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	<title>
	Comments on: A Rare Bird, Indeed	</title>
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	<link>https://jazzcollector.com/blue-note/a-rare-bird-indeed/</link>
	<description>For those who love jazz</description>
	<lastBuildDate>Fri, 24 Oct 2014 13:12:35 +0000</lastBuildDate>
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		<title>
		By: Peter Jensen		</title>
		<link>https://jazzcollector.com/blue-note/a-rare-bird-indeed/comment-page-1/#comment-350881</link>

		<dc:creator><![CDATA[Peter Jensen]]></dc:creator>
		<pubDate>Fri, 24 Oct 2014 13:12:35 +0000</pubDate>
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					<description><![CDATA[I`m the owner of Charlie Parker in Sweden . limited edition no.997*. It was given to me 1961 by basplayer Thore jederby when he played in Randers Jazzklub, Denmark
Peter Jensen Solhaven 14 7800 DK]]></description>
			<content:encoded><![CDATA[<p>I`m the owner of Charlie Parker in Sweden . limited edition no.997*. It was given to me 1961 by basplayer Thore jederby when he played in Randers Jazzklub, Denmark<br />
Peter Jensen Solhaven 14 7800 DK</p>
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		<title>
		By: GST		</title>
		<link>https://jazzcollector.com/blue-note/a-rare-bird-indeed/comment-page-1/#comment-346666</link>

		<dc:creator><![CDATA[GST]]></dc:creator>
		<pubDate>Tue, 09 Sep 2014 16:21:09 +0000</pubDate>
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					<description><![CDATA[Condition of the record is most important to me, but I like covers that at least don&#039;t have any splits.]]></description>
			<content:encoded><![CDATA[<p>Condition of the record is most important to me, but I like covers that at least don&#8217;t have any splits.</p>
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		<title>
		By: maartenkools		</title>
		<link>https://jazzcollector.com/blue-note/a-rare-bird-indeed/comment-page-1/#comment-346614</link>

		<dc:creator><![CDATA[maartenkools]]></dc:creator>
		<pubDate>Mon, 08 Sep 2014 18:35:41 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=6104#comment-346614</guid>

					<description><![CDATA[the=they]]></description>
			<content:encoded><![CDATA[<p>the=they</p>
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		<title>
		By: maartenkools		</title>
		<link>https://jazzcollector.com/blue-note/a-rare-bird-indeed/comment-page-1/#comment-346613</link>

		<dc:creator><![CDATA[maartenkools]]></dc:creator>
		<pubDate>Mon, 08 Sep 2014 18:34:07 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=6104#comment-346613</guid>

					<description><![CDATA[i agree with you on the Mobley matter Al, if it isn&#039;t listed in the original BN series, i also want to see it as not part of the real deal. But i know that at that point i am a fool to only look at the &quot;idea&quot; of BN originals. So sometimes it is great to hear those later issued sessions (japanese BN pressings have a lot of those sessions (re) issued), because most of the time they are recorded at the same time as the &quot;real&quot; ones, with the same cats playing,  and often only put on the shelf for commercial reasons.
But esthetics-wize the are Kitsch:-) Long live we Snobs!]]></description>
			<content:encoded><![CDATA[<p>i agree with you on the Mobley matter Al, if it isn&#8217;t listed in the original BN series, i also want to see it as not part of the real deal. But i know that at that point i am a fool to only look at the &#8220;idea&#8221; of BN originals. So sometimes it is great to hear those later issued sessions (japanese BN pressings have a lot of those sessions (re) issued), because most of the time they are recorded at the same time as the &#8220;real&#8221; ones, with the same cats playing,  and often only put on the shelf for commercial reasons.<br />
But esthetics-wize the are Kitsch:-) Long live we Snobs!</p>
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		<title>
		By: Joe L		</title>
		<link>https://jazzcollector.com/blue-note/a-rare-bird-indeed/comment-page-1/#comment-346608</link>

		<dc:creator><![CDATA[Joe L]]></dc:creator>
		<pubDate>Mon, 08 Sep 2014 17:08:29 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=6104#comment-346608</guid>

					<description><![CDATA[I&#039;m a third for Blues Walk;  worn and stained cover, original that plays mint, $10.  I listen to it all the time.  I&#039;m with you;  while I would prefer everything to be perfect, less-than-perfect is fine as long as it plays well.]]></description>
			<content:encoded><![CDATA[<p>I&#8217;m a third for Blues Walk;  worn and stained cover, original that plays mint, $10.  I listen to it all the time.  I&#8217;m with you;  while I would prefer everything to be perfect, less-than-perfect is fine as long as it plays well.</p>
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		<title>
		By: Geoff		</title>
		<link>https://jazzcollector.com/blue-note/a-rare-bird-indeed/comment-page-1/#comment-346562</link>

		<dc:creator><![CDATA[Geoff]]></dc:creator>
		<pubDate>Sun, 07 Sep 2014 20:23:33 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=6104#comment-346562</guid>

					<description><![CDATA[I must have the twin to your Blues Walk, got for a song cover bit tatty odd scratch,sounds great, to me anyway.]]></description>
			<content:encoded><![CDATA[<p>I must have the twin to your Blues Walk, got for a song cover bit tatty odd scratch,sounds great, to me anyway.</p>
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		<title>
		By: Gregory The Fish		</title>
		<link>https://jazzcollector.com/blue-note/a-rare-bird-indeed/comment-page-1/#comment-346549</link>

		<dc:creator><![CDATA[Gregory The Fish]]></dc:creator>
		<pubDate>Sun, 07 Sep 2014 13:10:56 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=6104#comment-346549</guid>

					<description><![CDATA[I know covers are important, but to me: if the front of the cover is nice enough, and the vinyl is EX or better, and the price is right, I don&#039;t really care if there are tape stains or splits. honestly, even if the vinyl doesn&#039;t LOOK good, as long as it PLAYS well, i&#039;m happy. the collectibles we deal in are too rare to be choosy, if you ask me. as long as i can enjoy the music, i&#039;m happy. i got a very nice copy of &quot;blues walk&quot; for just a small fraction of the price because it had scratches and the back of the cover was stained, but when i play-tested it (yes the whole thing on the store table) it played like mint. very happy score for me. 

anyone out there find aesthetic factors less important, the way i do?]]></description>
			<content:encoded><![CDATA[<p>I know covers are important, but to me: if the front of the cover is nice enough, and the vinyl is EX or better, and the price is right, I don&#8217;t really care if there are tape stains or splits. honestly, even if the vinyl doesn&#8217;t LOOK good, as long as it PLAYS well, i&#8217;m happy. the collectibles we deal in are too rare to be choosy, if you ask me. as long as i can enjoy the music, i&#8217;m happy. i got a very nice copy of &#8220;blues walk&#8221; for just a small fraction of the price because it had scratches and the back of the cover was stained, but when i play-tested it (yes the whole thing on the store table) it played like mint. very happy score for me. </p>
<p>anyone out there find aesthetic factors less important, the way i do?</p>
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		<title>
		By: Phil		</title>
		<link>https://jazzcollector.com/blue-note/a-rare-bird-indeed/comment-page-1/#comment-346491</link>

		<dc:creator><![CDATA[Phil]]></dc:creator>
		<pubDate>Sat, 06 Sep 2014 12:42:28 +0000</pubDate>
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					<description><![CDATA[Mr. Cohen is selling Dizzy Gillespie acetates again - these ones are from the Royal Roost!]]></description>
			<content:encoded><![CDATA[<p>Mr. Cohen is selling Dizzy Gillespie acetates again &#8211; these ones are from the Royal Roost!</p>
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