Author: Al

Shades of a Dilemma

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Here is one of the dilemmas in doing Jazz Collector and being a jazz collector at the same time. In the course of perusing eBay for the site, I sometimes run into records that I may want myself. Do I write about them or do I watch them in silence, place my bid and pray like everyone else? Here’s a case in point: Freddie Redd, Shades of Redd, Blue Note 4045. This seems to be an original pressing and it looks to be in very nice condition, at least VG++ and perhaps even better. The current price is just $70. The only copy I own of this record is a Japanese pressing. Actually, I own two Japanese pressings because it is one of my favorite records. I also own the Mosaic CD, but that is beside the point. The point is I would like to own an original pressing. I mean, that is why we’re here, isn’t it? Anyway, I’m sure this will

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The Rise of the Second Pressing, Redux

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We’d been talking a few weeks back about how second presses — and even third presses — are starting to get some traction as collectibles. Or, to put it more aptly, how later presses are starting to sell more often at collectible prices. Here’s one we happened to notice yesterday on eBay: Jackie McLean, 4, 5 & 6, New Jazz 8279. In the listing, the seller lists this as an “original” purple label pressing, which is somewhat accurate, I guess. It is an original version of this pressing, but the issue itself is a reissue of the original Prestige, so it is a bit of a stretch to call this an original pressing. Nonetheless, I’m not sure whether the description has that big an impact on the bidding because you would think the people bidding into three figures on these records would have some knowledge of what they are doing. Except, of course, those

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Some Top Prices: Getz, Jackie, et al

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Hmm, prices seem on the rise again. Here are some records we’ve been watching this week:

Sonny Clark, Dial S For Sonny, Blue Note 1570. This was the one listed as Sonny Clarke. The record and cover were in VG++ condition and it seemed to be an original pressing. The price was $1,413.

There was also this: Stan Getz Plays, Norgran  1042. This was in M- condition for the vinyl and VG++ for the cover. The seller was Euclid Records. The price was $432. We thought this might be the highest price we’ve ever recorded in the Jazz Collector Price Guide for any Getz record, but, surprise, a copy of this same record in M- condition once sold for more than $700. Still, $432 is a pretty high price for this record. Do you think that our coverage here at Jazz Collector, and the clip we played, had anything to do with the bidding?

This is the highest price we’ve ever recorded for this LP: Jackie McLean, Jackie’s Bag, Blue Note 4051. This one was in M- condition and sold for $702.

This one would have made the $1,000 bin, but it didn’t meet the seller’s reserve price:

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A Few More For the $1,000 (and $2,000) Bin(s)

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This one has been breaking the $1,000 barrier pretty consistently: Louis Smith, Smithville, Blue Note 1594. This copy seemed to be in VG+ condition for the record and VG condition for the vinyl, based on the seller’s description. Still, it sold for $1,148.

Jazz Record Center had a few more in the $2,000 bin, including: Tommy Flanagan Overseas, Prestige 7134. This one was in beautiful M- condition and sold for $2,650.07. One of the nice things Fred often does in the listings is provide little details that help to expand our knowledge of the market. In this case the little tidbit is that there is no address on the cover because Prestige at the time was transitioning from New York to New Jersey.

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On eBay: Getz, Anita O’Day, Sonny Clark(e)

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Speak of the devil, here’s a copy of Stan Getz Plays, Norgran, 1042, on eBay now courtesy of our friends at Euclid Records. The record is listed in M- condition and the cover is VG++ and the words “beautiful” and “gorgeous” are thrown in as well. The price is around $140 and there are still more than two days to go.

Don’t usually expect to see this one at $100 or more, but this copy is there already: Anita O’Day Sings the Most, Verve 8259. This is an original pressing with the trumpeter logo and it is in M- condition.

If someone is doing a search of Sonny Clark, will this record come up:

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A Short Clip: Jimmy Raney With Stan Getz

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I was thinking about what Bethellodge stated on the earlier post about Jimmy Raney. I set up some new software yesterday making it easier to record from my turntable into the computer, so I’ve been playing with it and decided to try it out here and provide a service to the community as well. The idea was to post something from the Jimmy Raney Ensemble 10-inch LP, pictured here, and I was recording Stella By Starlight when I realized if Bethellodge and others were not aware of Raney, it would also mean that they were probably not aware of one of my very favorite records in the world, which is Stan Getz Plays, Norgran 1042. Raney is pretty much a supporting player on this LP — I think he has just one solo — but Getz is in absolutely top form on this LP and Getz in top form is as good as anyone who ever held a tenor sax. So, from Stan Getz Plays, here is The Way You Look Tonight, with some supporting guitar work by Jimmy Raney in the ensembles. Enjoy.

The Way You Look Tonight

Sonny Live and Well: Better Late Than Never

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We’re doing some housekeeping here at Jazz Collector and in cleaning out email we discovered some interesting items that our friend Don-Lucky sent to us all the way back in December. Don-Lucky drove down from Canada to see Sonny Rollins in Tarrytown and what follows are some souvenirs from his trip, which he graciously shared with us and which we in inadvertently put into a hold file and ignored for lo these many months. This first item is a New York pressing, by the way:

Next up are some photos that are a bit more current:

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Updating the $1,000 Bin, Thanks To JRC

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As I’m catching up on the eBay action I’ve been missing the past few weeks, I’ve noticed that the Jazz Record Center recently made quite a large contribution to the $1,000 bin. Here are some of the choice items, all Blue Notes:

Lee Morgan, Candy, Blue Note 1590. This was an original pressing that looked to be in new, pristine condition. It sold for $2,905.55.

Jutta Hipp With Zoot Sims, Blue Note 1530. This was an original pressing. The vinyl appeared to be in new near-mint condition, while the cover had a few minor issues, perhaps VG++. The price was $1,954.49.

Hank Mobley, Peckin’ Time, Blue Note 1574. This was an original pressing that also looked to be in near mint condition. The price was $1,580. Where does he find these records in such immaculate condition?

There was also this: Paul Chambers Quintet, Blue Note 1564. This was

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eBay Watch Resumes: Here Are Some 10-Inch LPs

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I went back on eBay last night for the first time in a couple of weeks. It was like a visit with old friends, seeing the Prestiges and Blue Notes and Norgrans all hanging out as if I had never left. After a short visit I put a few on my watch list to see once again. Here are some of them:

Gigi Gryce Big Band Featuring Clifford Brown, Blue Note 5049. This is an original 10-inch record and is being offered by Euclid Records. The vinyl is listed as VG++ and the cover is M-. The current price is $73.85, which seems pretty low, but the 10-inchers no longer seem to have the cachet they once had, even though in many cases they are the original pressings. This one was originally issued on French Vogue, right? Anyway, I’d be tempted to bid on this one myself since I once had a near-mint copy of this record and let it slip through my fingers, although for a price of $200 more than 20 years ago, so I can’t complain too much. In a similar category is this record: The George Wallington Showcase, Blue Note 5045. This one is being offered by Atomic Records, one of the other large sellers on eBay. This one seems to be in

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Adventures in Jazz Collecting: The Auction, Part 2

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Sorry to leave you hanging on Part 2 of this story. So I am on the phone listening to the auctioneer in the background. He is describing each lot – Here’s Number 14, Kenny Burrell on Blue Note, do I hear one hundred, a hundred ten, a hundred twenty, a hundred thirty, two hundred, two ten. This is going by in what seems like nanoseconds. For me to get in a bid I have to decide quickly how much, then I have to react quickly and, in the end I have one or two seconds to decide as the auctioneer is getting ready to close the auction. It’s a bit of an adrenaline rush, as you may imagine. Anyway, I lose out on all the Burrell records and I’m feeling a bit guilty about tying up the phone line and the next thing I know I’m bidding on a couple of Wes Montgomery records and the guy on the other end of the phone, who is the brother of the auctioneer, is telling me it looks like I’m going to win these records. And I do. One is Full House, a great Riverside record featuring Johnny Griffin. The other is The Incredible Jazz Guitar of Wes Montgomery, also on Riverside. I have bid $60 for

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