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Chasing Trane 2: A Love Supreme Trumps Hate

December 4, 2016 Al 16 comments

By Al Perlman
Editor and Publisher, Jazz Collector

To my regular Jazz Collector readers, I promise I will be back with a normal post on Tuesday. In the meantime, I ask for one final indulgence for this one final post so I can close the book on this Chasing Trane diversion.

First of all, I would like to let you all know that I am doing well. Since the election I have not turned on the television news or read any news or opinions in any periodical — print or online. It has been a blessing. My head is not clogged with useless information, my guts are not wrenched with fear, my vision is not clouded with images of people who spew hatred, vitriol and divisiveness.

Even better, I have begun to channel the spiritual awareness that the Coltrane documentary helped to inspire. I am walking down the street with a new energy that seems to be apparent because people are smiling at me and talking to me as never before. I am chatting with people in the elevator. I’ve reached out to friends that I have been estranged from for years. Plus, with my head cleared, I’ve had a burst of creative energy. The previous post on Chasing Trane is just one example. I am also doing great work for my clients and I am doing more writing on the side.

Chasing Trane: A Review, An Appreciation, A Spiritual Awakening

November 25, 2016 Al 34 comments

By Al Perlman
Editor and Publisher, Jazz Collector

It is the day after Thanksgiving here in the States and one of the things I am grateful for is the new John Coltrane documentary Chasing Trane, written and directed by John Scheinfeld. I was fortunate to see this film on the closing night of DOC NYC, the New York documentary film festival. It was a week ago last Thursday and it has had a deep emotional impact on me that is still resonating, which I will discuss in a bit. But first let me tell you about the film.

First off, Scheinfeld is a terrific documentary filmmaker, IMHO. I am a huge fan of two of his earlier movies, The U.S. vs. John Lennon and Who is Harry Nilsson . . .? I knew virtually nothing about Nilsson when I watched that film and I’ve since recommended it to all of my friends and family, and now to all of my readers here at Jazz Collector. Perhaps because of Scheinfeld’s reputation, the Coltrane family welcomed him to do this film and gave him access to Coltrane’s music, archives and even home movies.

In Chasing Trane, Scheinfeld has created a moving and inspirational tribute to one of the great musicians and spiritual influences of our times. He uses film footage and photos of Coltrane, some never before seen, interspersed with comments from a wide range of friends, family, fans, biographers and other admirers. I was personally moved by the comments from Coltrane contemporaries and close friends, Jimmy Heath, Benny Golson and, especially, Sonny Rollins. And I was surprised and impressed by the depth of knowledge and connection to Coltrane’s music and spirit expressed by former President Bill Clinton. But I was not surprised by how often some of these commentators were at a loss for words to describe Coltrane’s music or his influence because, as Sonny says, the only way to truly understand and feel the music is Read more

Features

The Byrds is Coming

November 17, 2016 Al 20 comments

Traffic’s been a little light on Jazz Collector the past few days. In retrospect, perhaps the “When Your Smilin'” headline did not quite capture the zeitgeist of what is going on around here, and around the world. In any case, I have been able to return do eBay after a few days in a dark hole, figuratively of course, and I will once again look to jazz and my records for comfort and safety and inspiration. This is a record I was watching with interest on eBay: Donald Byrd, Byrd in Paris Volume 1, Signature 1039. For some reason I had always thought of this as a MAJOR collectible, but I guess I was wrong. This copy was listed in VG+ condition for the record and the cover and, based on the seller’s more detailed description, this sounded reasonable. The record sold for $100. At first I thought the price was missing a zero, but then I went to Popsike and discovered that, while this was on the low side, it wasn’t completely unreasonable. Live and learn.

Then there was this weird Donald Byrd record:

Savoy

When You’re Smilin’

November 10, 2016 Al 3 comments

Now that I have no election to obsess over, and I don’t yet have the appetite to read about what will happen next to my wonderful country, I have more time to listen to records, read about jazz and look at the always interesting activity on eBay. So, perhaps, I will do more Jazz Collector posts and finally set aside time to put into the Jazz Collector Price Guide, which can really use an update. Look for the silver lining, as the wonderful song says.

Anyway, here are a few of items that recently sold on eBay, starting with Jutta Hipp with Zoot Sims, Blue Note 1530. This was an original Lexington Avenue pressing listed in VG++ condition for the record and VG+ for the cover, with some visible staining on the back cover that could be a turn off for some buyers, but obviously was not that big a turn off for the buyer of this copy, who paid $2,850.88. In fact, looking over the cover pictures again, it looks like VG+ is a pretty generous grade. I have an absolutely clean version of this record that I purchased from the Bruce M. West collection in Baltimore, thoughts of which always put a smile on my face.

And Another Rare Jazz Vinyl Quartet

November 9, 2016 Al 9 comments

Anyway. Here are some of the rare jazz records we are watching on eBay, starting with Tadd Dameron, Fontainebleau, Prestige 7037. This is an original yellow label pressing with the New York address. The record is listed in M- condition for the vinyl and Ex for the cover, with a promo stamp and some damage on the back. The bidding is in the $225 range with more than four days left. Although this is a nice record from the early Prestige 12-inch catalogue, it’s never been one that has been overly attractive to collectors, although it looks pretty good to me. Here’s another Prestige from the same seller that most collectors will find to be quite a bit more enticing: Hank Mobley, Mobley’s Message, Prestige 7061. This is also an original New York yellow label. The record is in M- condition and the cover is listed as M-, although I may slightly quibble and push it down to VG++ based on the picture. The price is in the $560 range, also with four days left on the auction.

A Rare Jazz Vinyl Quartet

November 5, 2016 Al 26 comments

Here zre are some of the rare jazz records that have been sitting in our eBay watch list, starting with Eric Dolphy, Outward Bound, New Jazz 8236. This was an original pressing with the purple label and the deep grooves. The record was listed in M- condition and the cover was Ex, equivalent to VG++, according to the seller’s description. The final price was $837. High, but certainly not surprising for an original classic such as this. From the same seller, there was Kenny Dorham, Quiet Kenny, New Jazz 8225. This was also an original pressing with the purple label and the deep grooves. The record was listed in VG+ condition, as was the cover. The final price was $1,083. And one more from the same seller, this one a tease for me, but not in a comfortable price range, although certainly a fair price range based on the final bid:

Of Blue Notes, Later Pressings and Big Bucks

November 1, 2016 Al 35 comments

One of our readers, with a sense of wonder, sent me this link: Sonny Clark, Cool Struttin’, Blue Note 1588. The record was listed in M- condition. The cover was maybe VG+ at best, depending upon how partial you are to having the word “Super” written in dark red marker across the back of your records. The final price was $422, which at first glance one might attribute to the condition of the cover. Except for one thing: This was a Liberty pressing, not just the label, the cover, too. So now we have third, fourth or whatever generation Liberty Blue Notes selling for more than $400. Oh, the humanity! If I had known, I would have saved them all, and I had a lot of them, including Cool Struttin’. I was happy, at the time, to get $20 or $30 apiece. What is going on? Read more

Blue Note

Here Are Jazz Collectibles You Won’t See Every Day

October 25, 2016 Al 29 comments

Two of our regular readers, Clifford and Michael, separately sent me links to this rare jazz collectible, wondering if it was legitimate: John Coltrane, A Love Supreme, Impulse A-77, Test Pressing. Take a close look at it. Does it really say “Ken” Coltrane? Anyway, it looks legit to me. Unfortunately, it was only in VG condition and, of course, it didn’t have a cover. The final price was $300, which seems pretty reasonable to me for what I imagine is a pretty rare collectible.

One of our readers, Dave Sockel, recently was in touch with a relative of Duke Pearson and sent me a PDF of this very cool collectible — duke-pearson-session-book-1969-1970. It includes rehearsals, musicians and their fees, session dates, comments on the sessions and dozens of signatures from the various musicians, confirming their payments. Thanks to Dave for sharing and allowing me to post this on Jazz Collector.

Whither the 16-RPM Jazz LP?

October 17, 2016 Al 48 comments

Here are a few collectible rare jazz records we are following this week on eBay, starting with Miles Davis and the Modern Jazz Giants, Prestige 3. This is the 16-RPM version of the record and it is, of course, an original pressing. The condition doesn’t look so great and the seller is asking for a starting price of $400 so it is not going to be of interest to me as a potential buyer, but I do have interest in the record as an oddity. Does anyone own this record and, if so, have you ever listened to it — indeed, do you have equipment to listen to it? Is the sound better, worse, the same as a 33-RPM record? And finally, does anyone have any idea why Prestige issued this record and several others in the 16-RPM format? Inquiring minds want to know.

Here are a couple more nice Prestiges from the Jazz Collector era:

DG, or Not DG

October 15, 2016 Al 9 comments

I’ve been off eBay for a few days and I would once again thank Clifford for filling in. It’s always great to see so much interest in his posts, particularly since he covers an area of the jazz collector world that is pretty foreign to me. Anyway, before I left I had a watch list on eBay, and here are some of the items I was watching, starting with: Herbie Hancock, Takin’ Off, Blue Note 4109. This one had a comment in the listing that caught my eye. It looks like an original pressing with the New York USA label, ears, Van Gelder in the deadwax, et al. The seller says that there is a deep groove on side 2. I had thought the pressings after around this era no longer had deep grooves, but apparently I was mistaken. I looked at my copy and there seems to be some kind of groove, although not nearly as pronounced as the one in the picture on this listing. I looked it up in Fred Cohen’s book and it does seem that an original pressing of Takin’ Off does have a deep groove on side 2. Anyway, it’s very hard to get all of the DGs straight, even, apparently, when you’ve been blogging about this stuff for nearly 10 years. Anyway, this one was probably in VG++ condition for both the record and the cover. It sold for $521.

Eric Dolphy in Europe, Volume 1, Prestige 7304. This was an original pressing with the yellow label and New Jersey address. The record was listed in M- condition and the cover looked to be about VG+, based on the picture, with some ring wear and fraying at the bottom. The record sold for $344, about what you would expect, right? Read more

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