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	<title>
	Comments on: Breaking Jazz Vinyl Barriers	</title>
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	<link>https://jazzcollector.com/blue-note/breaking-jazz-vinyl-barriers/</link>
	<description>For those who love jazz</description>
	<lastBuildDate>Wed, 11 Dec 2013 16:07:52 +0000</lastBuildDate>
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		<title>
		By: Geoff		</title>
		<link>https://jazzcollector.com/blue-note/breaking-jazz-vinyl-barriers/comment-page-1/#comment-313536</link>

		<dc:creator><![CDATA[Geoff]]></dc:creator>
		<pubDate>Wed, 11 Dec 2013 16:07:52 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=5710#comment-313536</guid>

					<description><![CDATA[As well as some of the originals i have a lot of US jazz on the UK Esquire label if you see what i mean. Also Tempo Tap is a worth a listen but as far as i know it is a label for UK jazzmen only,no doubt someone will prove me wrong.]]></description>
			<content:encoded><![CDATA[<p>As well as some of the originals i have a lot of US jazz on the UK Esquire label if you see what i mean. Also Tempo Tap is a worth a listen but as far as i know it is a label for UK jazzmen only,no doubt someone will prove me wrong.</p>
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		<title>
		By: Daryl		</title>
		<link>https://jazzcollector.com/blue-note/breaking-jazz-vinyl-barriers/comment-page-1/#comment-313415</link>

		<dc:creator><![CDATA[Daryl]]></dc:creator>
		<pubDate>Wed, 11 Dec 2013 01:19:42 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=5710#comment-313415</guid>

					<description><![CDATA[As I read comments this past year, I notice two general categories: collectors focused on values; collectors focused on music. Granted, I know that those who have questions about values also love the music; we all love jazz, though the numbers are fun to follow. For most regulars of this site, does the love of jazz lp collecting fall solely into that intersection of &quot;original&#039; Blue Note/Riverside/Prestige meets hard bop? Al (et.al), does your love of jazz go beyond these rare, original lp&#039;s? If so, what are your secondary foci? Columbia Six eye? Verve? Impulse (blasphemy!)? Thanks for the community!]]></description>
			<content:encoded><![CDATA[<p>As I read comments this past year, I notice two general categories: collectors focused on values; collectors focused on music. Granted, I know that those who have questions about values also love the music; we all love jazz, though the numbers are fun to follow. For most regulars of this site, does the love of jazz lp collecting fall solely into that intersection of &#8220;original&#8217; Blue Note/Riverside/Prestige meets hard bop? Al (et.al), does your love of jazz go beyond these rare, original lp&#8217;s? If so, what are your secondary foci? Columbia Six eye? Verve? Impulse (blasphemy!)? Thanks for the community!</p>
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		<item>
		<title>
		By: Gregory The Fish		</title>
		<link>https://jazzcollector.com/blue-note/breaking-jazz-vinyl-barriers/comment-page-1/#comment-313409</link>

		<dc:creator><![CDATA[Gregory The Fish]]></dc:creator>
		<pubDate>Wed, 11 Dec 2013 00:03:12 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=5710#comment-313409</guid>

					<description><![CDATA[I have records like that. I can&#039;t imagine I&#039;ll ever get my hands around a verifiable original of Ayler&#039;s &quot;Spiritual Unity&quot; for example. 

But it would seem I shouldn&#039;t give up hope!]]></description>
			<content:encoded><![CDATA[<p>I have records like that. I can&#8217;t imagine I&#8217;ll ever get my hands around a verifiable original of Ayler&#8217;s &#8220;Spiritual Unity&#8221; for example. </p>
<p>But it would seem I shouldn&#8217;t give up hope!</p>
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		<title>
		By: Al		</title>
		<link>https://jazzcollector.com/blue-note/breaking-jazz-vinyl-barriers/comment-page-1/#comment-313371</link>

		<dc:creator><![CDATA[Al]]></dc:creator>
		<pubDate>Tue, 10 Dec 2013 16:33:20 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=5710#comment-313371</guid>

					<description><![CDATA[When I began collecting Jazz Records in the early 1970s, Tommy Flanagan Overseas was often the one described as impossible to find. In all of these years I have never owned an original copy. I am thrilled to have one now. I&#039;m hoping to play it sometime this week.]]></description>
			<content:encoded><![CDATA[<p>When I began collecting Jazz Records in the early 1970s, Tommy Flanagan Overseas was often the one described as impossible to find. In all of these years I have never owned an original copy. I am thrilled to have one now. I&#8217;m hoping to play it sometime this week.</p>
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		<item>
		<title>
		By: Gregory The Fish		</title>
		<link>https://jazzcollector.com/blue-note/breaking-jazz-vinyl-barriers/comment-page-1/#comment-313370</link>

		<dc:creator><![CDATA[Gregory The Fish]]></dc:creator>
		<pubDate>Tue, 10 Dec 2013 16:17:05 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=5710#comment-313370</guid>

					<description><![CDATA[Must feel good to have a grooved plastic disc that can get you 3k-4k, huh Al? In going through things I bought before my recent introduction to the collecting side of jazz vinyl, I&#039;m discovering that some of my collection is worth 60 or 70 dollars a record and am quite excited! 

So you must be feeling roughly 50-60 times more excited, not to mention the great music!]]></description>
			<content:encoded><![CDATA[<p>Must feel good to have a grooved plastic disc that can get you 3k-4k, huh Al? In going through things I bought before my recent introduction to the collecting side of jazz vinyl, I&#8217;m discovering that some of my collection is worth 60 or 70 dollars a record and am quite excited! </p>
<p>So you must be feeling roughly 50-60 times more excited, not to mention the great music!</p>
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