Author: Al

Guest Column: (Mis)Adventures in Jazz Hunting, Southern Style: Goats, Garlic, Grief and Gordon

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By Dave S.

As I have promised Al over the years, I will continue to submit for his approval, my journeys into the unknown of crate diggin’ we call the Twilight Zone. This week’s episode takes us to Birmingham. Not Birmingham, England, but Birmingham, Alabama. You might ask why Birmingham, Ala., generally regarded as fertile hunting grounds for Southern Fried Rock such as the Allman Brothers or Lynyrd Skynyrd, but certainly not for our favorite genre.  I was heading there for a business trip so I thought I would go where no jazzman has gone before (sorry for the weak TV references) and see what I could find.

I put an ad in the Birmingham craigslist website a couple of weeks before my trip and drummed up some potentially promising leads. In previous posts, I have documented my screening techniques. I don’t like to ask too many questions or ask for too many pictures before I see the goods. Just enough information to validate that jazz means something other than Enoch Light or Jackie Gleason, and that some of my favorite labels and/or artists are there. I especially like to ask about the history of the collection and the provenance. That often tells me about the likelihood of finding some hidden gems. With this screening approach, sometimes you win and sometimes you lose. Read more

More Adventures . . . Or Just Misadventures?

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Today we have various jazz vinyl that has caught my eye for various reasons, starting with Miles Davis, Miles, The New Miles Davis Quintet, Prestige 7014. This looks to be an original New York pressing with the green cover, although it’s hard to tell if it is the frame cover from the picture, but the seller says that it is. The seller also says the cover is VG++, which doesn’t look quite accurate to these eyes. The record is listed in VG+ with “a touch of light surface noise in spots.” The start price is around $280 and there are nearly five days left on the auction. So far there are no bidders. When I started collecting, this was considered a real rarity, John Coltrane’s first recording with Miles. And, indeed, this record has made it into the $1,000 bin several times. I’m wondering if there will be interest in this record. If not, will it be because of the condition or will it be because it is not on Blue Note? I’m sensing it may be a combination of the two. But I could be wrong and the bidding will become heated at the last minute, as it so often does on eBay. Read more

Blue Notes Galore, For a Price

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Catching up on a recent interesting Blue Note auction from the Jazz Record Center. Lots of items for the $1,000, $2,000 and even the $3,000 bin, starting with Lee Morgan Volume 3, Blue Note 1557. This was an original New York 23 pressing that looked to be in M- condition for both the record and the cover. The final price was $3,248. This was not the highest price ever for this record, but it’s close. A couple of years ago a similar copy sold for $4,177, according to Popsike. We’ll keep going on these for a bit, continuing with Curtis Fuller, The Opener, Blue Note 1567. This was an original West 63rdStreet pressing that was listed in Mint condition for the record and “virtually new: condition for the cover. This one sold for $2,638, also close to a record high, but not quite reaching the $3,051 for a copy in 2015.

Sonny Clark Trio, Blue Note 1579. Original West 63rdStreet pressing, Mint condition for the record and the cover, $2,425.

Walter Davis Jr., Davis Cup, Blue Note 4018. Original West 63rdStreet pressing. Mint condition for the record and the cover, $2,413.

Hank Mobley and Lee Morgan, Peckin’ Time, Blue Note 1574. Original West 63rdStreet pressing, Mint condition, $2,137.

Sabu Martinez, Palo Congo, Blue Note 1561. Original West 63rdStreet pressing, promo copy, Mint condition, $1,580.

Kenny Burrell, Blue Lights Volume 1, Blue Note 1596. Original West 63rdStreet pressing with the Andy Warhol cover. Mint condition for the record, perhaps slightly less for the cover, $1,221.

Lou Donaldson, Wailing With Lou, Blue Note 1545. Original New York 23 pressing, probably VG++ condition for both the record and the cover, $1,225.

That’s it for now. I could go on, but my fingers have gotten sore from typing in all of those numbers.

 

 

 

 

Guest Column, Part 2: “How I Got Over”

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Here’s Part 2 from our friend Lenni Bukowski.

“Without music, life would be a mistake.”  – Friedrich Nietzsche

“Nothing will ever take the place of you.“ Well, if you’re a collector, something has to, correct?! I mean, all this energy/devotion has to go somewhere. I began the first post quoting from Mr. A‘s email to me wherein he touched on an important part of ceasing to collect records: “How to find a place in our lives for the passion we get by collecting, listening and playing jazz.” The realization that I could exist without being a “record boy” was similar to the one depicted by Harvey Pekar in American Splendor #4, “How I Quit Collecting Records and Put Out A Comic Book With The Money I Saved.”

Yet, I had no inclination to produce a comic book. Nor did I wish to follow the example of an acquaintance, Bruno Johnson, who sold his record collection to finance the start of a CD label, Okka Disc. So, I faced a decision; in Gurdjieffian thought, what do I want to be? Now, this time around.

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Vinyl Musings and a Plea to Help Kenny Burrell

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I spent the last three weeks galivanting around Europe. Alas, no record stores or scores on this trip, not even any live jazz. But, I’m back and checking up on some of the things I missed whilst away, including an auction from the Jazz Record Center that featured Art Pepper, Modern Art, Intro 606. This was an original pressing that looked to be in VG++ condition for the record and VG+ for the cover. The final price was $2,225. The same auction also featured Bill Evans Trio, Portrait in Jazz, Riverside 315. This was an original pressing with the small blue and silver reels logo. The record and cover both looked to be in new, pristine condition. The final price was $1,385. Finally, this is not music I am familiar with, but I’m sure it will be of interest to Clifford and other readers: Maulawi, Strata SRI-104-74. This looks to be an original pressing in M- condition. The final price was $910.

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Guest Column: Dancing in Your Head

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Greetings to all. I’m Lenni Bukowski, whose comments under the moniker of Lennib you may have read, although recent ones may have been anathema as they dealt with dissolution rather than accumulation. I have also been emailing Al on the matter of disposing due to his post of May 3rd, 2015, titled ‘See You in Brooklyn? Not Anymore.’  He suggested  “Why don’t you write a post or two on your experiences…how to find a place in our lives for the passion we get by collecting, listening and playing jazz.”

I believe I have always been a collector of some sort, of something. Baseball cards, books, stamps, coins, toy soldiers. And looking back, I outgrew all of them over time. Being Chicago born, I had always been riding the subway or buses when I was old enough to and on one such journey of exploration in 1963 or ‘64, I walked into the Jazz Record Mart, 7 West Grand, and immediately heard a sound that would stay with me always. I asked the clerk, dig now, a hipster for real, red haired, goatee’d, all in black, beret’d, what was playing over the speakers. The reply came, with hipster hauteur, “That’s Bird, man.” Seeing a look of befuddlement, he took pity on a youngster and said that’s Charlie Parker.

And off I went. Read more

Grails, Holy Grails and Actual Jazz Records

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Nice discussion on the previous post. Here are a bunch of rare jazz records on my eBay watch list as I prepare to take a brief holiday. Let’s start with Donald Byrd, Byrd Blows on Beacon Hill, Transition 17. The seller uses one of our least favorite terms, “Holy Grail,” which wouldn’t apply to this record even if it was suitable language, if you get my drift. Anyway, this looks to be an original pressing with the booklet. The record is listed in Ex condition and the cover looks to be a fairly generous VG. The bidding is in the $1,300 range with more than four days left on the auction, so you could see this in the $2,000 bin when all is said and done. The top price for this record, according to Popsike, has been about $3,840. I was fortunate when I purchased the collection in Baltimore to get a beautiful clean original copy of this record.

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Are You Ready for the $6,000 Bin?

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Got a note from our friend Japhy yesterday pointing me to this: John Coltrane, Blue Train, Blue Note 1577. This was an original pressing with the New York 23 labels and “Review Copy” stamp on the labels. It was listed in Ex+ condition, which I would imagine to be VG++, and the sellers points at that there are some “slightly audible” tics. The cover is listed in M- condition. Not that it matters, but it had a Blue Note inner sleeve with the Tina Brooks album Back to the Tracks, which, to my knowledge, wasn’t released until sometime in the 1980s. In any case, this record sold for $6,343, which is certainly why Japhy would have forwarded it to me. According to Popsike this copy of Blue Train, tics and all, sets a new price record and is the first to surpass $5,000, let alone $6,000.

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Blue Notes and Beyond

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The Jazz Record Center has a veritable Blue Note Jazz Festival on eBay now, with several beauties, including a couple that are already sitting in the $3,000 bin, including: Kenny Dorham, Afro-Cuban, Blue Note 1535. This is an original 12-inch pressing with the Lexington Avenue address, flat rim playing surface and frame cover. This looks to be in M- condition for both the record and the cover. The auction closes in a bit more than one day and the bidding is already at $3,015. Then there is the Lee Morgan Sextet, Blue Note 1541. This is also an original Lexington Avenue, frame cover pressing, and this one has promo stamps on the labels. The record looks to be in M- condition and the cover is probably M- or, at worse, VG++ for sticklers. The bidding is at $3,000. Read more

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