<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	
	>
<channel>
	<title>
	Comments on: A Hot and Heavy Threesome	</title>
	<atom:link href="https://jazzcollector.com/blue-note/a-hot-and-heavy-threesome/feed/" rel="self" type="application/rss+xml" />
	<link>https://jazzcollector.com/blue-note/a-hot-and-heavy-threesome/</link>
	<description>For those who love jazz</description>
	<lastBuildDate>Sun, 13 Feb 2022 22:55:45 +0000</lastBuildDate>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.9.4</generator>
	<item>
		<title>
		By: Paul		</title>
		<link>https://jazzcollector.com/blue-note/a-hot-and-heavy-threesome/comment-page-1/#comment-458140</link>

		<dc:creator><![CDATA[Paul]]></dc:creator>
		<pubDate>Sun, 13 Feb 2022 22:55:45 +0000</pubDate>
		<guid isPermaLink="false">https://jazzcollector.com/?p=8902#comment-458140</guid>

					<description><![CDATA[Riverside: Short of having proof, consensus determines what constitutes a first press.  White label deep groove = first press.  White label non-deep groove = who knows??]]></description>
			<content:encoded><![CDATA[<p>Riverside: Short of having proof, consensus determines what constitutes a first press.  White label deep groove = first press.  White label non-deep groove = who knows??</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Woody		</title>
		<link>https://jazzcollector.com/blue-note/a-hot-and-heavy-threesome/comment-page-1/#comment-458117</link>

		<dc:creator><![CDATA[Woody]]></dc:creator>
		<pubDate>Fri, 11 Feb 2022 22:42:37 +0000</pubDate>
		<guid isPermaLink="false">https://jazzcollector.com/?p=8902#comment-458117</guid>

					<description><![CDATA[Justin - If you haven&#039;t read this yet, you&#039;re in for a treat. 

https://londonjazzcollector.wordpress.com/record-labels-guide/labelography-2/larry-the-plastylite-guy/]]></description>
			<content:encoded><![CDATA[<p>Justin &#8211; If you haven&#8217;t read this yet, you&#8217;re in for a treat. </p>
<p><a href="https://londonjazzcollector.wordpress.com/record-labels-guide/labelography-2/larry-the-plastylite-guy/" rel="nofollow ugc">https://londonjazzcollector.wordpress.com/record-labels-guide/labelography-2/larry-the-plastylite-guy/</a></p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Justin		</title>
		<link>https://jazzcollector.com/blue-note/a-hot-and-heavy-threesome/comment-page-1/#comment-458115</link>

		<dc:creator><![CDATA[Justin]]></dc:creator>
		<pubDate>Fri, 11 Feb 2022 18:40:32 +0000</pubDate>
		<guid isPermaLink="false">https://jazzcollector.com/?p=8902#comment-458115</guid>

					<description><![CDATA[@hardbopster I&#039;d consider this a first pressing, but I&#039;m not sure how most collectors feel about this. I&#039;m with Martin that the assumptions and language around &quot;first pressing&quot; are problematic, especially with albums that were continually in print.

It seems we also assume a first pressing run for Riverside, Blue Note, etc. was always done on a single machine, rather than concurrently on multiple machines. We know Plastylite had around a half-dozen presses: did they always press a title on one press, or depending on their work load, did they sometimes have multiple machines working on the same title to get it out the door faster? Multiple record presses would potentially mean multiple DG combinations.

Unfortunately, records aren&#039;t like books where there&#039;s a numbering convention for identifying a first edition, first pressing., etc. Absent that, I think we have to apply a little leeway in what we consider a first pressing.]]></description>
			<content:encoded><![CDATA[<p>@hardbopster I&#8217;d consider this a first pressing, but I&#8217;m not sure how most collectors feel about this. I&#8217;m with Martin that the assumptions and language around &#8220;first pressing&#8221; are problematic, especially with albums that were continually in print.</p>
<p>It seems we also assume a first pressing run for Riverside, Blue Note, etc. was always done on a single machine, rather than concurrently on multiple machines. We know Plastylite had around a half-dozen presses: did they always press a title on one press, or depending on their work load, did they sometimes have multiple machines working on the same title to get it out the door faster? Multiple record presses would potentially mean multiple DG combinations.</p>
<p>Unfortunately, records aren&#8217;t like books where there&#8217;s a numbering convention for identifying a first edition, first pressing., etc. Absent that, I think we have to apply a little leeway in what we consider a first pressing.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Richard		</title>
		<link>https://jazzcollector.com/blue-note/a-hot-and-heavy-threesome/comment-page-1/#comment-458114</link>

		<dc:creator><![CDATA[Richard]]></dc:creator>
		<pubDate>Fri, 11 Feb 2022 18:30:12 +0000</pubDate>
		<guid isPermaLink="false">https://jazzcollector.com/?p=8902#comment-458114</guid>

					<description><![CDATA[I agree with Mark - I have never seen a UK EMI / HMV / Columbia LP with a promo stamped sleeve, and I have seen thousands of them.  

Admittedly 99% of those have been classical, but I would bet they were all pressed and distributed by exactly the same process.]]></description>
			<content:encoded><![CDATA[<p>I agree with Mark &#8211; I have never seen a UK EMI / HMV / Columbia LP with a promo stamped sleeve, and I have seen thousands of them.  </p>
<p>Admittedly 99% of those have been classical, but I would bet they were all pressed and distributed by exactly the same process.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Mark		</title>
		<link>https://jazzcollector.com/blue-note/a-hot-and-heavy-threesome/comment-page-1/#comment-458113</link>

		<dc:creator><![CDATA[Mark]]></dc:creator>
		<pubDate>Fri, 11 Feb 2022 18:12:47 +0000</pubDate>
		<guid isPermaLink="false">https://jazzcollector.com/?p=8902#comment-458113</guid>

					<description><![CDATA[It’s still a good chunk of change!  I still doubt the legitimacy of that promo stamp on the back cover..at least I’ve never seen that on a Lansdowne before.]]></description>
			<content:encoded><![CDATA[<p>It’s still a good chunk of change!  I still doubt the legitimacy of that promo stamp on the back cover..at least I’ve never seen that on a Lansdowne before.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Clifford Allen		</title>
		<link>https://jazzcollector.com/blue-note/a-hot-and-heavy-threesome/comment-page-1/#comment-458112</link>

		<dc:creator><![CDATA[Clifford Allen]]></dc:creator>
		<pubDate>Fri, 11 Feb 2022 17:10:32 +0000</pubDate>
		<guid isPermaLink="false">https://jazzcollector.com/?p=8902#comment-458112</guid>

					<description><![CDATA[somebody got a good deal on the Mike Taylor. Surprised it didn&#039;t go higher.]]></description>
			<content:encoded><![CDATA[<p>somebody got a good deal on the Mike Taylor. Surprised it didn&#8217;t go higher.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Mark		</title>
		<link>https://jazzcollector.com/blue-note/a-hot-and-heavy-threesome/comment-page-1/#comment-458111</link>

		<dc:creator><![CDATA[Mark]]></dc:creator>
		<pubDate>Fri, 11 Feb 2022 17:06:20 +0000</pubDate>
		<guid isPermaLink="false">https://jazzcollector.com/?p=8902#comment-458111</guid>

					<description><![CDATA[Martin, an 80 year old friend of mine used to talk to Orrin on the phone periodically and Orrin told him that 800 copies were pressed but perhaps his (or Orrin’s) memory was fuzzy.

One more thing to take into consideration - how many labels in 1957 were non-DG?  I can think of Capitol but not too many others.]]></description>
			<content:encoded><![CDATA[<p>Martin, an 80 year old friend of mine used to talk to Orrin on the phone periodically and Orrin told him that 800 copies were pressed but perhaps his (or Orrin’s) memory was fuzzy.</p>
<p>One more thing to take into consideration &#8211; how many labels in 1957 were non-DG?  I can think of Capitol but not too many others.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Martin Kelly		</title>
		<link>https://jazzcollector.com/blue-note/a-hot-and-heavy-threesome/comment-page-1/#comment-458110</link>

		<dc:creator><![CDATA[Martin Kelly]]></dc:creator>
		<pubDate>Fri, 11 Feb 2022 17:01:25 +0000</pubDate>
		<guid isPermaLink="false">https://jazzcollector.com/?p=8902#comment-458110</guid>

					<description><![CDATA[Mark, I think that quote about the figure of 800 being the pressing run is potentially inaccurate. In his book The View From the Within, Orrin Keepnews states &quot;By the end of 1957, a full year after it was issued, total sales had barely reached 800 copies!&quot;. So I think this is potentially the source of the 800 figure but you can see it refers to sales and not pressing numbers.]]></description>
			<content:encoded><![CDATA[<p>Mark, I think that quote about the figure of 800 being the pressing run is potentially inaccurate. In his book The View From the Within, Orrin Keepnews states &#8220;By the end of 1957, a full year after it was issued, total sales had barely reached 800 copies!&#8221;. So I think this is potentially the source of the 800 figure but you can see it refers to sales and not pressing numbers.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: japhy		</title>
		<link>https://jazzcollector.com/blue-note/a-hot-and-heavy-threesome/comment-page-1/#comment-458107</link>

		<dc:creator><![CDATA[japhy]]></dc:creator>
		<pubDate>Fri, 11 Feb 2022 16:31:09 +0000</pubDate>
		<guid isPermaLink="false">https://jazzcollector.com/?p=8902#comment-458107</guid>

					<description><![CDATA[To be honest, Al, I think the current headline is the one you&#039;ll look back and grimace upon. Personally, I love it!]]></description>
			<content:encoded><![CDATA[<p>To be honest, Al, I think the current headline is the one you&#8217;ll look back and grimace upon. Personally, I love it!</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Mark		</title>
		<link>https://jazzcollector.com/blue-note/a-hot-and-heavy-threesome/comment-page-1/#comment-458106</link>

		<dc:creator><![CDATA[Mark]]></dc:creator>
		<pubDate>Fri, 11 Feb 2022 15:43:20 +0000</pubDate>
		<guid isPermaLink="false">https://jazzcollector.com/?p=8902#comment-458106</guid>

					<description><![CDATA[I can’t imagine a pressing run of 800 being split between two factories..]]></description>
			<content:encoded><![CDATA[<p>I can’t imagine a pressing run of 800 being split between two factories..</p>
]]></content:encoded>
		
			</item>
	</channel>
</rss>
