Month: December 2011

Rare Autographs: What’s in a Name

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Perhaps I’m naive, but when I see an autographed record I always assume that it is legitimate and not a fraud. It seems kind of weird to me that someone would try to copy the autograph of a jazz artist to try to inflate the value of the record when, in many cases, the autograph actually devalues the record, another oddity that I will never understand. I was watching this record on eBay: Thelonious Monk, Work, Prestige 7169. This was a yellow label pressing and an “original” in the sense that it was the first pressing of this record, which is a reissue of an earlier record. Normally it would be worth about $50 or so, but this one happens to have signatures on it from both Monk and Sonny Rollins. To me, this is a gem, assuming the autographs are legitimate, which I do. I tend not to collect autographs, although something like this is tempting, so I passed the listing on to one of our loyal readers who does collect autographs. I see from the geography of the winning bidder that our friend did not bid for this. The start price was $500 and there was one bidder. Don-Lucky — what happened? Seems like a good price for this one.

Down By The Riversides (With A Blue Note)

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Here’s some more jazz vinyl we’ve been watching on eBay.

It’s been a while since we’ve tracked a nice copy of Tina Brooks, True Blue, Blue Note 4041. This one was an original pressing listed in VG++ condition for the record and M- for the cover. It sold for $1,913.

Here’s a nice Riverside: Ernie Henry, Last Chorus, Riverside 266. This looked to be an original pressing in M- condition for both the record and the cover. It sold for $270.

While we’re on Riversides, here’s one two numbers apart: Johnny Griffin Sextet, Riverside 264. This one was in M- condition for both the record and the cover. It sold for $349.95. My dad used to search high and low for the Riversides in the bargain bins of a couple of record stores along 8th Street in Greenwich Village in the ’60s. I wish he would have bought some of these, but he wound up with a lot of Cannonball, a lot of Wes Montgomery and some Bill Evans. No complaints, really. I still have many of those great records from my dad.

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A Tale of Two Sonnys

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I’m proud of myself. I’m up in the country and I have some time and it’s relaxing and I put a couple of records on. First I put on Sonny Clark’s Cool Struttin’, which is a great record that I hadn’t listed to for years. Then for some reason I put on Sonny Criss Plays Cole Porter on Imperial (both reissues, unfortunately). And I was listening and it was right after Cool Struttin’ and I was thinking, hmm, the pianist on the Sonny Criss record sounds like Sonny Clark. So I looked on the liner notes and, zip, nothing. Oh I hate it when liner notes don’t list the musicians. Thank goodness for the Internet. I googled the record and within seconds I found out, indeed, it is Sonny Clark on piano. For those of you keeping score, the other sidemen are Larry Bunker on vibes, Buddy Woodson on bass and Lawrence Marable on drums. Nice record and I can’t tell if it’s my pressing, but the recording is very tinny. Any of you out there with the original?

Monday Morning Blue Notes

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Let’s catch up on some jazz vinyl we’ve been watching on eBay. I was up in Providence this past weekend and I held this record in my hands: Jutta Hipp At The Hickory House Volume 1, Blue Note 1515.  This was on auction from Round Again Records and it just closed. The record was in VG condition and the cover was VG+ to VG++. Although I have a copy of this record at home, and although I have many Lexington Avenue Blue Notes, there is definitely something magical for me holding one of these original pressings in my hands. It’s like a piece of rare art. This copy sold for $460. I’m going to keep an eye out for more records from Round Again. The store owner, Steve, says he’s trying to work on a deal with some guy who’s been buying records at garage sales for years.

Here are a couple of Blue Notes in better condition and thus in the $1,000 bin: Curtis Fuller, The Opener, Blue Note 1567. This was an original West 63rd Street pressing and it was listed in M- condition for the record and M- or VG++ for the cover. It sold for $1,007. From the same seller came Curtis Fuller, Bone and Bari, Blue Note 1572. This was also an original pressing, also in M- condition for the record and VG++ or M- for the cover. This one has Sonny Clark on piano, so it sold for a bit more: $1,136.

 

Someone’s Getting Lucky This Week

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I had said earlier that it was a big week for jazz vinyl on eBay and there are still many nice items to watch from afar (or from up close, depending upon your point of view and/or eyesight). Among the items of interest to us:

Lucky Thompson, Accent on Tenor, Urania 1206. You don’t hear much about Lucky Thompson anymore, nor do you often seen Urania LPs among the collectibles we watch on Jazz Collector. Thompson was a nice tenor player, an early bopper who played on some of the earliest bop dates. If I recall correctly, Dizzy hired him so that there’d be a sax player on the stage when Bird would either be late or not show up at all. How much longer to you think there will be a collectibles market for Lucky Thompson? This one is in M- condition and is in the $350 range with more than a day to go.

The pianist Kenny Drew generally has more cachet as a collectible artist than Lucky Thompson, but this one suffers from condition issues: The Modernity of Kenny Drew, Norgran 1002. This one is listed in VG+ condition for the record and VG- for the cover, but the picture looks pretty decent. You’ll usually see these covers with some ringwear. It’s a great cover, isn’t it, straight out of the Norgran style of the ’50s. This one is around $80 and is closing today.

While we’re on the subject of  Kenny Drew:

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JRC Auction: A Little Trane, A Few Blue Notes

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It’s always interesting to watch the Jazz Record Center auctions on eBay and the latest is closing today. Here are a few of the items:

John Jenkins and Kenny Burrell, Blue Note 1573. This is an original pressing that looks to be in M- condition for both the record and the cover. The start price on this was $1,000 and there is a bid on it, so it will be sold and will enter the virtual $1,000 bin.

John Coltrane, Giant Steps, Atlantic 1311. Here’s a more clear explanation of this than we’ve heard before. Jazz Record Center refers to this as the “pinwheels” label, although we’ve most often seen it described as “bulls-eye.” It is described as an “original deep-groove second press,” which kind of makes sense. It’s still valued among collectors, even though it is not a first press. This one looks to be in M- condition for the record and the cover and is already at more than $170. Speaking of original Coltranes on Atlantic: John Coltrane and Milt Jackson, Bags and Trane, Atlantic 1368. This is an original mono pressing with the red and purple labels, although I’m still not 100 percent sure how to distinguish it as a first pressing. This one is in M- condition and so far there are no takers at $50.

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A Jazz Vinyl Christmas?

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I did my usual eBay searches last night and there is a lot of really, really nice collectible jazz vinyl available now. These things tend to go in cycles. Perhaps the Christmas season brings out the inner retailer in some of us. Here is just a sampling of the jazz vinyl we’re watching now:

Walter Davis Jr., Davis Cup, Blue Note 4018. This looks to be an original pressing in not-too-great condition. Record looks to be VG or VG+ and the cover is rated as VG. The auction closes later today and the bidding is in the $150 range. I have a United Artists pressing of this record and would love an original, even one in VG condition. But this will probably sell for somewhere around $300, so I think I’ll wait.

I’m still surprised to see these Benny Golson LPs selling for such high prices, although I’ve always been a fan myself: Benny Golson, Gone With Golson, New Jazz 8235. This is an original purple label pressing and it is listed in M- condition for the record and Ex for the cover, which is probably VG++? There are more than two days left on this auction and the bidding is already nearing $400. Speaking of which, here is a copy of my favorite Benny Golson record: Benny Golson, The Modern Touch, Riverside 256. This is an original deep groove blue label pressing that is listed in M- condition for both the record and the cover. The price is well less than $100 at this point, with a few days to go. If you don’t know this record, it’s one to check out. Really nice arrangements, some great Kenny Dorham, and a fantastic rhythm section with Paul Chambers, Max Roach and Wynton Kelly. Doesn’t get much better than that.

Here’s another favorite, with a great cover:

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Jazz Vinyl Watch: Setting Some New Records

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Here’s some of the jazz vinyl we’ve been watching on eBay:

Art Tatum/Ben Webster Quartet, Verve 8220. This is an original pressing with the trumpeter logo. The record was in M- condition and the cover was VG++. There were four bidders, 15 bids and the ultimate price was $290. My sense is most of the readers here at Jazz Collector tend to prefer post-bop era jazz — I generally do as well — but this is one of those must-have records, in my opinion, that always sounds beautiful and fresh when you put it on the turntable.

Haven’t seen this one sell for such a high price before: Sheila Jordan, Portrait of Sheila, Blue Note 9002. This was described as an original U.S. pressing in “superb” condition. It sold for $405. Our previous high for this record in the Jazz Collector Price Guide was just $123, so that’s quite a leap. Great record, though.

Here’s a perennial for the ever-more-crowded $1,000 bin:

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Rollins Receives Kennedy Center Honor

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The actual Kennedy Center Honors took place last night, the one in which Sonny Rollins received his long-overdue and much deserved recognition. In looking over various accounts of the festivities, it seems as if it was a lovely evening all around. Bill Cosby did the honors of introducing Sonny and I saw a clip on one of the sites where I recognized Jimmy Heath and Joe Lovano, among others, playing tribute. Sonny was asked why the evening was so special. “It’s very nice to be recognized here in our country, which is the birthplace of jazz,” he said. “It’s where we started jazz, and people love jazz all over the world. It’s a peaceful expression of the spirit, of love, of everything.” In the U.S. there will be a two-hour broadcast of the evening on Dec. 27 at 9 p.m. on CBS.

AP Video

Watching, And Appreciating, 10-Inch Jazz Vinyl

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I have my eye on a couple of 10-inch LPs today, not that I’m interested in buying them, just interested to see if they’ll sell: Fats Navarro Memorial Album, Blue Note 5004. This is an original pressing, but you have to love the seller’s listing of 161 Lexington Ave. as opposed to 767 Lexington Ave. That early script was tough to read, I guess. This one is listed in VG+ condition for both the record and the cover and it has a start price of about $160. It closes early tomorrow and so far there are no bidders. From the same seller is Jay Jay Johnson, Blue Note 5028. This one is also in VG+ condition, is also closing early tomorrow, is also priced at about $160 and is also without any bidders. We’ll see. I think part of my interest in the 10-inchers is because this week I finally got my 10-inch LPs and my 78s out of storage. It was not a simple process and required deep negotiations with

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