Author: Al

Watching High-Ticket Jazz Vinyl on eBay

24 comments

I hopped on eBay last week and put a few rare items in my queue, starting with this one: Don Pullen and Milford Graves in Concert at Yale University. This one doesn’t have a label and has a hand painted jacket. The seller was our friends at Carolina Soul and they graded the vinyl in VG+ condition and the cover in VG++ condition. The main reason I put the record on my watch list was the price, which was already above $6,000 at the time. I wasn’t the only one to notice, obviously, but I did get the following note from our friend Daryl, who wrote the following: “Carolina Soul – what is this album? Will it fetch this dollars from a music (plus cover) perspective? Will it top the $9,000-plus sale from December 2022 as found at Gripsweat? We’ve written about that one before, Free Jazz (And More) at a Price. Per Clifford on that earlier post, no more than 100 copies of this record were produced. Anyway, based on the picture, this doesn’t look like the same record that got the $9,000-plus price. This one sold for “only” $6,100. Read more

Jazz Vinyl Gems, Some With a Little Tarnish

8 comments

Finally, back on eBay. Contrary to my last experience a few weeks ago when I  asked the question Where’s The Action?, I’m actually seeing quite a bit of activity this week, from buyers and well as sellers. Let’s start with Kenny Dorham, Afro-Cuban, Blue Note 5065.This is an original 10-inch pressing listed in VG+ condition for the record and VG for the cover, although the picture of the back cover might call that grade into question for discerning buyers. But the seller stands by his listings, and any bidder can see the picture and judge for himself. There are seven bidders and the price is in the $160 range with a little more than a day left on the auction. Read more

To Sleeve, Or not To Sleeve

22 comments

Before getting back to the normal business of watching rare jazz vinyl on eBay, I have a question for the community that is gnawing at my brain. It has to do with record sleeves, specifically the plastic record sleeves most of us use to protect our records. I have been using sleeves for as long as I can remember, 40 years, maybe even 50. For my 12-inch LPs I used to prefer the tight 12-5/8 sleeves I would get from Bags Unlimited, but over time I have evolved to the larger 12-sleeves. Either way, all of my records have sleeves on them and that has always been the case. As I’ve been doing the radio show, I find it’s more convenient for me to take the records out of the sleeves and keep them out for a while. And I’m liking it. At lot. For Seinfeld fans, think Kramer and the thin layer of gaberdine. I’m thinking of letting my boys roam free, with no sleeves at all, nothing between me and the covers. They look SOOOO much cooler this way. Is this insane? Will my records get damaged? Is there anyone out there with a sizable collection who has gone bareback and lived to tell about it? I know this may not be the most pressing question in the world, but inquiring minds — at least this one — want to know. BTW, my latest podcast is already available for download if you are interested. This one is focused on Bill Evans’ work as a sideman. I listened to it live last night and I kind of enjoyed it, gaffes and all.

Coming to You Live (Sort of): Jazz Collector Radio and Podcasts

10 comments

I just got back from taping my seventh Jazz Collector Live radio show in the studio of WTBR-FM in Pittsfield. I’ve really enjoyed doing the show, but I have to admit that it has taken away time that might otherwise have been devoted to posting here at the Jazz Collector web site. Hopefully, I will soon be able to strike a better balance, especially because doing the radio show is getting me more involved with my collection and listening much more attentively. For example, today’s show was devoted to John Coltrane, as a leader, playing standards, on the Prestige label. Soultrane, Settin’ the Pace, Lush Life, et al. Great stuff. Last week, I did Bill Evans as a sideman, and the week before the show was devoted to Thelonious Monk. Sound interesting? Well, the shows are now available to be downloaded as podcasts. Go to this site: WTBRFM.COM. There’s a tab for shows, and under the tab for podcasts you will find the familiar Jazz Collector logo at the very bottom. Read more

Jazz Vinyl: Where’s the Action?

15 comments

Haven’t been on eBay in a while. Have I missed anything? I meant that as a joke, but now that I’m looking I feel like perhaps I have missed something. I’m seeing a lot of records that would have gotten a lot of action, not getting much action at all. I know things always change as auctions get near closing time, but having been off eBay for a few weeks I have to say I am a little taken aback by the lack of activity. Has anyone else noticed this?  In any case, there are many records that are getting bids, so let’s look at a few of those, starting with Miles Davis, Kind of Blue, Columbia 1355. This is an original mono promo copy with the white labels. The record is listed in VG condition, and the cover is also VG, with some writing on the back and a partial seam split. Certainly not the best copy you will find, but there are already 16 bids from 10 bidders and the price is up to $300, so clearly the demand for this one remains pretty high despite the condition. Read more

Alive and Well (And Live on the Radio)

11 comments

It’s been a looooooooong time between posts, so let me catch you up on what’s been going on around here. Overall, I’ve been extremely pleased with the way things have gone in my dealings with Carolina Soul. They have been professional in every respect. Very communicative, clear, consistent. They have been prompt with payments, and have answered any questions I’ve had with clear explanations. As for differences of opinion that we may have had on grading: I respect what they do and how they do it. I heard from several winners of the auctions that they agreed with me that some of the records were undergraded. Yet, Carolina Soul also experienced a number of returns. In fact, about 20 of my records that were returned are on eBay right now. For example: Andrew Hill, Black Fire, Blue Note 4151. I’ll provide a more complete list at the end of this post.

Read more

Jazz Vinyl Miscellany and Mail

64 comments

Before getting back to writing about my own experiences doing the recent auction with Carolina Soul Records, let’s return to our normal activity of watching other peoples’ rare jazz vinyl in eBay and taking a peak in the old Jazz Collector inbox. Let’s start with Sonny Clark Trio, Blue Note 1579. This looks to be an original West 63rd Street pressing. The record is listed in VG+ condition. The cover is also listed as VG+, but the pictures show it to be no better than VG. It’s from a seller in Thailand who has one feedback. The start price is $1,250 with less than a day left on the auction. We’ll see if anyone is desperate enough to take that kind of risk. Meanwhile, I have a beautiful VG++ copy that may make it to the next round of auctions. Or, maybe not. Read more

Jazz Collector, Back on eBay

24 comments

I’m on the road this week and won’t be able to post as frequently as I would probably like to, given the reality that the records I am selling on consignment with Carolina Soul Records began closing on eBay today and will continue tomorrow. I was paying so little attention to the auctions, I didn’t even realize they were closing today until I logged on around noon and saw that several of the auctions had already ended. All in all, about 300 of my records were on the consignment list today, with another 300 tomorrow. Despite whatever trepidations I may have had about the discrepancies between my grading curve and that of Carolina Soul, I’m very pleased by the results so far. Very pleased, indeed. And surprised. Having done Jazz Collector for about 20 years now, I feel like I’ve been well on top of the market and how it has evolved. But, seeing my own records being sold has been enlightening in a new way. I’m still processing the whole process and want to see how things end up tomorrow before sharing some of my preliminary thoughts. So let me do one of the things I do most frequently here at Jazz Collector, which is to look at the prices of rare jazz records that have been sold on eBay. In this case, every record on the following list was from my personal collection, singles or doubles. Read more

Chick Corea Interview, 50 Years Later

2 comments

As promised, here is the digitalized version of the article I wrote on Chick Corea for the Syracuse New Times in 1973. My first published article. I see some flaws but, overall, not bad.

Smiling, Urging, Playing as He Comes, Chick Corea Rides the 7th Galaxy on His Return to Forever

Syracuse New Times, October 21, 1973

By Alan Perlman

Sitting down and talking with Chick Corea is like watching him perform on stage. For Corea, communicating, especially communicating happiness, is a major force, influencing everything he says and does.

When he talks about his music he exhibits the same assurance that marks everything he plays. His eyes stare straight and deep and the pixyish smile disappears—yet he glows.

“The audience may applaud a lot or a little, but when the vibes are there I know,” he said after a particularly inspired set.

At 32, Corea has ascended the musical ranks, earning his stripes with Elvin Jones, Willie Bobo, Mongo Santamaria, Herbie Mann, Blue Mitchell, Stan Getz and, most importantly, Miles Davis, the George Patton of jazz. Now he is leading his own band and playing the music he wants to play. Read more

1 … 4 5 6 7 8 … 206