In Search of Barney Kessel Clef EP

Yesterday we answered some questions from readers. Today we have a question we would like to throw out to the community and see if anyone else has the answer. We’re starting to get a little action on the forums, so if you have questions like these please put them there and we can start building a clearinghouse of information for collectors.

 

On to today’s question, from Pete aka “Bongo Pete the Drummer”:

 “Hello. I have for years owned a 45-RPM EP on Clef Records called Introducing Barney Kessel and have never found any info on it. I also own the 10-inch LP Barney Kessel Volume 1 on Contemporary, which mentions in the liner notes that it is Barney’s first album – but that’s what it says on the back of the Clef 45. I know Barney just passed away on the 6th of this month. Do you know anything about this Clef EP? Read more

Is That Bill Evans With Tony Scott?

Today we answer a couple of questions from readers and keep our ongoing eye on eBay.

 Q. It always drives me crazy when records don’t list all the musicians. I was recently listening to a copy of The Touch of Tony Scott on the RCA label. The pianist sounded like Bill Evans, but I wasn’t sure. Can you please tell me who is on this album?

A. Good ears. The pianist is Bill Evans, very early in his career. You can hear him very effectively on “Round Midnight.” The album was recorded by three different bands on three dates in 1956. Read more

Infinity Records on Long Island — A Favorite

Riffs

 

            Went to my favorite local record store the other day, Infinity Records on Long Island, and walked away with some nice things. Joey, the owner, always seems to be able to find nice jazz and he’s usually fair and reasonable with the prices. He also knows what he’s doing, unlike some dealers who rely on outmoded and outdated price guides and wind up dramatically overpricing records. Anyway, I hadn’t been to the store in a few weeks, so there was a lot of new stuff to choose from. Here are some of the morsels I bought: Read more

Interesting Quotes from ’50s Downbeat Issues

I couldn’t sleep again the other night so I went into my music room and started poring through the batch of 115 Downbeat and Metronome magazines I bought at the WFMU Record Show in New York last week. Most of the magazines are from the 1940s and 1950s, with a few Downbeats from the 1960s thrown in. I love these things because they give you a real view of the history of jazz as it was happening. I’m always surprised that so few people seem to be collecting the old magazines. It’s okay, because the prices are always reasonable and it would be nice if they stay that way. Anyway, over the next few weeks I’ll be sharing some of the interesting items I find as I go through the magazines. Here are a few snippets: Read more

Our First Newsletter, May 9, 2004

Welcome to Jazz Collector. If you’re receiving this, then you’ve been selected for a free subscription to our daily email newsletter. For more information come to our web site at jazzcollector.com. Otherwise, please read on. Woke up in a generous mood this morning, so I delved into the collection and came up with an item to give away to a lucky subscriber.  Here it is: Gene Ammons, Live! In Chicago, Prestige 7495. This is an original 

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Jazz Collector, Ahem, “The Greatest Thing I’ve Ever Read”

Today we turn things over to some readers. We appreciate all of your letters and the great support we’re already getting from the community after just two weeks. If you sent us a note and we haven’t replied, it’s just because we’re a little overwhelmed right now. Here are some of the things our readers have shared with us:

“It’s great to read your newsletter. I feel the same way about my father as you do about being introduced to jazz. I was hearing jazz at my house as a kid way before I migrated to my generation’s rock music. I eventually came back to jazz I my 20s and have stayed there since. Read more

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