Horace Silver on Blue Note: Comments Anyone?

OK, we’re still in the midst of the contest to give away the book: Blue Note The Album Cover Art. To be eligible to win this book — free, we even pay for shipping — all you have to do is post a comment on the Jazz Collector Web site before July 2. The winner will be announced July 3. When we did the original post announcing the contest, we promised to share with you the foreward of the book, written by Horace Silver. Here goes:

“Blue Note Records were very meticulous in every aspect of their production: They used he best vinyl, they paid for rehearsals and when I asked to be in on other parts of my album Alfred Lion (the label’s founder) gave me every opportunity. A lot of musicians in those days worked very hard to make good music and once the music was done, they let Alfred Lion go on with the rest of it. One day I went to Alfred and said,

I want to sit down with you and look at the pictures you want to use and pick them together and check the sleeve notes before you print them. He agreed to that, and so I had input over a lot of things the other guys didn’t bother with. I learnt a lot from that, and what I learnt about making a record I learned from Alfred Lion. I don’t have a favorite cover of mine . . . but thinking back now, you know, I kinda like the Tokyo Blues Cover!”

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4 comments

  • donald gajadhar

    I wonder why Tokyo Blues was his favorite,looks like he loved doing that cover and that in turn,Japan loves him back.

  • Photo shoot in Tokyo – what’s not to love? (I prefer Fingerpoppin’ myself, sorry Horace.)

  • My vote goes to Song for My Father. Every time I look at the cover I think of my own father.

  • Rudolf A. Flinterman

    none of the photo covers are really amongst my favourite cover designs, they are too sweet, or meaningless, like the picture of Horace in front of the U.N. My favourite is the vigorous cover painting of 4017, followed by photo cover 1539, whih shows the reflective side of the master.

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