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	<title>
	Comments on: eBaying With Horace, Lou, Newk &#038; Leo Parker	</title>
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	<link>https://jazzcollector.com/blue-note/ebaying-with-horace-lou-newk-leo-parker/</link>
	<description>For those who love jazz</description>
	<lastBuildDate>Tue, 08 Mar 2011 16:24:21 +0000</lastBuildDate>
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		<title>
		By: ceedee		</title>
		<link>https://jazzcollector.com/blue-note/ebaying-with-horace-lou-newk-leo-parker/comment-page-1/#comment-96441</link>

		<dc:creator><![CDATA[ceedee]]></dc:creator>
		<pubDate>Tue, 08 Mar 2011 16:24:21 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=3526#comment-96441</guid>

					<description><![CDATA[Sam Rivers on &quot;When I Fall In Love&quot; from A New Conception,is,as they say,to die for. Steve Ellington on brushes is also amazing on this...a keeper.]]></description>
			<content:encoded><![CDATA[<p>Sam Rivers on &#8220;When I Fall In Love&#8221; from A New Conception,is,as they say,to die for. Steve Ellington on brushes is also amazing on this&#8230;a keeper.</p>
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		<title>
		By: Mike		</title>
		<link>https://jazzcollector.com/blue-note/ebaying-with-horace-lou-newk-leo-parker/comment-page-1/#comment-94004</link>

		<dc:creator><![CDATA[Mike]]></dc:creator>
		<pubDate>Tue, 01 Mar 2011 20:01:31 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=3526#comment-94004</guid>

					<description><![CDATA[I&#039;m with you on &quot;Contours&quot; and &quot;A New Conception&quot;.  I have M- liberty issues that I paid less than $40 for.  Great albums.  The most I&#039;ve ever paid for a Liberty was $75 for an immaculate &quot;Street of Dreams&quot;, which tends to go for a little higher than most Liberties(although I&#039;ve seen it in the $30 - $40 range often).]]></description>
			<content:encoded><![CDATA[<p>I&#8217;m with you on &#8220;Contours&#8221; and &#8220;A New Conception&#8221;.  I have M- liberty issues that I paid less than $40 for.  Great albums.  The most I&#8217;ve ever paid for a Liberty was $75 for an immaculate &#8220;Street of Dreams&#8221;, which tends to go for a little higher than most Liberties(although I&#8217;ve seen it in the $30 &#8211; $40 range often).</p>
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		<title>
		By: London Calling		</title>
		<link>https://jazzcollector.com/blue-note/ebaying-with-horace-lou-newk-leo-parker/comment-page-1/#comment-93988</link>

		<dc:creator><![CDATA[London Calling]]></dc:creator>
		<pubDate>Tue, 01 Mar 2011 18:54:50 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=3526#comment-93988</guid>

					<description><![CDATA[Just spent this afternoon listening to some Sam Rivers favourites - &quot;Contours&quot;(4206),
A New Conception ( 4249) and Dimensions an Extensions (4261).

They are all transitional Blue Note / Liberty pressings 1966-7 no &quot;ear&quot; and they all sound absolutely great. Fresh, bright lively, sonically a match for any New York label originals. 

Stereo as you might expect, but absolutely streets ahead of the run-of-the-mill Japanese reissues, even the mighty King doesn&#039;t have the visceral energy of these transitional Liberty pressings.

At $30-40 they are a steal, and its no compromise, as they don&#039;t exist earlier.]]></description>
			<content:encoded><![CDATA[<p>Just spent this afternoon listening to some Sam Rivers favourites &#8211; &#8220;Contours&#8221;(4206),<br />
A New Conception ( 4249) and Dimensions an Extensions (4261).</p>
<p>They are all transitional Blue Note / Liberty pressings 1966-7 no &#8220;ear&#8221; and they all sound absolutely great. Fresh, bright lively, sonically a match for any New York label originals. </p>
<p>Stereo as you might expect, but absolutely streets ahead of the run-of-the-mill Japanese reissues, even the mighty King doesn&#8217;t have the visceral energy of these transitional Liberty pressings.</p>
<p>At $30-40 they are a steal, and its no compromise, as they don&#8217;t exist earlier.</p>
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		<title>
		By: Mike		</title>
		<link>https://jazzcollector.com/blue-note/ebaying-with-horace-lou-newk-leo-parker/comment-page-1/#comment-93977</link>

		<dc:creator><![CDATA[Mike]]></dc:creator>
		<pubDate>Tue, 01 Mar 2011 17:57:55 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=3526#comment-93977</guid>

					<description><![CDATA[I have about 60 liberty presses, with about 40 being albums that were originally pressed after Blue Note was sold to Liberty(sue me, I like some of this stuff :-)).  I would say that the majority of these sound quite nice.  The ones I have that don&#039;t sound good, look pretty crappy which makes sense.  I have heard people say negative things about liberty presses but my personal experience is that they are not bad at all.  I think that some of this comes from Liberty maybe using old stampers on some of the represses.  I&#039;m curious what others opinion is on this.  I&#039;ve found that most of the original liberty presses(i.e. numbers higher than 4220 or so) sound on par with the Blue Notes pressed earlier.  I&#039;ve also found that the represses of the original Blue Notes sound pretty good, and are a very nice substitute for an original.  I know they stopped using the same presses so there should be some change but many where still mastered by RVG and should have a similar level of quality control.  And at least in the mid 60s the quality of the vinyl used hadn&#039;t gone down so dramatically if I remember right.]]></description>
			<content:encoded><![CDATA[<p>I have about 60 liberty presses, with about 40 being albums that were originally pressed after Blue Note was sold to Liberty(sue me, I like some of this stuff :-)).  I would say that the majority of these sound quite nice.  The ones I have that don&#8217;t sound good, look pretty crappy which makes sense.  I have heard people say negative things about liberty presses but my personal experience is that they are not bad at all.  I think that some of this comes from Liberty maybe using old stampers on some of the represses.  I&#8217;m curious what others opinion is on this.  I&#8217;ve found that most of the original liberty presses(i.e. numbers higher than 4220 or so) sound on par with the Blue Notes pressed earlier.  I&#8217;ve also found that the represses of the original Blue Notes sound pretty good, and are a very nice substitute for an original.  I know they stopped using the same presses so there should be some change but many where still mastered by RVG and should have a similar level of quality control.  And at least in the mid 60s the quality of the vinyl used hadn&#8217;t gone down so dramatically if I remember right.</p>
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		<title>
		By: London Calling		</title>
		<link>https://jazzcollector.com/blue-note/ebaying-with-horace-lou-newk-leo-parker/comment-page-1/#comment-93837</link>

		<dc:creator><![CDATA[London Calling]]></dc:creator>
		<pubDate>Tue, 01 Mar 2011 07:45:03 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=3526#comment-93837</guid>

					<description><![CDATA[Of course, 1966. Old Age. (Hopefully, its my typing thats failing not my memory!)]]></description>
			<content:encoded><![CDATA[<p>Of course, 1966. Old Age. (Hopefully, its my typing thats failing not my memory!)</p>
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		<title>
		By: ajdoctor		</title>
		<link>https://jazzcollector.com/blue-note/ebaying-with-horace-lou-newk-leo-parker/comment-page-1/#comment-93718</link>

		<dc:creator><![CDATA[ajdoctor]]></dc:creator>
		<pubDate>Mon, 28 Feb 2011 21:40:49 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=3526#comment-93718</guid>

					<description><![CDATA[London Calling -- not 1996-ish. Perhaps you meant 1966-ish?]]></description>
			<content:encoded><![CDATA[<p>London Calling &#8212; not 1996-ish. Perhaps you meant 1966-ish?</p>
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		<title>
		By: London Calling		</title>
		<link>https://jazzcollector.com/blue-note/ebaying-with-horace-lou-newk-leo-parker/comment-page-1/#comment-93709</link>

		<dc:creator><![CDATA[London Calling]]></dc:creator>
		<pubDate>Mon, 28 Feb 2011 21:05:42 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=3526#comment-93709</guid>

					<description><![CDATA[It&#039;s around six months since I picked up my copy of Cape Verdean Blues on ebay. There were two copies auction ending that day - one stereo one mono - within a few hours of each other.

The mono went way out my price range so I punted on the stereo which closed at around $28. It bore NY labels and VAN GELDER stamp but no &quot;ear&quot; so it was an early Liberty press.

I have quite a few of these transitional Liberty presses - for example a Sam Rivers acquired very recently, and I have to say they sound every bit as good as the original NY originals. Later Liberty are not so good, but these 1996-ish transitional pressings are difficult to fault. They have the bright freshness of Plastylite, whoever pressed them.

What&#039;s nice is when the vinyl pressing quality is up to the mark, you can move on to enjoy the musical quality.]]></description>
			<content:encoded><![CDATA[<p>It&#8217;s around six months since I picked up my copy of Cape Verdean Blues on ebay. There were two copies auction ending that day &#8211; one stereo one mono &#8211; within a few hours of each other.</p>
<p>The mono went way out my price range so I punted on the stereo which closed at around $28. It bore NY labels and VAN GELDER stamp but no &#8220;ear&#8221; so it was an early Liberty press.</p>
<p>I have quite a few of these transitional Liberty presses &#8211; for example a Sam Rivers acquired very recently, and I have to say they sound every bit as good as the original NY originals. Later Liberty are not so good, but these 1996-ish transitional pressings are difficult to fault. They have the bright freshness of Plastylite, whoever pressed them.</p>
<p>What&#8217;s nice is when the vinyl pressing quality is up to the mark, you can move on to enjoy the musical quality.</p>
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		<title>
		By: ceedee		</title>
		<link>https://jazzcollector.com/blue-note/ebaying-with-horace-lou-newk-leo-parker/comment-page-1/#comment-93098</link>

		<dc:creator><![CDATA[ceedee]]></dc:creator>
		<pubDate>Sat, 26 Feb 2011 16:36:28 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=3526#comment-93098</guid>

					<description><![CDATA[&quot;two g&#039;s,one e&quot; (LOL)]]></description>
			<content:encoded><![CDATA[<p>&#8220;two g&#8217;s,one e&#8221; (LOL)</p>
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		<title>
		By: ceedee		</title>
		<link>https://jazzcollector.com/blue-note/ebaying-with-horace-lou-newk-leo-parker/comment-page-1/#comment-93096</link>

		<dc:creator><![CDATA[ceedee]]></dc:creator>
		<pubDate>Sat, 26 Feb 2011 16:26:44 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=3526#comment-93096</guid>

					<description><![CDATA[Re:CVB-In the March &#039;09 Downbeat-the &quot;Blue Note issue&quot;-trumpeter Dave Douglas writes that&quot;one momentin Joe Henderson&#039;s solo on &#039;The African Queen&#039; makes me want to scream every time I hear it...This record is filled with little things that you almost don&#039;t notice,but have a profound effect on the expressiveness of the music.&quot;
But now,a word from the &quot;Do you spell gough with one or g&#039;s?&quot; Dept:
http://cgi.ebay.com/Horace-Silver-Cape-Verdean-Blue-Note-4220-MONO-Shrink-/330529072142?pt=Music_on_Vinyl&#038;hash=item4cf511640e]]></description>
			<content:encoded><![CDATA[<p>Re:CVB-In the March &#8217;09 Downbeat-the &#8220;Blue Note issue&#8221;-trumpeter Dave Douglas writes that&#8221;one momentin Joe Henderson&#8217;s solo on &#8216;The African Queen&#8217; makes me want to scream every time I hear it&#8230;This record is filled with little things that you almost don&#8217;t notice,but have a profound effect on the expressiveness of the music.&#8221;<br />
But now,a word from the &#8220;Do you spell gough with one or g&#8217;s?&#8221; Dept:<br />
<a href="http://cgi.ebay.com/Horace-Silver-Cape-Verdean-Blue-Note-4220-MONO-Shrink-/330529072142?pt=Music_on_Vinyl&#038;hash=item4cf511640e" rel="nofollow ugc">http://cgi.ebay.com/Horace-Silver-Cape-Verdean-Blue-Note-4220-MONO-Shrink-/330529072142?pt=Music_on_Vinyl&#038;hash=item4cf511640e</a></p>
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		<title>
		By: Katharsis		</title>
		<link>https://jazzcollector.com/blue-note/ebaying-with-horace-lou-newk-leo-parker/comment-page-1/#comment-92831</link>

		<dc:creator><![CDATA[Katharsis]]></dc:creator>
		<pubDate>Fri, 25 Feb 2011 22:56:22 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=3526#comment-92831</guid>

					<description><![CDATA[@Mike: cheers! &quot;Tokyo Blues&quot; has some sort of darkness to it! My favourite Silver-LP As well! Great Band and less soul jazz...somehow.]]></description>
			<content:encoded><![CDATA[<p>@Mike: cheers! &#8220;Tokyo Blues&#8221; has some sort of darkness to it! My favourite Silver-LP As well! Great Band and less soul jazz&#8230;somehow.</p>
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