Vinyl Tracking From the Jazz Record Center

Here are a few more results of jazz vinyl auctions by the Jazz Record Center last week. Just in case anyone is interested, I have no vested interest in these auctions or special relationship with the Jazz Record Center. I like to watch their auctions as a bellwether because they are probably the most reputable seller in the market.

Working With the Miles Davis Quintet, Prestige 7166. This was an original yellow label pressing with the New Jersey address. It was a review copy in mint condition. The price was $472.35. There was a time when you could get the Miles Prestige records relatively inexpensively, but not anymore.

Here’s another nice one from Prestige: Stan Getz and Zoot Sims, The Brothers, Prestige 7022. This was an original New York yellow label pressing in M- condition for the record and probably VG++ for the cover. This one has the frame cover. The price was $234.72. How often are you going to find a record like this in this kind of condition? Nice.

Here’s a Blue Note that, surprisingly, did not break into the $1,000 bin.

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French Zoot, Miles Smiles & An LP That Is Hipp

After all these years of collecting and visiting record stores, I still get a kick out of seeing records I’ve never seen before. Case in point: Zoot Sims All Stars, Barclay 84019. This looks to be an original 10-inch French pressing with a really nice looking cover and label. The seller describes the vinyl as being in M- condition, and the cover is probably VG++. The start price is about $200 and there are five days to go.

Speaking of European pressings, I had never seen this cover of Miles Davis, Porgy and Bess, CBS 62108. Think about how many candid shots of Miles you’ve seen where he’s actually smiling. Here’s one. Very nice cover. This is a stereo pressing listed in VG++ condition for the record and cover. So far there are no takers at a mere $19.

From the time I saved the record to when I started writing this post, a gap of about 15 minutes, the price of this record shot up by several hundred dollars: Jutta Hipp at the Hickory House Volume 1, Blue Note 1515. This is an original Lexington Avenue pressing. The record is in VG condition and the cover is VG++. The price is now more than $600 and will probably keep on rising.

Tracking Some $1,000 — And $5,000 — Jazz Vinyl

My goodness, look what this sold for: Jutta Hipp with Zoot Sims, Blue Note 1530. This was an original pressing that looked to be in M- condition for the record and VG++ for the cover. The price was $5,117. That’s one of the highest prices we’ve ever seen for any record in the Jazz Collector Price Guide and about $1,500 more than we’ve previously seen for this record. The seller has commented elsewhere on Jazz Collector as to the legitimacy of the auction, which I don’t doubt at all, since we’ve always seen that bidding wars can drive up prices and we’ve also seen prices going higher and higher for the rarest of the collectibles, of which this qualifies. If I had an original copy, maybe I’d even sell it myself. Really? Nah, I’d keep it for sure.

When I talk about prices going up for the rarest of the collectibles, this is another example: Cliff Jordan, Blue Note 1565. This is an original pressing in VG++ condition for the vinyl and VG+ for the cover, and you can see on the picture that the cover is not completely clean, but certainly looks at least VG+. This record has become a perennial in the $1,000 bin and has sold for as much as $2,400 in M- condition. This copy sold for $1,735.

10-Inch, 12-Inch: Does Size Really Matter

Here’s some of the jazz vinyl we’re watching heading into the weekend:

The Tal Farlow Album, Norgran 1047. This is an original pressing with the yellow label, deep grooves and beautiful David Stone Martin cover. Or is it? My friend Dan, who was Tal’s great friend and protege, has always been a devotee of the 10-inch version of this record based on the crispness of the sound and the fact that it was the original original pressing. I once did a comparison, played the 12-incher and the 10-incher back to back, and it was true: You could hear a difference in the sound. I’m not sure why: Perhaps it was psychological, Dan had planted it in my head and I always trust him when it comes to music.  The 10-incher, Norgran 19, has eight tracks. This one has additional tracks that come from . . . . where? Dan, if you’re out there, please fill in the blanks. Based on the description, this looks to be in VG+ or maybe VG++ condition for the record and VG++ for the cover. The current price is around $80.

Jutta Hipp with Zoot Sims, Blue Note 1530. This is an original Lexington Avenue pressing and it looks to be in very nice condition, M- for the record and probably VG++ for the cover. The bidding is already quite high for this, in the $1,500 range with more than two days to go.

A New Batch of Jazz Vinyl For The New Year

Happy New Year to everyone. Here are a few more items going into the Jazz Collector Price Guide. No links on these.

Jimmy Raney Quartet, New Jazz 1101. I like this one because of the maroon and white label, which you rarely see. There were just a few 10-inch New Jazz LPs, so they are pretty cool, and pretty rare. This one was probably in VG or VG+ condition for the record and the vinyl. It sold for $157.50.

Now a bunch of Blue Notes:

Lee Morgan, Lee-Way, Blue Note 4034. This was in M- condition for both the record and the cover. It sold for $600.

Lou Donaldson, Wailing With Lou, Blue Note 1545. This was an original West 63rd pressing in M- condition for the record and VG+ for the cover. It sold for $688.

Lee Morgan, Candy, Blue Note 1590. Also an original pressing, of course, this one in VG+ condition for the record and the cover. It sold for $1,343.

Dexter Gordon, One Flight Up, Blue Note 4176. This one was in M- condition for the record and VG for the cover. It sold for $200.

Hank Mobley, Soul Station, Blue Note 4031. Record was M- and cover was M-. Price was $1,465.

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On The Hunt: Sonny Clark, Jutta, Prez

Let’s catch up on some more jazz records we’ve been watching on eBay, including these from the Jazz Record Center auction this week.

Sonny Clark Trio, Blue Note 1579. This was an original West 63rd pressing that looked to be in at least VG++ condition for both the record and the cover. It sold for $1,525. We’ve seen Sonny’s Crib and Cool Struttin’ consistently break the $2,000 and even the $3,000 barrier, but this is the highest price we’ve recorded for this record in the Jazz Collector Price Guide.   

Jutta Hipp With Zoot Sims, Blue Note 1530. This was an original Lexington Avenue pressing that looked to be in beautiful M- condition for the record and probably VG++ for the cover. The price was $2,678.

Lester Young Collates Number Two, Clef 124. This was an original 10-inch pressing with the nice cover by David Stone Martin. It looked to be in M- condition for the record

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Tracking New Auction From Jazz Record Center

We’re watching a few interesting jazz vinyl auctions on eBay now, including a new one from the Jazz Record Center that is ending tomorrow. Here are some of the items, starting with Jutta Hipp With Zoot Sims, Blue Note 1530. This is an original Lexington Avenue pressing. The record is in M- condition and the cover is probably VG++, with some repairs. The start price is $1,500 and there is already a bidder, so this one will certainly sell. The question is whether it will break the $2,000 barrier or even the $3,000 barrier. In the Jazz Collector Price Guide, we’ve recorded at least two instances of this record selling for more than $3,000, so it will be interesting to see what the late action brings. Jazz Record Center is also offering some nice Bud Powell 10-inch LPs, including: Bud Powell Trio, Roost 401. This is described as the “ultra rare” original deep groove pressing on the green and silver labels. When this seller describes a record as “ultra rare” you can bet it really is ultra rare. This one looks to be in beautiful M- condition and has so far been bid up to $461.

Updating the $1,000 Bin (And Then Some)

Some of you have beaten me to the punch on this, but let’s all catch up on some of those heavy-duty auctions that closed yesterday, starting with Hank Mobley, Blue Note 1568. This was the one from the Leon Leavitt collection, in unplayed condition for the vinyl and pristine condition for the cover. It was sort of a first press, with the deep grooves, West 63rd address but not the NY 23 on side two. Read the comments on the earlier post for details and opinions. Anyway, at one point this one had a buy-it-now price of $5,000 and I suggested someone should just jump in and take it, but then the buy-it-now option disappeared from the listing. Good decision by the seller. This one sold for $5,600. There were 20 bids but, incredibly, nearly 1,900 page views, which to my recollection is the most I’ve ever seen for any jazz record. This is also the highest price for a jazz record we’ve ever recorded at the Jazz Collector Price Guide.

This seller did quite well last week with stuff from Leon Leavitt’s collection don’t you think? Here are a few more:

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Bidding Up – Up – Up

While the Jazz Collector community is deciding whether the Hank Mobley Blue Note 1568 is an original pressing or not, the jazz bidding community is pushing the price way up the stratosphere. As of this writing there have been twelve bids and the price is already up to $3,000. I would say that one of those bidders should just end it already and go for the $5,000 buy-it-now price — but I don’t see that option anymore. Is it possible the seller removed it?  For the record, my opinion on this is that I would consider this an original pressing, based on all of the comments. It was pressed at the same time in the same press run. I never thought this was the case, but perhaps even my obsession has limits.

The same seller is going to make a small fortune this week. Check out some of these other items he has: Jutta Hipp With Zoot Sims, Blue Note 1530. This is also an original pressing and it is also described as M- unplayed condition for the record and pristine for the cover. The price is already more than $1,000 and this one still has a buy-it-now price of $5,000. Here’s another one that’s ready for the $1,000 bin already:

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Jazz Vinyl Update For the $1,000 Bin (and More)

Here we go with an update on some of the jazz vinyl we’ve been watching on eBay:

This one inspired quite a bidding war, with nearly 1,000 page views and 32 bids among 17 bidders: Sonny Clark, Cool Struttin’, Blue Note 1588. This was an original pressing. The record was listed as M- and the cover was only VG+. The price was a whopping $3,350.

This one also entered the $1,000 bin (nice picture, huh?): Lee Morgan, Blue Note 1541. This was an original Lexington Avenue pressing that was listed in M- condition for the vinyl and VG+ for the cover. The price was $1,385.

I think prices are starting to come back again to previous levels. Look at this one: Zoot Sims, Zoot, Riverside 228. This was an original white-label pressing. The record was described as excellent, which I translate to VG++ and the cover was probably VG+ with tape on the top seam. The price was $457, which is the highest price we’ve seen for this LP in the Jazz Collector Price Guide.

 

eBay Watching: Blue Notes, Prestige

Which jazz vinyl shall we watch on eBay today? Here’s a few of note.

This one is quite tempting to me, since I do not own an original: Mal Waldron, Mal/2, Prestige 7111. This looks to be an original New York pressing and it has the presence of John Coltrane. The record looks to be what I would grade as VG++ and the cover is M-. There are a few days to go and the price is in the $150 range. When I see records such as these I have to remind myself that I am getting rid of records, not acquiring them. It is a tough sell to myself, however, since the joy is in the hunt.

This one is also strangely tempting to me, even though it is not an original: Sonny Clark, Sonny’s Crib, Blue Note 1576. The copy in my collection is a black and blue Liberty stereo. Yuch. This one is not an original because it doesn’t have the deep grooves, but at least it has the West 63rd Street address. It wouldn’t give me the creeps every time I would look at it in my collection. But, alas, the start price is about $400 and that’s a little too steep for me for a non-original, even a great record like this in beautiful condition.

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Some Weird Happenings in The $1,000 Bin

I was looking to update the $1,000 bin and came upon this weird item that was mentioned in the Reader Forum: Jutta Hipp With Zoot Sims, Blue Note 1530. This was mentioned as an original Lexington Avenue pressing and it sold for $1,925, even though there was no picture of the label and the description of the record was minimal, without even a clear explanation of the condition. How the bidding got to $1,925 on this is hard to believe, except for those of us who watch eBay regularly and know full well that anything is possible. As one of our reader’s discovered, this is actually a United Artists pressing, which means it’s worth maybe $30, depending upon the condition. The seller has only 96 feedbacks, so let’s hope this is an honest mistake and not a scam.

This one looks more legitimate, but a little weird as well: Hank Mobley, Blue Note 1668. This one was listed in VG+ condition for the record and VG/VG+ for the cover, although there was a lot of tape damage in the picture and there was also a name written broadly on the label. It sold for $1,900, which is hard to fathom given the pictures of the cover and the label.

This one is definitely legitimate, and quite lovely:

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Catching Up on Some Odds & Ends

Here are some non-Blue Note odds and ends we’ve been watching:

Blue Mitchell, Blue Soul, Riverside 309. This was one of the ones from the recent bobdjukic auction. It was listed in VG++ condition for both the vinyl and the cover and it looked to be an original deep groove, blue label pressing. It sold for $275. One of the reasons I was watching this is that I just bought another small collection and a nice original mint copy of this record was in the batch. There were also a few original Blue Notes so, if I ever get back to selling records on eBay, I’ll have some nice items to start with . . . . or if I have Jazz Collector readers come to the house, as previously proposed.

Harry Carney With Strings, Clef 640. This looked to be an original pressing, although there was no picture of the label, with a beautiful cover illustration by David Stone Martin. It was listed in VG+ condition for both the record and the cover and sold for $110.50. You have to wonder how much longer there will be a market for Harry Carney LPs. Case in point: The Astaire Story. This was the original Mercury boxed set in beautiful condition, signed by Astaire, with the Stone Martin illustrations and the exclusive photos. In M- condition, this would have sold for somewhere in the range of $2,000 just a few years ago. Now, the seller had a start price of $800 and there were no bidders.

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Price Updates: Hank, Jackie, Farmer, Moody

Just spent the morning updating the Jazz Collector Price Guide, so there are a bunch of new records we’ve been watching, including these, all of which have been mentioned before:

Hank Mobley, Mobley’s Second Message, Prestige 7082. This was an original New York pressing. The record and cover were listed in VG++ condition and the price was $482.

Another nice Prestige: Webster Young, For Lady, Prestige 7106. This was in M- condition and sold for $529.

Almost bid on this one: Freddie Redd, Shades of Redd, Blue Note 4045. This was an original West 63rd Street pressing and it was in VG++/VG++ condition. It sold for $678.

Zoot Sims, Down Home, Bethlehem 60. This was an original pressing in M- condition for both the record and the cover. It sold for $435.

Jackie McLean, The New Tradition, Ad Lib 6601. This was an original pressing of this very rare record. It was

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A Two-Piece Zoot For the $1,000 Bin

We decided to update the $1,000 bin and we found one that is new to us: Zoot Sims-Henri Renaud, Night Session in Paris. The label is Le Club Francais Du Disque 95 and it is a 10-inch LP. The record was in M- condition and it also came with a 12-page booklet. The price was $1,358. I’ve been collecting jazz records for 40 years and have never come across this one.

Zoot also made the $1,000 bin with this one: Jutta Hipp With Zoot Sims, Blue Note 1530. This was an original pressing with the Lexington Avenue address. It was listed in VG+ for the vinyl and VG for the cover. Despite the condition, it still sold for $1,036 and there were nearly 250 page views.

Ready for a Risk? How About a Sealed LP

We’ve been watching a seller this week with some sealed records on the Savoy label. These are a risk, since you can’t tell if the pressing is an original with the red label and the deep groove or perhaps a later pressing with the maroon label. The difference in value between these two pressings could be several hundred dollars — or perhaps even more, depending upon the record. While I’m a risk-taker, some of these got a little too high for my comfort level. Here are a couple:

Introducing Lee Morgan with the Hank Mobley Quintet, Savoy 12091. We’ve seen original copies of this record in nice condition selling for more than $500 in the Jazz Collector Price Guide, so a new, unplayed original would be worth quite a bit. But is this an original? Only the buyer will know if, indeed, the buyer ever opens it. In this case the buyer is spending $161.50 to find out.

This one was also tempting:

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Updating the $1,000 Bin, Thanks To JRC

As I’m catching up on the eBay action I’ve been missing the past few weeks, I’ve noticed that the Jazz Record Center recently made quite a large contribution to the $1,000 bin. Here are some of the choice items, all Blue Notes:

Lee Morgan, Candy, Blue Note 1590. This was an original pressing that looked to be in new, pristine condition. It sold for $2,905.55.

Jutta Hipp With Zoot Sims, Blue Note 1530. This was an original pressing. The vinyl appeared to be in new near-mint condition, while the cover had a few minor issues, perhaps VG++. The price was $1,954.49.

Hank Mobley, Peckin’ Time, Blue Note 1574. This was an original pressing that also looked to be in near mint condition. The price was $1,580. Where does he find these records in such immaculate condition?

There was also this: Paul Chambers Quintet, Blue Note 1564. This was

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On eBay: Morgan, Zoot, Chambers & Rare Mobley

Here are some nice items coming up soon on eBay:

Lee Morgan Sextet, Blue Note 1541. This is an original Lexington Avenue pressing being sold by Euclid Records. The vinyl is listed as VG++ and the cover is listed as M-. The current price is a little more than $300, but it’s hard to believe that this one won’t sell for more than $1,000, perhaps considerably more, given the way prices on Blue Notes have been going.

The Great Zoot Sims, Down Home, Bethlehem 60. This is an original red label pressing. The record and vinyl seem to be in what we would grade as VG++ condition, based on the seller’s description. The current price is about $150.

This one is already close to $800 and it hasn’t yet reached the seller’s reserve price:

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What To Do With Two Covers: A Simple Solution

One of the great things about doing the Jazz Collector site is that I get to learn along with everyone else. Remember I did that post the other day about the two Teddy Charles Prestige covers and Rudolf replied, as I hoped he would, and he mentioned the Jon Eardley Seven, Prestige 7033, and how Prestige just decided one day that it would no longer be a Jon Eardley record and would now be a Zoot Sims record, Zoot Sims Down East, only they didn’t change the number, they just changed the packaging. And I read that and I thought to myself: Whoops, I think I have both of those records, in different parts of my collection: One under “E” for Eardley and the other under “S” for Sims. Now, here’s the real beauty of the entire situation:

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More Blue Notes For The $1,000 Bin

Here are a few more jazz vinyl records for the Jazz Collector Price Guide $1,000 bin.

Kenny Dorham, Afro-Cuban, Blue Note 1535. This was an original Lexington Avenue pressing sold by Euclid Records. The vinyl was in M- condition and the cover was VG. The item was viewed more than 320 times, which is quite a bit these days, and it sold for $1,631.

Jutta Hipp With Zoot Sims, Blue Note 1530. This was also an original Lexington Avenue pressing. Normally, with records fetching these high prices, I wouldn’t have to state that it was an original. But with the seller bobdjukic selling United Artists pressings for more than $400, perhaps I have to be a bit more circumspect. Anyway, this was

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On eBay Now: Webster Young, Pres, Jutta, KD

A lot of the big time sellers are up on eBay this week with some big time records. Here are some of the ones we are watching at Jazz Collector:

Webster Young, For Lady, Prestige 7106. This one is a personal favorite, very nice record if you’re not familiar with it. This one is being offered by Atomic Records and it looks to be in VG++ condition for both the vinyl and the cover. The current price is about $315 and there are a few hours still to go. The same seller has this item: Lester Young and Buddy Rich Trio, Norgran 1074. This is a black label pressing, which I usually assume is a second press, although I think this may be an original: I’m not sure when it was issued and if Norgran had switched to black labels, but I know the copy in my collection is a black label as well. This one is in M- condition for the vinyl and VG+ for the cover. The current price is about $75.

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Catching Up: What’s a Promo Worth?

Here’s an update on some odds and ends we’ve been watching on eBay:

Zoot Sims, Stretching Out, United Artists 4023. This was an original deep groove mono pressing. It was a promo copy, with a promo stamp and the white label and it was in M- condition, for both the record and the cover. The price was $124. What do you think: Does the promo stamp enhance the value of a record for you, or detract, or neither. I recall in the world of rock albums, the promo stamp was always considered a good thing, but I’ve never heard that one way or another in the jazz world. Which leads me to this LP: Bill Evans, Waltz For Debby, Riverside 399. This was an original pressing with the white promo label. The record was

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Price Updates: Lights Out, Zoot, Kenny Drew

Here are some of the items we’ve been watching on eBay:

Jackie McLean, Lights Out, Prestige 7035. This was an original New York pressing with the deep groove and heavy vinyl. The record was listed in M- condition and the cover was VG+. It did not have a flat edge, according to an answer to a questioner, but I’m not sure that doesn’t mean it wasn’t original. Anyway, the price was $639.49.

Phil Woods, Warm Woods, Epic 3436. This was an original pressing and it was listed in M- condition for both the vinyl and the cover. The price was $495.

Zoot Sims, Zoot, Riverside 228. This was an original white label pressing and it was listed in VG++ condition for the vinyl and VG+ for the cover. The price was $413.

Here are a few we were watching the other day:

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Updates: Overseas, Hipp & Zoot, Shades of Redd

The seller bluenipper had some nice items close yesterday, including:

Tommy Flanagan Overseas, Prestige 7134. This was an original New York pressing. The record was VG++ (or better) and the cover was M-. The price was $2,126.33. Our top for this in the Jazz Collector Price Guide is around $2,400, so this is certainly within the range.

Jutta Hipp With Zoot Sims, Blue Note 1530. This was an original Lexington Avenue pressing. The record was listed as VG++ and the cover as somewhere between VG+ and VG++. The price was $1311. The most recent copy we’ve seen of this in near mint condition sold for $3,343, but that was from Nautiluso, the Jazz Vinyl Fraud perpetrator, so we’re not sure how to count that. It’s legitimate in that the bidding got it to that price, but were there tricks that spiked

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Jazz Vinyl Countdown: For Love or Money

I’m still doing my Jazz Vinyl Countdown: Selling more records, writing about them a bit less. However, I did make a couple of interesting decisions in the past couple of weeks I’d like to share. In the course of doing the Jazz Collector Price Guide I logged a copy of this record: Zoot Sims and Joe Newman, Lockin’ Horns, Rama 1003. It sold for $260 in near mint condition and had sold for more than $400 in the past. I happened to know I had a nice copy of this record, a promo, and I happened to know that I had not listened to it in 25 years, since I bought it. So the question was: Keep it or sell if for the bread. I listened to the record and it’s actually very nice. But, I thought to myself, would I ever listen to it again: Not likely. I have a lot of Zoot records that I prefer, so this one probably wouldn’t make it off the shelves. So I put it up on eBay with a start price of around $50, no reserve, and it sold for about $215. That was fine by me. The second recent incident involved a rare Blue Note and a higher price tag:

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