Al | jazzcollector.com

Keeping Track of 10-Inch LPs

September 18, 2014 Al 20 comments

Here are some of the items we’re watching on eBay now, starting with some 10-inch LPs: Clifford Brown, New Star on the Horizon, Blue Note 5032. This is an original pressing listed in VG condition for the record and VG for the cover. There are three days left on the auction and the bidding is in the $50 range. Lately, we’ve been seeing high prices for original 12-inch Blue Notes, even those in not-such-great condition, like this one. I have a feeling we won’t see the same phenomenon for the 10-inch records, simply because they are a greater risk to begin with. They typically have more surface noise anyway, at least to these ears. Not sure why that is. Readers? Watching the auctions from this seller will give us a sense of the market, since he has a lot of nice 10-inch LPs in similar shape, including Thelonious Monk Plays, Prestige 189. Actually, this one is in better shape, graded at VG+ for both the record and the cover. The bidding, so far, reflects the better condition. This one is now in the $70 range.

I was also watching this one from the same seller, and I was surprised it fetched as high a price as it did:

Shades of Jazz Collector

September 16, 2014 Al 13 comments

Freddie Redd, Shades of Redd, Blue Note 4045. This was an original West 63rd pressing, listed in VG+ condition for both the record and the cover. I had it on my watch list because I was actually considering a bid for it. As loyal readers know, this one has been my nemesis for years. I forgot to put in a bid because I am still buried in work and also having computer problems, so I let it pass. Wouldn’t have mattered anyway. It sold for $762, which is quite a bit more than I would pay for the record, particularly in VG+ condition. I think there’s something to be said about waiting and waiting for the records you want, and going through the hunt, rather than filling in your gaps by paying a lot of money on eBay. I have enough records if I want to listen, and if I really want to listen to Shades of Redd I have two nice Japanese pressings, one in each home. I can wait, and I can hunt.

A separate “Red” listing from the same seller inspired a note from our friend CeeDee, as follows: “I thought that this one my slip by, but NOOOOOOO. Better luck next time.” The listing in question:

Top 5 Live Albums From The Jazz Collector Era?

September 10, 2014 Al 24 comments

I was lying in bed at about 3:30 in the morning unable to sleep so I put some nice ballad music on my iTunes and the song “Detour Ahead” came on from the Sarah Vaughan album After Hours At the London House and I thought to myself, gee, that is one of my favorite live albums of all time. It’s great music and there’s those outtakes on “Thanks for the Memory” and the whole concept was quite unusual, setting up a live recording date at a club in the wee small hours of the morning and inviting other musicians who had finished up their gigs to make up a large portion of the audience. And then, still unable to sleep, my mind started racing through its database of jazz records to come up with my favorite live recordings and the next thing I know it’s 4:30 in the morning and I’m still not asleep. But at least I have an interesting post for Jazz Collector, and that is my list of favorite live jazz albums. I decided to take the Sarah record off the list and just concentrate on instrumental records. Perhaps I’ll do the vocals at a later date. Meanwhile, I offer for your perusal:

Features

More Collectible Jazz From eBay

September 9, 2014 Al 12 comments

To catch up on a few lingering items. That Charlie Parker Limited Edition Swedish record from The Jazz Record Center wound up selling for $248.50. I promised to check my collection to see if I have a copy and, alas, to my pleasant surprise, I do. I usually know all of my records, but having bought a couple of collections in the past two years has left me with many items unawares and unplayed. This one, I recall, came from the Irving Kalus collection, still very near and dear to my heart. My copy of the Bird record seems to be an original in every way, except it is not a numbered edition. It still describes it as a “Limited Edition: This Record is Issued in 1000 Copies. This is Copy.” And there’s no number after that. Anyway, I have it on the turntable now. The fidelity is not great as you would expect, but the music is great. Bird started out with Anthropology, on which he played a very energetic and imaginative solo. Next is Scrapple From the Apple. Yeah, definitely some nice Bird. Really nice Bird. Ooh, now he’s playable Embraceable You. Great.

Also from that auction: John Wright, South Side Soul, Prestige 7190. This was

Prestige

A Rare Bird, Indeed

September 5, 2014 Al 8 comments

Wow — 49 comments and counting on the previous post. Glad you all have been keeping the conversation going while I’ve been out making a living. Been gone so long my own Web site wouldn’t let me back on without having to sign up. So much to catch up on, and I will start with the current auction from The Jazz Record Center.

Charlie Parker in Sweden, Limited Edition, Sonet SLP 27. This is, apparently, a rare limited numbered edition, of which this copy is number 734. Until reading this listing I wasn’t aware that there was a limited edition of this record. I’m pretty sure I have some copy of it, but I will have to look to see if mine is numbered. This one looks to be in M- condition for both the record and the cover. There are about three days left in the auction and the bidding is nearing $200.

Beverly Kenney With Jimmy Jones and the Basie-Ites, Royal Roost, 2218. This is a nice record and I could use a clean copy, which this is, at least for the vinyl, which looks to be M-. The cover looks to be about VG or VG+ depending upon how you feel about tape stains, about which I personally don’t feel to good. This one is in the $60 range.

Here’s an interesting package of Hank Mobley records on Blue Note:

Blue Note

Jazz Vinyl Listings That Raise Questions

August 26, 2014 Al 51 comments

Here’s one I’ve never seen before: Bobby Jaspar All Stars Band, Modern Jazz at Club Saint Germain, Barclay 84023. This looks to be an original French pressing that was apparently owned by Bobby Jaspar who, unfortunately seemed not to take such great care of it. The cover looks pretty beat up, I’d say VG-, but the seller lists the cover as VG+ and also lists the record as VG+, so you’d have to be a little skeptical, I guess. The start price is $300 and so far there are no bidders. I imagine the record is quite rare, in that I’ve never seen in in 40-plus years of scouring record shelves all over the U.S. and other parts of the world.

Someone please explain this one to me: Clifford Brown Memorial Album, Blue Note 1526. This is a New York USA pressing, with a West 61st Street address on the cover. In other words, nothing about this record is close to an original first pressing and, at best, the vinyl was issued, when, in the early 1960s? Not to mention the vinyl is in VG condition. The cover is VG+. Somehow, there have been four bids on this record and the price is close to $200. Explanations please?

Our friends at Euclid Records seem to have made a nice discovery/score:

Some Sell, Some Don’t, One Gets Quite A Price

August 17, 2014 Al 12 comments

Many ages ago, when I last posted on Jazz Collector, there were many items I was watching on eBay that have subsequently sold. Or not. Here are some of them:

Kenny Dorham and the Jazz Prophets Volume 1, ABC Paramount 122. This was an original pressing listed in VG++ condition for the record and M- for the cover. It sold for $510. One of the things I’ve always liked about this record is the “Volume 1.” Obviously, somebody thought there was going to be a Volume 2, but it never materialized. Wonder if anyone here knows what happened to Volume 2? I searched for this record for years. About 20 years ago I passed up a very nice copy at the Jazz Record Center, which Fred Cohen very generously agreed to sell to me for $100. I have no idea why I didn’t buy it, but I didn’t. I finally acquired a copy last year in that lovely Baltimore collection. Still haven’t listed to it, though. Getting a turntable upgrade in New York this week. Maybe now’s the time.

This one had a starting price of about $1,500 and, not surprisingly (to me, at least), did not attract any bidders:

Once Again, The Familiar Allure of Rare Jazz Vinyl

August 6, 2014 Al 9 comments

No I know I am truly back from vacation. Got up early this morning and went right to eBay to look for rare jazz records. Here are a few that I found, starting with: Cliff Jordan, Cliff Craft, Blue Note 1582. This is an original West 63rd Street pressing with the deep grooves, ear, etc. The record is listed in VG++ condition and the cover is VG+. I still don’t have an original pressing of this LP. This one is now in the $300 range with more than four days to go. It will surely sell for a price outside of my comfort zone, so I’ll keep looking.

Hank Mobley, Hank Mobley Sextet, Blue Note 1560. This is also an original deep-groove West 63rd Street pressing. The record is listed in VG++ condition and the cover is VG+. This one closes today and the price is in the $500 range.

Sonny Rollins and The New Yorker: YIKES!

August 5, 2014 Al 17 comments

I’m back from vacation and what am I greeted with — a real-life and genuine, if fully trumped up, jazz controversy. I am referring to the fervor being generated over a column several days ago in The New Yorker titled: Sonny Rollins: In His Own Words. The article appeared in the “Shouts & Murmurs” section, which is a longtime humor column in The New Yorker. In the article a writer under the pseudonym Django Gold attributes a number of ridiculous statements to Sonny. Samples: “The saxophone sounds horrible. Like a scared pig.” And: “Jazz may be the stupidest thing anyone ever came up with.”

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