Author: Al

Temptation: A New Jazz & A Test Pressing

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bennyI spent a couple of hours perusing eBay the other night and put a bunch of items on my watch list and even placed a snipe bid on this record: Benny Golson, Gettin’ With It, New Jazz 8248. This was an original pressing that was probably in VG++ condition for the record and VG+ for the cover. I bid on the record primarily because I don’t have it and I thought it might sell for a reasonable price. It’s also a record I used to own and, frankly, I can’t remember why I don’t own it any more. But I don’t. When I placed my snipe the bidding was at $87 with several hours left, and I thought maybe I could get a nice original New Jazz. My snipe was about $160 and I thought I would get the record. I didn’t. The top bid was $190.50.

I was watching this one, not because I was interested, but because I wanted to see how high it would go, which was plenty: Grant Green, I Want to Hold Your Hand, Blue Note 4202. This was an original mono New York USA pressing in M- or so condition for the record and VG++ for the cover. It sold for $511.11. Here’s the existential question for today: Why?

Our friend CeeDee sent this link to tempt me:

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Blue Notes, Prestiges, Jazz Collector Price Guide

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Bone & BariSorry. I had promised more updates for the Jazz Collector Price Guide and then got distracted by the lovely holiday weekend up in The Berkshires. So here are a few more that will go into the Price Guide soon:

This is a new high point for this record: Curtis Fuller, Bone & Bari, Blue Note 1572. This was an original pressing with the West 63rd Street and NY 23 labels. The record was listed in M- condition and the cover was VG+. The final price was $1,789. I have an M- copy of this record. Would I sell it for $1,789? Hmmmm.

This one also sold for quite a hefty price: Ray Bryant Trio, Prestige 7098. The record and cover were only in VG+ condition, although the cover certainly looked nicer in the photo. Good lesson to be learned here: Spend some time on the photos if you are going to list on eBay, and make sure they are nice and clear. This record sold for $987.77.

Jerome Richardson, Roamin’ with Richardson, New Jazz 8226. This was an original purple label with the deep grooves and the record and cover both seemed to be in M- condition. This one sold for $374. Frankly, I thought it would fetch a higher price.

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Catching Up With The Jazz Collector Price Guide

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dolphyI am taking advantage of the holiday time to update the Jazz Collector Price Guide, which could use some new records. So for the next couple of days, at least, I’ll be following up on records I mentioned earlier, or some I never mentioned at all and somehow missed the first time around. Here goes:

Boy did I have my eyes on this one: Sonny Rollins and Thelonious Monk, Prestige 190. This was an original 10-inch pressing in what looked to be VG++ condition for the record and probably VG for the cover. When I was pondering this there were a few hours to go and the price was just in the $110 range. It wound up selling for $430.

Eric Dolphy, Out to Lunch, Blue Note 84163. This was an original stereo pressing in just VG+ condition for the record and the cover, but it was packaged very nicely and we anticipated it would get a nice bid. It did, topping out at $303.

This was a strange one: Jackie McLean, The New Tradition, Ad-Lib 6601. This was an original pressing in VG+ condition for both the record and the cover. When we first wrote about it, we noted that there was a buy-it-now price of $2,000. We figured someone would grab it up at that price. No one did. However, the bidding ended up at $1,975. Seems to me if you were willing to bid as much as $1,975 for the record, just buy it for $2,000 and save yourself the stress and aggravation.

 

A Few “Wowees” For You

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hankThere’s been some interesting — and big — sales of jazz vinyl during the past few days, so let’s get right to it:

Hank Mobley, Blue Note 1568. This was a “original” pressing although it likely did not have the New York 23, since the seller is very knowledgeable and didn’t mention anything. Some sticklers only view this as original if it has the New York 23 label on one side. The record was in M- condition and the cover was probably VG++.  It sold for $4,050.

This one wasn’t getting a lot of action early in the bidding and I thought, perhaps, I might even sneak in with a low bid and snatch it. Fat chance: J. R. Monterose, Blue Note 1536. This was an original Lexington Avenue pressing in Ex condition for the record, which I take to be around VG+ for better, and probably VG+ for the cover, based on the seller’s description. The record sat there for a long time with no bids, but then . . . . Eventually the bidding reached $1,435.

On this one, CeeDee sent me a noted titled “wowee” and someone else also mentioned it on a previous post, so I guess the high price has caught some attention:

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First Pressing? Who Cares

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MobleyHere’s a catch-up on some of the jazz vinyl auctions we’ve been watching:

Hank Mobley Quintet, Blue Note 1550. This was a West 63rd Street pressing, deep grooves, but it did not have the New York 23 so, I guess, that would make it a clear second pressing, but a very early second pressing? The record was probably VG++ with some light surface noise and the cover was VG. The price was $908.

Kenny Dorham, Round ‘Bout Midnight at the Cafe Bohemia, Blue Note 1524. The consensus seems to be that this was a later pressing using old Lexington Avenue labels and an older Lexington Avenue back cover. It was listed as a first edition, however, replete with flat edge and deep grooves. The record was probably VG++ and the cover was VG. It sold for $578. It was, by the way, the same seller as the Mobley, who did all right with a couple of records that were not quite first pressings.

Jackie McLean, The New Tradition, Ad-Lib 6601. This was an original pressing in VG+ condition for both the record and the cover. It sold for $1,975.

A few more:

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Two Pairs: Blue Notes, Prestiges

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Eric DolphyHere are some more of the jazz vinyl auctions we are watching now on eBay:

Eric Dolphy at the Five Spot Volume 1, New Jazz 8260. This is an original mono pressing with the purple labels and the deep groove. It looks very nice from the picture, although the grades are only VG+ for both the record and the cover. I was watching this all week and there were no bids for a long time at a start price of about $200. The auction closes in a few hours and now there is a bid. I don’t think it will be the only one, because, as I said, the record looks really nice in the photos. Here’s another Dolphy from the same era: Eric Dolphy, Out There, New Jazz 8252. This is also an original pressing with the purple label and deep grooves. The record is in VG++ condition and the cover is VG+. It also looks very nice in the photo. The start price is around $250 and there is one bidder, so the record will sell.

This one is mentioned by a commenter in the post below, but we’ll write about it here and see what people think: Kenny Dorham, ‘Round About Midnight at the Cafe Bohemia, Blue Note 1524. This one is listed as having the deep groove, flat edge, ear, etc., but from the picture it doesn’t look like a deep groove. Also, there is the question of whether the cover is an original framed cover. What does everyone think? Is it just a poor picture that would indicate a lack of deep grooves, or is it just a later pressing with Lexington Avenue label? I have

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Looking at Some Non-Auction eBay Jazz Vinyl

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helenWhen I search on eBay, I typically set my filter to look only at auctions and not at records with buy-it-now prices. This has been particularly true when doing searches for records to post on Jazz Collector. For some reason, today I decided to look at buy-it-now auctions and was surprised to see how many nice collectible jazz records are available for a set price, even compared to those available by auction. This is somewhat of a trend on eBay: According to a recent survey less than 15 percent of listings on eBay are auction-only (Are eBay Auctions A Thing of the Past?). Anyway, here are some of the collectible jazz records you could buy today at a set price on eBay:

Jackie McLean, Swing, Swang, Swingin’, Blue Note 4024. This is an original pressing in M- condition for the record and VG++ for the cover. The price is $1,000.

I thought this one my be reasonable, until I looked more closely at the listing: Helen Merrill, Emarcy 36006. The seller has it listed as a “first edition” in Ex+ condition for the vinyl and VG+ for the cover. We’ve seen this record in the $1,000 bin many times, so the $599 price seemed all right. But the back cover does not have the blue writing, so it is not a first press.

And here’s a beauty that I can’t imagine will sell at the asking price:

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A Newk 10-Inch LP, Prized Stereo Blue Notes

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sonnyI should watch this record on Jazz Collector each time it appears on eBay, just so I can put the picture of the cover on the site: Sonny Rollins and Thelonious Monk, Prestige 190. This is an original 10-inch LP in Ex+ condition for the vinyl and VG for the cover. I would think the record plays really well to be graded Ex+. As you may tell from the longing in my first sentence I do not own a copy of this record. But I would love to. This one is in the $110 range with less than a day to go, although it hasn’t yet reached the seller’s reserve price.

Herbie Hancock, Takin’ Off, Blue Note 84109. This looks to be an original stereo pressing in M- condition for both the record and the cover. Not sure how the stereo compares with the mono, either in sound or in collectibility, but, for me, I’m quite content to have the original mono pressing. This one closes sometime today and is in the range of about $105 with eight bids.

Eric Dolphy, Out To Lunch, Blue Note 84163. The seller does a nice job of presenting/packing this one, with the nice picture and the original inner sleeve. Makes it look attractive, wouldn’t you say? This is a stereo pressing, looks like an original, with the ear, Van Gelder and New York USA label.  Bidding closes tomorrow and is already over more than $200. So, IMHO, the nice packaging seems to help.

 

 

A Trio of Rare Jazz Records To Start The Week

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thadHere’s some rare jazz vinyl we are/have been watching on eBay:

The Magnificent Thad Jones Volume 3, Blue Note 1546. This was an original New York 23 pressing in M- condition for the vinyl and VG+ for the cover. It sold for $1,136. This is the first time we’ve ever recorded this record in the $1,000 bin in the Jazz Collector Price Guide, although, admittedly, we don’t update the guide as often as we used to.

Chet Baker, Quartet and Sextet, Music LPM 2094. This is an original Italian pressing, very rare, very nice music. The record and the cover are both in M- condition. The bidding is now in the $200 range with three days to go, but the price hasn’t yet hit the seller’s reserve.

Hank Mobley Quintet, Blue Note 1550. This is a West 63rd deep groove pressing without the New York 23. The record is in probably VG+ or maybe VG++ condition, while the cover is VG. The price is in the $250 range with three days to go.

 

 

 

Goin’ up, Up, Up

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LeeLet’s catch up on some of the items we were watching and which generated some interest among the Jazz Collector community.

Wynton Kelly, Kelly at Midnight, VeeJay 3001. This was the stereo pressing in M- condition. Most of us, it seems, were quite surprised when the bidding on this approached the $400 range. It ended up selling for $565, with 24 bids and what seemed to be three serious bidders.

A Swinging Introduction to Jimmy Knepper, Bethlehem 77. This was an original pressing in M- condition. This is the one that has Bill Evans as a sideman. When I wrote about this record, there were no bids at a start price of $135. By the time the auction closed the bidding had reached $338. Coincidence?  I don’t think so. I would think the post had something to do with generating interest, particularly spotlighting Evans as a sideman, which the listing failed to do.

I had a feeling this one would break into the $2,000 bin, and it did: Lee Morgan, Candy, Blue Note 1590. This was an original deep groove West 63rd Street pressing in M- condition for the record and the cover. It sold for $2,225.

 

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