Month: February 2015

The Stupid List

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Dexter copyI was watching that Clifford Brown autograph (as well as Max Roach, Sonny Rollins, et al), but didn’t have enough interest to actually bid on it. To my surprise, there were only five bidders altogether, which would seem to indicate minimal interest at that price, which turned out to be $482.11. I did casually mention when I wrote the earlier post that Clifford was probably among my top five musicians of all time and that I would ponder that and do another post on it this weekend. Sometimes, as we all do, I say and do stupid things. It was stupid to even suggest that I could create a list of top five favorite musicians, when there are so many musicians I love and each musician brings something different and special to my life and my enjoyment of music. Last night I was listening to the Dexter Gordon record, Getting’ Around, Blue Note 4204, and I was thinking about how much I love Dexter and how much I treasured seeing him as often as I did in the early and mid-1970s, particularly his very first club date when he began playing again in the United States. And, goodness, what an amazing ballad performance on “Who Can I Turn To.” And then I put on two Miles Davis records, Kind of Blue and Sketches of Spain, and I thought

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The $1,000 Bin is Getting Crowded

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Kenny Dorham copyWow, looks at the prices on these two:

Kenny Dorham, Afro-Cuban, Blue Note 5065. This was an original Lexington Avenue 10-inch pressing listed as Ex condition for both the record and the cover. The seller hyped up the condition, suggesting that the record was only played once or twice. It sold for $1,684.

Roland Kirk, Triple Threat, King 539. This was an original pressing that was probably in VG++ condition for the record and VG+ for the cover. It had been listed previously at about $2,000, didn’t sell and was listed again. This time it sold for $1,259.56.

Well, while we’ re filling the $1,000 bin, let’s add a few more: Sonny Clark, Cool Struttin’, Blue Note 1588. This was an original pressing listed in Ex condition for both the record and the cover. There were 17 bidders and 79 bids, which is a pretty high amount. The record sold for $2,604.54.

This came from the same seller:

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I Remember Clifford (And Lee Morgan, Too)

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Clifford Brown copySometimes you’re on eBay and you’re browsing and then along comes an item and it’s like, wow, I would really like to have that. And thus it is with me and this item: Brown and Roach Incorporated, Emarcy 36008. This is a Canadian pressing in G condition for the record and the cover. Not too appealing so far, right? Well, here’s the thing: The record is signed. Not just signed, but signed by Clifford Brown. If you think about when Clifford died, 1956, and how young he was, 25, you would have to think that there are very few Clifford Brown autographs anywhere. Not to mention that he is probably one of my top five favorite musicians of all time (actually, I will think further on that subject and do another post on it this weekend). So this record has Clifford’s signature and also signatures by Sonny Rollins, Max Roach, George Morrow and, presumably, Richie Powell. A few things, however, do make the record somewhat less appealing to me. One is I don’t actually collect autographed records as do some other people — hello, there, Don-Lucky. But I would love to have a Clifford Brown autograph. Two is that it seems the owner

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One Sells, The Other Doesn’t

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John Jenkins copyBack to watching jazz vinyl on eBay. Here are some of the records that we missed in the past few days, starting with John Jenkins and Kenny Burrell, Blue Note 1573. This was an original pressing with the West 63rd Street address on both labels. The record was listed in VG+ condition and the cover was as well. It sold for $865.55, which is getting up there for a VG+ record. At the same time there was this copy of the same record. This one also looked to be an original pressing and seemed to be in better condition than the other one. The seller listed it as Ex+, which typically translates to around VG++. Yet, this one only received a top bid of $224.50 and failed to reach the seller’s reserve price. I’m sure I’m missing something in the listings, but I can’t figure it out. And it can’t be because one of our readers doesn’t like the seller for whatever reason. If we had that kind of clout, we’d start our own eBay for Jazz Collectors only.

Here’s one for the $1,000 bin:

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In Appreciation of Bill Evans

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Bill evans jazz vinylI’ve been on a bit of a Bill Evans tangent recently. If you’re going to be on a tangent, you could do a lot worse. I’ve been listening to a lot of Evans, mostly the Riverside records,  and then I also put on Kind of Blue the other night and I recall thinking to myself that, in many ways, Kind of Blue sounds in some places more like an Evans album than a Miles album. I know there’s always been a bit of controversy about who actually wrote Blue In Green, but all it takes is a cursory listen to hear that it seems more Evans than Miles. Anyway, I’m not looking to open up old wounds or start new controversies. But I want to do two things: 1. Point you all to this very interesting article on the Influence of Evans, The Bill Evans Legacy, by Doug Ramsey in The Wall Street Journal the other day. It’s nice that his genius remains recognized and appreciated and still discussed in the mainstream media. 2: I wanted to post the great recording of My Foolish Heart from Waltz for Debby, just because I love it and wanted to share it with a bunch of my friends. So, enjoy:

Two for the Jazz Collector Wish List

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Hank Mobley copyJaphy sent me a note on the following listing: Hank Mobley Quartet, Blue Note 5066. This was an original 10-inch pressing that was listed in M- condition for both the record and the cover. It was listed as having been from the original owner and was offered at $1,400 or best offer. It was sold for best offer, which keeps it somewhat of a mystery to all of us here. Popsike lists it as $1,200, but we’re not sure how they know that. In any case, Japhy notes that this is the second highest price Popsike has ever recorded for this record. He also suggests that the pictures were underwhelming and the listing lacking in details. I actually think the pictures are pretty good. However, if you blow up the picture of the front cover you can see some minor damage on the lower right corner and some definite seam wear on the bottom, so I’d be hesitant to believe the accuracy of the M- cover. Otherwise, the cover does look quite nice. Beyond all of that,  one of the important take-aways is this: Japhy is considering selling his copy,

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