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	<title>
	Comments on: Jazz Vinyl From Blue Note and Vogue	</title>
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	<link>https://jazzcollector.com/blue-note/jazz-vinyl-from-blue-note-and-vogue/</link>
	<description>For those who love jazz</description>
	<lastBuildDate>Tue, 14 Nov 2017 07:44:08 +0000</lastBuildDate>
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		<title>
		By: geoffrey wheeler		</title>
		<link>https://jazzcollector.com/blue-note/jazz-vinyl-from-blue-note-and-vogue/comment-page-1/#comment-449182</link>

		<dc:creator><![CDATA[geoffrey wheeler]]></dc:creator>
		<pubDate>Tue, 14 Nov 2017 07:44:08 +0000</pubDate>
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					<description><![CDATA[Referencing &quot;Related Posts,&quot; the 1954 George Wallington &quot;Showcase&quot; 10-incher on Blue Note is a particular favorite of mine. I bought it when it came out, and have greatly enjoyed the arrangements and solos. Japan later issued a 12-inch LP that contains both master and alternate takes of the session. Both are well worth having. The 1953 Jimmy Raney Quartet 10-inch album New Jazz 1101, which I also bought when it came out, is especially marvelous. This album shows how inventive Raney could be and his unique sound. Pianist Hall Overton is a perfect fit for Raney and appears on other Raney albums. The cover is rather feeble, featuring a soft-focus photo of Raney playing his guitar. I first heard Raney in 1951 at Storyville in Boston when he was with Stan Getz.]]></description>
			<content:encoded><![CDATA[<p>Referencing &#8220;Related Posts,&#8221; the 1954 George Wallington &#8220;Showcase&#8221; 10-incher on Blue Note is a particular favorite of mine. I bought it when it came out, and have greatly enjoyed the arrangements and solos. Japan later issued a 12-inch LP that contains both master and alternate takes of the session. Both are well worth having. The 1953 Jimmy Raney Quartet 10-inch album New Jazz 1101, which I also bought when it came out, is especially marvelous. This album shows how inventive Raney could be and his unique sound. Pianist Hall Overton is a perfect fit for Raney and appears on other Raney albums. The cover is rather feeble, featuring a soft-focus photo of Raney playing his guitar. I first heard Raney in 1951 at Storyville in Boston when he was with Stan Getz.</p>
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		<title>
		By: Shaft		</title>
		<link>https://jazzcollector.com/blue-note/jazz-vinyl-from-blue-note-and-vogue/comment-page-1/#comment-449180</link>

		<dc:creator><![CDATA[Shaft]]></dc:creator>
		<pubDate>Mon, 13 Nov 2017 10:27:51 +0000</pubDate>
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					<description><![CDATA[Very very seldom I bid on VG+ or lower...]]></description>
			<content:encoded><![CDATA[<p>Very very seldom I bid on VG+ or lower&#8230;</p>
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		<title>
		By: Joseph		</title>
		<link>https://jazzcollector.com/blue-note/jazz-vinyl-from-blue-note-and-vogue/comment-page-1/#comment-449177</link>

		<dc:creator><![CDATA[Joseph]]></dc:creator>
		<pubDate>Sun, 12 Nov 2017 22:24:25 +0000</pubDate>
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					<description><![CDATA[I would take the Blue Notes over Vogue. However I do own a bunch of  Vogues with Françoise Hardy and they are keepers ! :)]]></description>
			<content:encoded><![CDATA[<p>I would take the Blue Notes over Vogue. However I do own a bunch of  Vogues with Françoise Hardy and they are keepers ! 🙂</p>
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		<title>
		By: Collin		</title>
		<link>https://jazzcollector.com/blue-note/jazz-vinyl-from-blue-note-and-vogue/comment-page-1/#comment-449176</link>

		<dc:creator><![CDATA[Collin]]></dc:creator>
		<pubDate>Sun, 12 Nov 2017 20:13:18 +0000</pubDate>
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					<description><![CDATA[I most say that I think sellers should be a lot more generous with info in their descriptions.  VG- is obviously a pretty bad copy but still dont say much. Does it have a lot of light marks and constant but low background noise (which I might go for) or just one sharp mark and two minutes of clicks in the best track (not so interested). A few words is not to much to ask for I think..  
By the way, very happy to find this site. Lot of great posts and discussions!]]></description>
			<content:encoded><![CDATA[<p>I most say that I think sellers should be a lot more generous with info in their descriptions.  VG- is obviously a pretty bad copy but still dont say much. Does it have a lot of light marks and constant but low background noise (which I might go for) or just one sharp mark and two minutes of clicks in the best track (not so interested). A few words is not to much to ask for I think..<br />
By the way, very happy to find this site. Lot of great posts and discussions!</p>
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		<title>
		By: Gregory the Fish		</title>
		<link>https://jazzcollector.com/blue-note/jazz-vinyl-from-blue-note-and-vogue/comment-page-1/#comment-449175</link>

		<dc:creator><![CDATA[Gregory the Fish]]></dc:creator>
		<pubDate>Sun, 12 Nov 2017 18:25:10 +0000</pubDate>
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					<description><![CDATA[i have only ever bought one record from carolinasoul. it was in all around VG+ condition according to them, and i got it for way below market value. i was very pleased. i always watch their auctions now. i think the grade was fairly conservative, but i still as a matter of personal policy, never bid on vinyl below VG+ from any seller.]]></description>
			<content:encoded><![CDATA[<p>i have only ever bought one record from carolinasoul. it was in all around VG+ condition according to them, and i got it for way below market value. i was very pleased. i always watch their auctions now. i think the grade was fairly conservative, but i still as a matter of personal policy, never bid on vinyl below VG+ from any seller.</p>
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		<title>
		By: Rudolf		</title>
		<link>https://jazzcollector.com/blue-note/jazz-vinyl-from-blue-note-and-vogue/comment-page-1/#comment-449174</link>

		<dc:creator><![CDATA[Rudolf]]></dc:creator>
		<pubDate>Sun, 12 Nov 2017 16:21:33 +0000</pubDate>
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					<description><![CDATA[The French (and U.K.) originals are not completely identical to the Blue Note issues. Blue Note and Vogue U.K. issued each four 10&quot; LP&#039;s of this Gryce/Brown material. The company who did the recordings, Vogue p.i.p. Paris, issued three 10&quot; LP&#039;s at the time, only followed a couple of years later by two 12&quot; albums.
I for one find that the cover art of Gil Mellé for Blue Note is unmatched, so I follow you, Al, in preferring the Blue Notes.]]></description>
			<content:encoded><![CDATA[<p>The French (and U.K.) originals are not completely identical to the Blue Note issues. Blue Note and Vogue U.K. issued each four 10&#8243; LP&#8217;s of this Gryce/Brown material. The company who did the recordings, Vogue p.i.p. Paris, issued three 10&#8243; LP&#8217;s at the time, only followed a couple of years later by two 12&#8243; albums.<br />
I for one find that the cover art of Gil Mellé for Blue Note is unmatched, so I follow you, Al, in preferring the Blue Notes.</p>
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