is in the $300 range! BTW, did I ever mention the time I was writing about Mingus here and I left out the “G” and wrote it as “Charles Minus.” I did that and one of our French-speaking readers chastised me with the term “Sacre Bleu!,” which is one you don’t hear very often these days, but was certainly well deserved in this particular instance, don’t you think?
This one comes from CeeDee in an email with the above headline and all I can say is “WOW!” John Coltrane, A Love Supreme, Impulse 77. This was an original white label promo copy. The record was listed in M- condition and the cover was Ex. The final price was $1,225, which is the most we’ve seen for A Love Supreme. It is certainly a classic record, and there is definitely a limited supply of promo copies, so I guess if you want to own one you have to pay the price. The same seller also sold this: Tina Brooks, True Blue, Blue Note 4041. This was an original pressing listed in VG+ (or slightly better) condition for both the record and the cover. The final price was $2,550.
Buongiorno! Back from Italy and a little bit worse for the wear. My flight home was delayed because a horse was acting up in cargo and they had to remove all of the luggage, then remove the horse and then reload all the luggage. Yes, that really happened. Then I got a nasty cold, but I’m starting to feel better and finally am able to look at eBay to see what’s going on. I want to thank Clifford Allen for filling in while I was away. Clifford, I really appreciate it and you did a great job — please feel free to continue posting at any time. I think it adds a lot of value to the site to have another perspective.
I did a search on eBay and found an extremely interesting record, which is: Kenny Dorham, Harlem Youth Unlimited, Jazz at PS 175. This is a live recording from 1964. I was told by a reputable dealer several years ago that this is possibly the rarest jazz record of them all. Has anyone else heard that? I’ve been looking for a copy for more than 30 years — ever since I learned about it — and have never seen one. In fact, this is the first one I’ve ever seen even on eBay. I will be very curious to see what this record sells for, particularly now that I have called attention to it. This one is in VG++ condition for the record and the cover. The start price is about $900 and there are nine days to go on the auction. I’m curious if anyone in our community owns this record and how it sounds.
TWO WEEKS!!!! The longest I’ve ever gone without posting. Weren’t any of you, aside from Mac, worried about me? I didn’t go anywhere, just took an unexpected and unscheduled break. Now I’m back, but only for a few weeks. I have a two-week vacation coming up in October. Anyone interested in doing some guest hosting for a couple of weeks? Send me an email and we’ll see what we can do.
In the meantime, let’s get back to eBay and see what’s going on. This was on my watch list the last time I looked and now it has sold: Sonny Clark, Cool Struttin’, Blue Note 1588. This was an original pressing with the west 63rd Street address, deep grooves, etc. The record was in VG+ condition and the cover was only VG, but it still sold for $2,081. There was also this one for the $1,000 bin:
Been a while since I did an update from the Jazz Collector inbox and, so we shall do so today and close with a little bit of jazz vinyl poetry, courtesy of our friend CeeDee. This one came in from Michael with a simple note: “Nice one.” And it is: Tina Brooks, True Blue, Blue Note 4041. This is an original pressing in M- condition for both the record and the cover. It sold for $2,900, with 29 bids. It went from about $1,900 to the final price in the final seconds. Frankly, I’m surprised it didn’t sell for a higher price. How many M- copies of True Blue do you think there are left in the world? How many ever come up for sale? Not a lot.
Somebody also sent me this completed listing: Hank Mobley Quintet, Blue Note 1550. This was an original pressing with the New York 23 labels. It was listed in VG+ condition for both the record and the cover. The seller had a buy-it-now price of $1,250 with the option of accepting the best offer, which he did. So we don’t actually know what it sold for.
As for the jazz vinyl poetry:
Sorry I haven’t posted for a few days. Things have been quite hectic here — my daughter got married on Saturday night. But things are starting to get back to normal, which, for me, means perusing eBay for interesting jazz vinyl to share with all of you here. So, today let’s start with Wayne Shorter, JuJu, Blue Note 4182. This looks to be an original New York USA pressing with the ear and the Van Gelder in the dead wax. The vinyl is listed in M- condition and the cover is VG++. Bidding is in the $230 range and the auction closes later today. I’m surprised the bidding isn’t a little higher for this record and I’m surprised that the seller either didn’t have a reserve price, or that this record already surpassed the reserve. In any case, I would expect the bidding to get quite a bit higher for this record, given what we’ve seen lately for original Blue Notes of any stripe.
These sellers have some decent collectibles on eBay this week, including: