Just cleaning out the last of my eBay watch list before moving on to new items.
John Coltrane, Tenor Conclave, Prestige 7074. Notice how I listed this as a John Coltrane record. It is actually one of those Prestige jam sessions featuring Coltrane along with Hank Mobley, Al Cohn and Zoot Sims. So Why do I think of it as a Coltrane record? Because that’s where I place it within my collection, under the Coltranes. Where else would you put it? Mobley aficionados aside, Coltrane is the one transformational musician in that group, aside from being, by far, my favorite tenor play among the four of them. So, to me, it’s always been a Coltrane record, and one I am quite happy to own. This one was in M- condition for the record and probably VG+ or VG++ for the cover. It sold for $350. A bargain for someone, IMHO. This one falls into the same category: John Coltrane, Wheelin’ and Dealin’, Prestige 7131. This one features Coltrane along with Frank Wess and Paul Quinichette. For me, it’s a Coltrane record. This one was in VG+ condition for the record and the cover and sold for $263. Wonder what prices they would be selling for if they were on Blue Note? Double that? Triple?
And now some Blue Notes:
Here are a couple of jazz vinyl listings sent to us by loyal readers for your perusal.
CeeDee sent this one: Jutta Hipp With Zoot Sims, Blue Note 1530. This was in M- condition for the record and probably VG++ for the cover. It sold for $371. Not bad, right? Except this is a UNITED ARTISTS pressing. I know we’ve commented on some of these before, but this is really surprising, isn’t it? I had the United Artists pressing and the cover was pretty flimsy and the record sounded fine, but nothing special. I think I sold mine for $20, and was happy to get that. Ah well.
Michael send us a heads-up on this one, under the subject “this should be a doozy:” Hank Mobley, Blue Note 1568. This is the original original pressing, with the New York 23 on one side and the West 63rd on the other. The record looks to be in VG++ condition, based on the seller’s description, and the cover is probably close to M-. There are more than eight days left on this auction and the bidding is already in the $2,400 range. Certainly one to watch.
I’m way, way behind on my posting. Let me catch up on a little on some of the items I was watching, and then we can move forward with some new stuff. Sorry about that. Promise not to wait that long between posts anymore.
Freddie Hubbard, Open Sesame, Blue Note 4040. This was an original West 63rd pressing listed in M- condition for the record and VG++ for the cover. It sold for $1,136.22.
Sonny Clark Trio, Blue Note 1579. This was an original West 63rd Street pressing listed in M- condition for the record and VG++ for the cover. This one sold for $1,555. As many of you may recall, I recently purchased a copy of this in the Baltimore collection. I have been going through this weird process of putting a label on each of my records, describing the condition, whether it is an original and assigning a value to it. Why am I doing this? Well, if I were to die suddenly, it would prevent my kids from getting ripped off. Anyway, for my copy of this record, in M- condition for both the record and the cover. I had put in $1,000. Perhaps it’s time to make an adjustment.
We’re watching a couple of records now that look as if they will sell for big dollars, including: Walter Bishop Jr., Speak Low, Jazz Time 002. The record and cover are both in M- condition. What I find interesting here is that it is a Canadian pressing. Typically, Canadian pressings are not considered nearly as collectible as their U.S. counterparts. This one seems to be doing okay in the bidding, however. The current price is $1,111 with a full day left on the auction. The other thing is that the cover is listed as M-, but there seems to be some clear ring wear in the picture. I don’t quite understand the bidding, but it is not my record to buy or sell.
Jutta Hipp with Zoot Sims, Blue Note 1530. This is an original Lexington Avenue pressing listed in VG++ condition for the record and VG for the cover. The bidding had been slow, but it has picked up steam. There are now 28 bids and the price is $1,136.
So before I could call Rob and talk about the records, I needed to have two other conversations. The first was with Dan. Dan and I have been friends since first grade and we got into collecting jazz records at around the same time. Dan was always much more aggressive and adept than me at finding great records and he amassed a great collection, which at some point nearly 30 years ago ended up in my hands. We have always shared our hunts and scores and so I called Dan to tell him about the collection in Baltimore. He heard some of the titles and basically said: “You should have those records.”
Next up? The Lovely Mrs. JC, of course. I told her that there was an interesting collection that someone had sent me on email. She saw the familiar gleam in my eye.
We’re watching quite a large number of jazz vinyl auctions on eBay now, so let’s get right down to it:
Zoot Sims, Zoot, Riverside 228. This is an original white label pressing listed in M- condition for both the record and the cover. The start price on this one is about $330 and so far there are no bids. I imagine this one will sell and perhaps it will be sold for the buy-it-now price, which is about $500. Those white label Riversides are quite lovely to own, very substantive with heavy vinyl. Here’s another from the same seller: Sonny Rollins, The Sound of Sonny, Riverside 241. This one is also in M- condition for the record and cover, and it comes in as the same price points as the Zoot record. Again, so far there are no bidders. Curious.
This one may be nice, but it would probably help to see a clearer picture of the cover if you were thinking of bidding: Johnny Griffin, A Blowing Session, Blue Note 1559. This looks to be an original New York 23 pressing. The record is listed in excellent condition and the cover is VG. The bidding is already passed $700 with two days to go, a bit surprising given the condition of the cover.
There’s so much nice jazz vinyl on eBay now my eyes are crossed just looking. This is the first one that caught my eye: Mal Waldron, Left Alone, Bethlehem 6045. This was an original pressing in M- condition for the record and probably VG+ for the cover. It just sold moments ago for $999.99. It’s funny, because I woke up this morning thinking about doing a post on the Bethlehem label, similar to the ones I did last week on Riverside and New Jazz. Then I realized I am not familiar enough with the entire Bethlehem catalogue to make a really strong list. Not only do I not own this Mal record, I also don’t own the Roland Kirk Third Dimension record, nor the Booker Ervin Book Cooks record, nor the Charlie Mariano Sextet record, nor, as earlier noted, the Jimmy Knepper record with Bill Evans. I am certainly Bethlehem-deprived in my collection. Of the ones that I know and like, my favorites are:
Back to eBay with a few more recent jazz vinyl auctions, starting with: Chet Baker, Chet, Riverside 299. This looks to be an original pressing in VG+ condition. It sold for $337, which is the highest price we’ve ever recorded for this record in the Jazz Collector Price Guide (although, admittedly, this is not one that have have often followed). Why such a high price tag for this one? It’s got to be the presence of Bill Evans on piano, right?
Sonny Clark Trio, Blue Note 1579. This is an original West 63rd pressing listed in VG+ condition with some minor scratches and EXC for the cover, which seems to be equivalent to VG++ based on the seller’s description. It sold for $760. It used to be records had to be in near mint condition, or close to near mint, to fetch those kinds of collectible prices, but no more. There is a huge demand for any of these high-end collectibles in any condition, and certainly in any condition that will give you a good listening experience.
How about another Blue Note:
Monday morning, so let’s catch up with some jazz vinyl auctions we were watching over the weekend, starting with a couple of Blue Notes: Freddie Redd, Shades of Redd, Blue Note 4045. This was an original pressing in Ex condition for the record and VG++ for the cover. It sold for $987. Long-time readers will know that this one is still near the top of my want list and also that I would never pay $987 for a copy. It’s nice to have holes in the collection so that there always remains excitement in the hunt, at least for me. Just filling in all the blanks by paying top dollar on eBay is a valid way to build a great collection, and it’s probably a great investment as well, given how prices for collectible jazz records keep rising. But it’s never been my choice in how to build a collection. This following record, in fact, is one I had in my collection and sold because one of our readers here at Jazz Collector made me an offer I couldn’t refuse: Horace Parlan, Us Three, Blue Note 4037. This looks to be an original West 63rd Street pressing with the promo stamp. It was listed in VG++ condition for the record and the cover. It sold for $1,078.99.
From Blue Note to Prestige:
I just spent some time perusing jazz vinyl listings on eBay and, my, I was able to fill up my watch list quickly. Here are some of the items, starting with: Pepper Adams, Donald Byrd, et al, Motor City Scene, Bethlehem 6056. This is a rare one you don’t see very often. In fact, I don’t recall ever seeing a copy of this record in any store or any collection. This one is in VG+ condition for the record and VG for the cover. It closes in a couple of hours and the bidding is at $450.
The Return of Art Pepper, Jazz West JWLP 10. This looks to be an original pressing in VG+ condition for the record and probably VG or a little better for the cover, based on the seller’s description. It also closes today and the bidding is in the low $200 range.
Temptation is back: Freddie Redd, Shades of Redd, Blue Note 4045. This looks to be an original pressing listed in Ex condition for the record and VG++ for the cover. There are two days to go and the bidding is in the $250 range. Father’s Day is in a few weeks. Hmmm.