Author: Al

Explorations in the Jazz Collector Stratosphere

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Time to clear out the watch list, starting with The Arrival of Kenny Dorham, Jaro, JAM 5007. This was an original mono pressing with the blue label and deep grooves. The record and cover were both listed in EX+ condition. The final price was about $1,248. From what I can see on Popsike, this is a new high for this record, beating the pervious top tag of $1,050. Speaking of new highs, I had to do a double-take on this one: Get Happy With Freddie Redd Trio With Guests, Nixa Jazz Today Series, NJL 19. We wrote about that a few weeks ago and the post received 59 comments (and counting). At the time of the writing the bidding was in the $460 range and there was some speculation that would end up in the $1,000 bin. How about the $4,000 bin, as in $4,377. Read more

In the Mailbox: Yikes, Yowzas & George Benson’s Collection

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Got a few emails from our friend CeeDee, starting with The Booker Ervin Quintette, Cookin’, Savoy 12154. This looks like a red label, but it’s not clear. Some of the photos look red, some look maroon. Not sure this record had deep grooves, but there are none in the picture. This copy was in Ex condition for the record and the cover and sold for about $558. The previous high for this record was $175, according to Popsike. Read more

Thelonious, Duke, Phil and Buckshot

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Let’s get back to the mundane business of watching prices of rare jazz vinyl soar on eBay, shall we. Let’s start with Thelonious Monk Plays the Music of Duke Ellington, Riverside 12-201. This is the original pressing of the first record in the 200 series of Riverside. It is an original white label pressing with the original cover, featuring photos of Monk, Oscar Pettiford and Kenny Clarke. The record looks to be in nice condition, although the description is pretty vague for a seller who does not offer returns. Cover also looks pretty nice, based on the pictures. The bidding starts at about $750 and so far there is no action, with the auction closing in about two days. I would love to own an original copy of this record and I came close about 20 years ago for what at the time was a reasonable price. I was at the Jazz Record Center in New York and had a copy in my hand in very nice condition and the price was $100. I thought long and hard, asked Fred what he thought and he said it was a bargain at that price, but I guess I didn’t have the money, or the balls, at the time, so I left it behind. Came back a few days later to get it, but it was gone. Read more

Ramblings, Records and Rancor, Oh My

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In my real life I’ve been writing what we call an “eBook” for a client. Basically, it’s a long term paper of about 5,000 words. The topic is climate change and, if you want to get really depressed, read the latest report from the United Nations. Anyway, I share this because being buried in work has left little time for the important things in life, like Jazz Collector and, lo and behold, in my absence there are 55 comments, and counting, on the latest post. Surely, they can’t all be about getting happy with Freddie Redd and Jazz Collector, so I am curious about what is going on to inspire such interest and, perhaps, inspiration. So, pardon me while I catch up. Hmmm, now I see that there was a personal, and in my view entirely unfounded attack on Clifford from a new commenter named Gohoos81, who has since apologized and rambled to the point where I am having trouble deciphering whether this was a real diatribe or an attempt to spam the site. Whatever. I see there has been enough pushback without me having to waste more time worrying about it. But Gohoos81, if you are still here, you may find that there are other sites where the community is more welcoming of your rancor and bluster, but you don’t seem to have a very welcoming audience here, including your usually amenable host. Read more

Get Happy with Freddie Redd and Jazz Collector

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You would think that someone collecting jazz records for more than 50 years, as I have, and who had been obsessed with finding a clean copy of Shades of Redd, as I have, would have known about the following record, as I have not (until now): Get Happy With Freddie Redd Trio With Guests, Nixa Jazz Today Series, NJL.19. Not only have I been unfamiliar with this title, I am also unfamiliar with the label. So, excuse me for a moment, while I look at the record and do a search. A quick perusal tells me this is a Metronome Recording, Made in England and, as described on the label, is an “unauthorized public performance.” The trio is Freddie Redd, Tommy Potter and Joe Harris and the guests are Rolf Ericson and Benny Bailey. Based on the liner notes I would place the record in the late 1950s, maybe 1958 or 1959? Now to Popsike, Google and beyond. Read more

Marketing, Language, Hyperbole and Collectible Jazz Vinyl

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Where was I? Oh, yeah, collectible jazz vinyl. The seller vinyl-house-uk has some interesting items for sale on eBay, including the Wardell Gray Memorial Album, Volume 2, Prestige 7009. This is an original New York yellow label listed in VG+ condition for the record and the cover. The bidding is already at about $775 with more than four days left on the auction. This is already the highest price ever for this record, according to Popsike.  In the same lot, the same seller is offering the Wardell Gray Memorial Album, Volume 1, Prestige 7008. This is also an original New York pressing in lesser condition than Volume 2, probably closer to VG all around. The bidding is at about $140. What I find interesting in these auctions is how the seller chose to list/market them. Volume 2 is promoted as “Wardell Gray/Sonny Criss/ Dexter Gordon.” Volume 1 is “Wardell Gray/Al Haig/Tommy Potter.” Do you think those headings make a difference? I absolutely do. Somehow, I’m more interested if Dexter Gordon is on a record versus Tommy Potter. Maybe it’s just me, but it seems to be leading to a record price for a record in just VG+ condition. Read more

Jazz Vinyl Alerts From The Field

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Let’s turn things over to a couple of readers for today’s post, starting with Andy, who sent the following:

“Hi Al, hope all is well. I’ve been doing some shopping over on Yahoo! Japan Auctions and found a couple interesting pieces I thought I’d share. First off is a sold listing: J.R. Monterose’s self-titled on Blue Note. According to the seller it only had the RVG and ear on side two. If I had to guess I’d assume it would be a later pressing because of this. It still fetched a nice sum though! Read more

Records and Record Setters

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To pick up here I left off yesterday, here is Freddie Redd Quartet with Jackie McLean, The Connection, Blue Note 4027. This was an original West 63rd Street pressing with the deep grooves, ears, etc. The record and cover were both listed in M- condition. The record sold for $1,525, which has to be a high for this record as I open a window to Popsike and . . . . it is, indeed, nearly doubling the previous high price for this record. Here’s another record that seems like it may have set a new record: Bennie Green, Soul Stirrin’, Blue Note 1599. This was listed in VG+ condition for both the record and the cover. The final price was $969. Indeed, according to Popsike, that is a new record high, quite a feat considering the condition. Surely, there have been M- copies of this record in the past. Read more

Random Vinyl with Random Musings

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Time to clean out my watch list in time for the holiday weekend. Some of this stuff goes  back a few weeks (or more) but I kept them in the queue thinking that someday I would do exactly what I am doing now. Here goes, starting backwards, from May there was Howard McGhee, Dusty Blue, Bethlehem 6055. This was an original mono pressing that was listed in VG condition for the record and G for the cover. It was in pretty bad shape, yet it sold for nearly $500. I don’t understand what it is about the record or condition that warranted that kind of price, with a bidding war to boot, so perhaps someone here can elucidate me. Read more

Four For Blue Note

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Random Blue Note jazz vinyl from our eBay watch list, starting with Herbie Hancock, Empyrean Isles, Blue Note 4175. This is an original mono pressing listed in M- condition for the record and cover. Seller rates it a ten on a scale of one to ten, for whatever that is worth. I had this in my queue and a reader sent me a link and it has 70 watchers, so it is, at the very least, a widely viewed listing that closes within a couple of hours of when I post this. The bidding is already more than $900 and at that price it will set a new high for this record, according to Popsike, but we are fully expecting that this copy will break into the $1,000 bin. Read more

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