Finding Some Surprising Dexter and Wardell

One of the things I love about collecting jazz records is that there always seems to be something new to discover. Case in point: Last week I purchased that collection of mostly traditional jazz records, with a bunch of 10-inch LPs as well as some nice 78 boxed sets. I was going through some of the records this evening and came upon this 10-incher: Gene Norman Presents Just Jazz Featuring Les Thompson and His Harmonica, RCAVictor 3102. Frankly, I had never heard of Les Thompson and I’m not a huge fan of jazz harmonica, although I can appreciate some of Toots Thielemans. When I looked closer at the record, however, I noticed some quite interesting sidemen, most particularly Dexter Gordon and Wardell Gray. I had thought

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What Happened To The Jazz Vinyl Countdown?

In an earlier post, Rudolf poses the following statement and question: “Al announced the slimming down of his collection a while ago. But I don’t see anything else but buying records by the lot, ‘improving’ on quality, etc., etc. Al: I just would like an honest reply to my straightforward question (the lovely Mrs. JC is not tuned in, so your reply can be honest). The question: With how many albums has your collection grown since your slimming down action?”

Ahem.

I will answer the question directly and then go into some level of explanation. Since the launch of what I affectionately called The Great Jazz Vinyl Countdown almost exactly a year ago – September 29, 2009, if anyone would like to go back to the archives – I would say that my “collection” has increased by about 50 records, while the number of records in my house has grown by several hundred, at least.

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Adventures in Jazz Collecting: 78s

I asked the question the other day: Does anyone out there collect 78s? No one replied, so I figured I would get the ball rolling.

The answer to the question, for me, is that I don’t collect 78s. I do, however, have more than 1,000 78s. The reason I say I don’t collect 78s is because if I did collect them, I’d be obsessed about them and worried about filling in my collection and getting all the Blue Notes and searching for 78s and hunting them down on eBay. That is what I do with my LP collection. I have never done that with 78s. Yet, through the years I have accumulated them.

It started back in the 1980s. There was an ad in the classified section of the local newspaper. A guy had a collection of jazz 78s and wanted to get rid of them. Normally I wouldn’t have cared, but I was curious: What if there were some original Bird 78s on Dial? So I called him and, indeed, there were some original Bird 78s on Dial: Yardbird Suite, Moose The Mooche, A Night in Tunisia. Holding these in my hand, it really felt like I was holding a piece of jazz history. The guy had about 1,000 78s and wanted $100 for them. That night I walked into the house and began unloading crates of 78s. Mrs. JC just looked at me and sighed.

Then, of course, I had to get a 78 player. I still have the first one I ever purchased: A crank-handle

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