More Confessions of a Vinyl Act, Part 3

OK. The crisis has passed. As relapses go, it was relatively harmless. I did not log onto eBay and search for every missing Blue Note and bid like a madman. I did not head into Manhattan armed with enough cash and credit cards to buy out the Jazz Record Center. I didn’t really do anything except lose a night’s sleep and move a bunch of Jimmy Smith records from one shelf to another.

As I am left to ponder this latest chapter in my ongoing struggle with vinyl addiction, I believe what I had was not a relapse of vinyl addiction but something more akin to a full blown existential crisis. Why am I here, what am I doing, why do I have 10,000 records, why do I care if a single one of those records has a New York USA address on the label rather than a 767 Lexington Avenue address? You know, the usual kind of existential crisis.

The trigger was the cataloging of the Blue Notes and the process of

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Later Pressing Syndrome: One More Example

To expand upon the point made earlier, we were just watching this record sell on eBay: Jackie McLean, Right Now!, Blue Note 84215. This was a stereo pressing with the Liberty label. The record was M- and the cover VG+. Normally we’d have expected this to sell for $20 or $25 at the most. This copy sold for $59.50. It does seem that some of the later pressings are becoming more valued and collectible. Or maybe, like so many other things in the Jazz Collector world, it is strictly a Blue Note phenomenon.

Are Later Pressings on The Rise?

I’m still gathering my thoughts to write the final chapter in my Confessions of a Vinyl Addict but in the meantime, I’ve noticed something interesting: For many of the rare records, it seems even early pressings that are not originals are increasing dramatically in value. We saw a few week ago several of the United Artists Blue Notes selling for more than $400, but those were clearly an aberration created by a seller who seems to have discovered some kind of new method of record sales based on the P.T. Barnum theory of a sucker being born every minute. We’re not talking about those $400 United Artists Blue Notes. But here’s one we were watching this week that was clearly not an original pressing: Sonny Rollins, A Night At the Village Vanguard, Blue Note 1581. This one has the New York USA label, so Read more

More Confessions of A Vinyl Addict, Part 2

    ReissuesOK, so I got to the JJ Johnson record and realized it was a New York USA pressing, and then I got to Blue Note 1513, Thad Jones, Detroit-New York Junction, and realized it was a Japanese pressing, and then I got to Blue Note 1515, Jutta Hipp at the Hickory House Volume 1, and realized, hey, I don’t own that record at all.

I knew all of that. I knew I didn’t have a complete original collection of Blue Notes. I knew I wasn’t even close to having a complete collection of original Blue Notes. I knew I never aspired to having a complete collection of original Blue Notes. But I felt compelled to go on, to go through the entire 1500 series and know exactly what I had

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On eBay Now: Duke, Fuller, Newk

In addition to having an occasional existential crisis, I have also been putting some interesting items on eBay that are worth watching. Here are a couple:

The Complete Capitol Recordings of Duke Ellington, Mosaic MD 5-160. I got this a dozen years ago and never even opened it, so I figured it might be time to sell it. The CDs are unopened and the price is close to $100. Also: The Complete Blue Note/UA Curtis Fuller Sessions, Mosaic MD3-166. Similar situation as the Duke, with the CDs unopened. This one is currently at $50, but I’m hoping it goes for a lot more.

I had this one hanging in a frame above my desk: Sonny Rollins, Saxophone Colossus, Prestige 7079. This is an original New York pressing. It is

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