Month: January 2010

Some Top LPs That Didn’t Sell

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We usually keep track of records that sell on eBay. Here are a few records that did not sell. Why? Because they did not meet the seller’s reserve price. We will probably see these records back on eBay either with a lower reserve or no reserve at all. I know many of you refuse to bid on records that have a reserve, but I’m open: If I bid my price and it doesn’t meet the seller’s reserve, so be it. Actually, I do get a bit angry, truth be told, and I am circumspect of that seller in the future. So maybe I’m not as open as I would like to be.

This first one is a record we’ve been watching quite a bit lately: Sonny Rollins, Saxophone Colossus, Prestige 7079. This was a New York pressing. It wasn’t pristine. The vinyl was described as having a few marks and the cover was noted as having a small tape repair. The top bid was $1,554, which was below the reserve price.

Here’s another Prestige: Curtis Fuller, New Trombone, Prestige 7107. This was an original New York pressing. The record was

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On eBay: Miles and Miles and Mobley

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Here’s a seller with some really nice items on eBay now, including: Hank Mobley, Blue Note 1568. This is an original pressing. The vinyl is in VG+ condition and the cover is M-. This is one of the rare ones. It is already more than $1,000 with three days to go. From the same seller: Introducing Kenny Burrell, Blue Note 1523. This is an original Lexington Avenue pressing with the deep grooves, flat edge, etc. The vinyl is listed as VG+ and the cover is listed as VG. The current price is about $130. It will sell for more. Promise.

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A Couple of New Ones For The Price Guide

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Here are a few items that don’t normally make the Jazz Collector Price Guide:

Sonny Rollins, The Bridge, RCA 2527. This was an original stereo pressing listed in M- condition by a very reputable seller who also owns the best record store on Long Island. Still, while this is an interesting record with an interesting history — the return of Rollins after his legendary practice sessions on the Williamsburg Bridge — it has never really been a collectible item, at least in terms of its selling price. Perhaps it’s starting to move up the ranks: This one sold for $90.99. Not quite Blue Note prices, but a collectible price nonetheless.

Here’s another one we normally don’t track:

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Jazz Vinyl Giveaway: Duke At Newport

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It’s time for our next contest to give away a free record, and here’s the record: Duke Ellington, Ellington at Newport, Columbia 8648. This is a classic jazz LP, featuring the famous Paul Gonsalves solo on Diminuendo and Crescendo in Blue from the 1956 Newport Jazz Festival, which was actually held in Newport, RI in those days. Many in the media actually credited this performance with helping to revive Ellington’s career. This is not an original pressing, but is a later stereo reissue. It is in near mint condition, for both the record and the cover, and it is being make available free to one lucky reader of Jazz Collector. As always with out contests, the rules are quite simple: All you have to do to be eligible to win this record is to

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Nice Records, Very Nice Condition

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Here’s a couple we’re watching on eBay now:

Eric Dolphy, Out To Lunch, Blue Note 4163. This seems to be an original pressing, although it’s odd that one side is deep groove and the other isn’t. It is from the same seller who was selling all of those pristine records last week, and this looks to be of similar quality: Just beautiful if the pictures are accurate. This one is currently sitting at about and it hasn’t yet reached the seller’s reserve price.  You may recall that we at Jazz Collector — okay, me at Jazz Collector — were quite flabbergasted when a copy of this record sold for the astronomical price is $1,524. We think that was an aberration, so it will be interesting to see what this one goes for.

Here’s another rare record that looks to be in very nice condition:

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Bird & Newk for the $1,000 and $2,000 Bins

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Two of those Sonny Rollins LPs we were watching passed the $2,000 barrier: Sonny Rollins, Saxophone Colossus, Prestige 7079. This was an original pressing in near mint condition from a reputable seller in Italy. The final price tag was $2,850. Also: Sonny Rollins Volume 1, Blue Note 1542. This was an original Lexington Avenue pressing, also in near mint condition. This one sold for $2,025.22. Breaking the $1,000 barrier was:

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On Ebay: Newk & Jenkins, Blue Note & Prestige

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Here’s another one headed for the $1,000 bin: Sonny Rollins, Saxophone Colossus, Prestige 7079. This is an original pressing that looks to be in near mint condition by a seller in Italy who has solid feedback. There are about 14 hours to go and it is already at about $1,800. The seller has five rare Rollins LPs on eBay now, also: Sonny Rollins Volume 1, Blue Note 1542. This is an original Lexington Avenue pressing that also looks to be in near mint condition. The current price is more than $500, but it has not yet reached the seller’s reserve.

Here’s another seller with some nice Blue Notes on eBay today, including: John Jenkins with Kenny Burrell, Blue Note 1573. This is an original pressing with

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On EBay Now: Griffin, Red, Blakey, Bird

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EBay is loaded with nice jazz vinyl this weekend. Some of the top sellers are back in action, it seems. Here are some of the items we’re watching:

Johnny Griffin, A Blowing Session, Blue Note 1559. This is an original West 63rd Street pressing that is listed in VG++ condition for both the record and the cover. When we looked at this item last night the top bid was only $99. We thought we might be able to steal it for a decent price and we put in a Bidnip bid of about $230. Alas, no such luck for Jazz Collector today. The record is closing in a couple of hours and it is currently at about $425.

This seller has been selling some very nice records that seem to be in absolutely beautiful condition, including this: Red Garland, High Pressure, Prestige 7209. This is an original pressing in near mint condition and, from the picture with the listing it looks absolutely pristine, the cover as well. The current

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Dave Brubeck LP: And The Winner Is . . .

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Time to complete our latest giveaway contest. As you may recall, we are giving away a copy of the following record: The Dave Brubeck Quartet Plays Music From West Side Story and Dialogues for Jazz Combo and Orchestra, Columbia 8257. This is a reissue, very nice pressing, of the album Bernstein Plays Brubeck Plays Bernstein. We offered it in recognition of Brubeck being chosen as a recent recipient of the Kennedy Center Honors. Did anyone happen to catch the broadcast? It was actually very warm and touching and the musical tribute was pretty good, featuring, among others, John Faddis, Bill Charlap and Brubeck’s sons. After the tribute I asked my wife and son: “So who do you think wrote Take Five?” They looked at me like I was nuts: “Dave Brubeck, of course.” It’s just the way these things go, I suppose. Most people also assume Duke Ellington wrote Take The A Train. In any case, we are ready to give away this very nice Brubeck LP. As always, the criteria for the giveaway are simple: To be eligible

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Rare Sonny Rollins & Kenny Dorham Available Here

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Okay, here’s an interesting one for you. Back in the early 1970s there was this this guy in New York who had a massive collection of audio tapes that he would record from radio broadcasts. For a while he would issue these tapes on bootleg LPs under a variety of names. I have at least a couple of dozen of these issues, under labels such as Alto Records and Ozone and Session Disk, by a large number of artists such as Miles Davis, John Coltrane, Bill Evans, Ella Fitzgerald, Coleman Hawkins and many others.

He also, apparently, had tapes that were never issued in any format — and we’ve discovered one of them here. Not only that, but it’s quite a legendary performance by a legendary group of artists: Max Roach with Sonny Rollins and Kenny Dorham, recorded Dec. 12, 1956 at the Cafe Bohemia just seven months after the tragic accident that claimed the lives of Clifford Brown and Richie Powell.

This is the story: One of our friends and faithful Jazz Collector readers visited with the guy who had the tapes back in the 1970s and made a copy, on a reel-to-reel tape, of two

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