Author: Al

Song For My Father, Again

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horaceI’ve told this story in broader strokes, but I have these very etched and very early memories of sitting in the living room of our very small garden apartment in Bayside, Queens, where we literally had plastic wrap covering the sofa and chairs, and hearing the sounds of Horace Silver coming from my father’s Fisher hi-fi console. My father was a big jazz fan and Silver was probably his favorite musician. He would play the Blue Note albums Blowin’ the Blues Away and Song For My Father constantly, and in my head I can still clearly picture him tapping his feet and taking a drag on his cigarette and taking a hearty sip of whatever alcoholic beverage he had concocted for himself. So when I got into jazz, the music of Horace Silver was already familiar to me and, like my dad, I loved it as well. There was an infectious joy in Horace Silver’s music and it always seemed as if he and all of the musicians were having a blast, loving what they were doing, and inspiring one another to higher levels of creativity. I also realized later on that Horace Silver was not just a great bandleader and composer, he was also a great pianist, one of the true greats of the post-bop era.

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Horace Silver

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I am running out now and don’t have time to do write something to express my feelings about Horace Silver yet. He was an important figure in the jazz world and in my world because he was probably my dad’s favorite musician. In the meantime, I’m sure many people want to comment on his passing yesterday, so you can start here.

 

Alas, Condition Counts

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lee morganBack to the business of watching records on eBay, starting with: Lee Morgan, Search for the New Land, Blue Note 4169. This is not typically thought of as one of Morgan’s collectible albums and, indeed, it only shows up twice in the Jazz Collector Price Guide and in neither case did it break the $100 barrier. In this listing, however, the seller adds an interesting twist. He claims he bought the album sealed, never played it or opened it, and then broke the seal to list it on eBay to determine whether it was an original pressing, which, surprise, it actually is. So, if the seller is to be believed (I say, why not), then this is truly a mint record. The price has been bid up accordingly and is now at $200 with more than two days to condition.

Here’s another from Lee: Lee Morgan, The Cooker, Blue Note 1578. This looks to be an original pressing with the West 63rd address, deep grooves, ears, etc. It is listed in VG+ condition for the record and M- for the cover. I’d expect that the bidding would reach at least into the $500 range, given what we’re seeing with VG+ Blue Notes of this era, and perhaps

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Tracking a Trio of Jazz Classics

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Jackie JpegHere’s some of the jazz vinyl we’re watching now on eBay, starting with a familiar face: Hank Mobley, Blue Note 1568. This looks to be an original pressing, albeit without the NY 23 that makes it more original in the minds of some collectors. Interesting thing about this one is that the record is only VG-, while the cover may be VG++ or even better. The seller including some sound clips and there’s definitely some background noise, although for my ears this would be fine. There are more than two days left on the auction and the price is in the $460 range. I would still expect this to sell for close to $1,000 or more, even in VG- condition.

Jackie McLean, Lights Out!, Prestige 7035. This is an original New York pressing. The record looks to be in VG+ condition and the cover VG++, but both could be better, based on the seller’s description. The seller certain did well by himself with a very clear and nice picture of the cover. This one has five days left and the bidding is already close to $400.

I’m still getting used to seeing this one pop up regularly as a high priced collectible:

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Cool Jazz Art, Record Collector Photos, Candy

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milesTime to clear out the email inbox.

For those of you interested in jazz art work, photography and ephemera, there is an auction coming up next week of works collected by the former Blue Note president Bruce Lundvall. The collection is being auctioned by Doyle New York, and parts of it can be seen here, including this pretty cool picture of Miles at the right. Cool stuff. Not necessarily my thing, but cool. Now, if he were to sell of his vinyl, that would be another story.

Speaking of artwork, I find this to be cool as well: A photographer by the name of Eilon Paz has spent several years photographing record collectors with their collections and has recently published them in a book titled “Dust and Grooves: Adventures in Record Collecting.” You can check out the article here and the Web site here. The photographer is in Brooklyn. Surprised he hasn’t found me yet. Perhaps now he will.

CeeDee sends me random notes and listings of records that are typically out of both his price range and mine as well. Here’s a recent one:

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Getting a Boot, Indeed

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marty paichSo the other day I’m walking my dog Marty in the neighborhood. Regular readers will recognize Marty as my lucky charm companion on the two collections I’ve bought in the past two years, the Irving Kalus collection and the Bruce M. West collection in Baltimore. We take our normal route up Broadway and turn down 83rd Street towards West End Avenue. The street is lined with tables of people selling all kinds of wares. Lots of junk from their homes, it seems. I stop at the first booth and ask the woman what’s going on. It’s a block association sale, she says. I look down and see a box of records. The first record is a Woody Herman record on Capital. Well, I have to look of course. So there are these Woody Herman and Benny Goodman records and I’m flipping and it seems pretty clear there’s nothing there for me, when all of a sudden I see the record pictured at the right. An original pressing of Marty Paich,I Get a Boot Out of You. I didn’t have my glasses. I couldn’t see the condition. I couldn’t see the price.

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Book Cooks and Cook Books

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BookHere’s some more jazz vinyl we’ve been watching on eBay, starting with Booker Ervin, The Book Cooks, Bethlehem 6048. This was an original pressing listed in M- condition for the record and VG+ for the cover. It sold for $616, proving, again, that it is not only the Blue Notes that are fetching collectible prices. This one was listed by my friend Steve at Round Again Records in Providence, RI, who has some nice records for auction last week. With all of the “books” that Booker recorded — Freedom, Song, Space and Blues — a Cook Book record would have been nice. Not sure what would have worked for a Cook Book, but I’m sure we can come up with some songs with a food theme here. I’ll start with Fats Waller’s “All That Meat and No Potatoes.” and, of course there’s Mingus’ “Eat That Chicken.” Any others?

This one seemed to be on eBay forever and it finally sold last week:

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Blue Notes In Any Condition for the $1,000 Bin

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Johnny GriffinWe were finally back on eBay this way and found some interesting items, starting with Introducing Johnny Griffin, Blue Note 1533. This was an original Lexington Avenue pressing, The record was graded in Ex condition, but the seller’s description made it sound closer to M-. I tend to trust the grade rather than the description, and in this case the seller at least tells us that Ex means VG++ in the Goldmine rating system that we use. The cover was probably VG++ as well with some writing on the back. So, to be clear, the record was not in M- condition for either the record or the cover. I reiterate that because it sold at a price you would expect for an M-/M- copy, which was, ta da, $3,349.

The same seller had this one: Jutta Hipp with Zoot Sims, Blue Note 1530. This was an original Lexington Avenue pressing. The seller graded this one between VG and VG+ for both the record and the cover, although the cover sounded closer to VG based on the description. So this one wasn’t M-, wasn’t VG++ and wasn’t even VG+. It sold for $1,651.

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Report From the WFMU Record Fair

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record fairSorry I haven’t been posting regularly. I feel like I’ve been doing a lot of apologizing for this lately. I do have a lot of real work, but that is no excuse, right? I will try to do better. Last week I was also engaged with preparing for the WFMU Record Fair at the 69th Regiment Armory on 26th Street in Manhattan. I had a table on Friday, and arrived around 2 p.m. for my setup, so I was able to walk around a little. There were a couple of tables that had some nice jazz records, but by the time I got there, several of the dealers from Japan had already swooped in on them and were pulling out the best pieces. I have come to know these dealers over the years and I like them very much and am happy for their success in getting records because I realize they are working on relatively low margins, spending money to come to the States every few months and criss-crossing the country in search of records that may or may not be marked up sufficiently when they return to Japan.  Read more

Miles Way Ahead

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milesHere’s an interesting one I seemed to miss: Miles Davis, Miles Ahead, Columbia 1041. This is an original pressing but that’s not what makes it interesting. On the back cover are six signatures: Miles Davis, Julian” Cannonball” Adderley, John Coltrane, Bill Evans, Jimmy Cobb and Paul Chambers. The signatures are all in blue ballpoint pen. The seller admittedly had no idea of the provenance of the signatures or whether they were legitimate. Seems that he picked up the record at a yard sale or estate sale.  The cover was probably in VG+ condition with a seam split on the bottom. There were 39 bids on the item and in the last hour it went from about $2,000 to its final price of $3,100.99. Imagine if the signatures aren’t legitimate? Or, on the other hand, imagine what this would have fetched if the signatures were 100% verified. I do have a question, however. Why would Jimmy Cobb sign his name “Jimmie Cobb?” Are there other circumstances where he went by Jimmie, as opposed to Jimmy or, as on Kind of Blue, James Cobb?

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