Jazz Record Centering
Last week when I was on eBay I was watching an auction from the Jazz Record Center. The auction has since closed, but it’s always fun and enlightening to keep an eye on their results, so here are a few rare jazz vinyl items that sold last week, starting with Harold Vick, Steppin’ Out!, Blue Note 4138. This looked to be an original mono pressing with the New York USA label. Never had this album, nor have I ever heard it. Not in my sweet spot with the organ instead of piano. This is a preview copy that looked to be in M- condition for the record and the cover. The final price was $521.
Art Pepper Meets The Rhythm Section, Contemporary 3532. This was an original deep groove promo copy. The listing talks about a rare original reverse-frame cover and I’m not sure what that exactly means, but I think I have the same cover, so whatever it is I’m OK with it. This one looked to be in M- condition for the record and probably VG++ for the cover. The final vinyl was $765.
Jimmy Smith at the Organ, Volume 2, Blue Note 1552. This was an original deep groove pressing with the New York 23 label. The record and cover both looked to be in M- condition. The final price was $744, which is up there for a Jimmy Smith date session. Also, Jimmy Smith at the Organ, Volume 1, Blue Note 1551. This is a deep groove pressing with the West 63rd Street labels. It also looked to be in M- condition for the record and cover. The final price was $180.39. I guess there must be some extra value in that New York 23 label. Amazing, isn’t it, for basically the same music, the premium that the label has in our collector’s world?
Clark Terry, Serenade to a Bus Seat, Riverside 237. This was an original white label pressing, in M- condition for both the record and the cover. The final price was $261. Speaking of Riverside, I have two Riverside podcasts on the Jazz Collector site now, Riverside Part 1 and Riverside Part 2. If you get a chance to listen, please let me know whaat you think. This coming week’s show, live on WTBR-FM Pittsfield on Sunday at 8, features John Coltrane on the Impulse label.
I have a couple of Contemporary jackets assembled like that. I thought it was pretty standard for the early pressings.
The Vick is okay. It’s not all that common but I didn’t realize anyone cared too much either. His Strata-East is nice.
I don’t grasp what it is about. The frame on the rear, instead of the front? The pictures are not explanatory.