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	Comments on: Keeping an Eye on Jazz Vinyl Pricing Trends	</title>
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	<link>https://jazzcollector.com/blue-note/keeping-an-eye-on-jazz-vinyl-pricing-trends/</link>
	<description>For those who love jazz</description>
	<lastBuildDate>Fri, 16 Sep 2016 22:51:42 +0000</lastBuildDate>
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		<title>
		By: Rich DG Mono		</title>
		<link>https://jazzcollector.com/blue-note/keeping-an-eye-on-jazz-vinyl-pricing-trends/comment-page-1/#comment-437312</link>

		<dc:creator><![CDATA[Rich DG Mono]]></dc:creator>
		<pubDate>Fri, 16 Sep 2016 22:51:42 +0000</pubDate>
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					<description><![CDATA[Halfway down reading the comments I too was dying to know what LPs Greg was talking about haha.]]></description>
			<content:encoded><![CDATA[<p>Halfway down reading the comments I too was dying to know what LPs Greg was talking about haha.</p>
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		<title>
		By: Gregory the Fish		</title>
		<link>https://jazzcollector.com/blue-note/keeping-an-eye-on-jazz-vinyl-pricing-trends/comment-page-1/#comment-437302</link>

		<dc:creator><![CDATA[Gregory the Fish]]></dc:creator>
		<pubDate>Fri, 16 Sep 2016 17:02:43 +0000</pubDate>
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					<description><![CDATA[mark, yeah not three years ago that&#039;s what i would have expected to pay, but i wasn&#039;t tough enough with the bidding, and i never saw it in the wild. i have not seen a mono or stereo am-par copy go for less than $100 in about a year, though. that album went nuts! i figured i should just grab it before it gets worse the way A Love Supreme did after I got my copy.

juancho: mostly some of the dedication series, and the three that are always overpriced that i haven&#039;t bought yet are &quot;love in us all&quot; by pharoah, &quot;crystals&quot; by sam rivers, and &quot;en medio&quot; by gary saracho. but i have finally completed all orange labels and all red-ring labels! and all of the gary mcfarland i have ever heard i pretty much love or hate. little middle ground with him. :)]]></description>
			<content:encoded><![CDATA[<p>mark, yeah not three years ago that&#8217;s what i would have expected to pay, but i wasn&#8217;t tough enough with the bidding, and i never saw it in the wild. i have not seen a mono or stereo am-par copy go for less than $100 in about a year, though. that album went nuts! i figured i should just grab it before it gets worse the way A Love Supreme did after I got my copy.</p>
<p>juancho: mostly some of the dedication series, and the three that are always overpriced that i haven&#8217;t bought yet are &#8220;love in us all&#8221; by pharoah, &#8220;crystals&#8221; by sam rivers, and &#8220;en medio&#8221; by gary saracho. but i have finally completed all orange labels and all red-ring labels! and all of the gary mcfarland i have ever heard i pretty much love or hate. little middle ground with him. 🙂</p>
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		<title>
		By: Andy Glover		</title>
		<link>https://jazzcollector.com/blue-note/keeping-an-eye-on-jazz-vinyl-pricing-trends/comment-page-1/#comment-437269</link>

		<dc:creator><![CDATA[Andy Glover]]></dc:creator>
		<pubDate>Fri, 16 Sep 2016 04:33:58 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=7207#comment-437269</guid>

					<description><![CDATA[I have certainly taken advantage of the strong dollar to get records from the UK and Europe for better prices than would have been possible just a year ago. Likewise with a few Ortofon cartridges from a German seller. 

I don&#039;t know where most of the foreign demand comes from for rare US jazz, but the Euro and Pound have fallen against the dollar by 25% in the last couple of years (though the falls have occurred at different times). If you&#039;re buying a $1000 jazz record then that is pretty rough. On the other hand, the Yen has actually strengthened over the last year and the Yuan hasn&#039;t moved too much.]]></description>
			<content:encoded><![CDATA[<p>I have certainly taken advantage of the strong dollar to get records from the UK and Europe for better prices than would have been possible just a year ago. Likewise with a few Ortofon cartridges from a German seller. </p>
<p>I don&#8217;t know where most of the foreign demand comes from for rare US jazz, but the Euro and Pound have fallen against the dollar by 25% in the last couple of years (though the falls have occurred at different times). If you&#8217;re buying a $1000 jazz record then that is pretty rough. On the other hand, the Yen has actually strengthened over the last year and the Yuan hasn&#8217;t moved too much.</p>
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		<title>
		By: Juancho		</title>
		<link>https://jazzcollector.com/blue-note/keeping-an-eye-on-jazz-vinyl-pricing-trends/comment-page-1/#comment-437265</link>

		<dc:creator><![CDATA[Juancho]]></dc:creator>
		<pubDate>Fri, 16 Sep 2016 00:17:26 +0000</pubDate>
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					<description><![CDATA[Gregory, which ones are you looking for? I may be of assistance. :)
I&#039;ve been digging the Gary McFarlands. I was talking up his stuff on Skye a little while ago as well.]]></description>
			<content:encoded><![CDATA[<p>Gregory, which ones are you looking for? I may be of assistance. 🙂<br />
I&#8217;ve been digging the Gary McFarlands. I was talking up his stuff on Skye a little while ago as well.</p>
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		<title>
		By: Mark		</title>
		<link>https://jazzcollector.com/blue-note/keeping-an-eye-on-jazz-vinyl-pricing-trends/comment-page-1/#comment-437260</link>

		<dc:creator><![CDATA[Mark]]></dc:creator>
		<pubDate>Thu, 15 Sep 2016 20:57:00 +0000</pubDate>
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					<description><![CDATA[Havnt been paying attention to the Coltrane/Ellington impulse lately.  I scored a pristine NM mono original for $30 some years ago...it&#039;s a great album!!]]></description>
			<content:encoded><![CDATA[<p>Havnt been paying attention to the Coltrane/Ellington impulse lately.  I scored a pristine NM mono original for $30 some years ago&#8230;it&#8217;s a great album!!</p>
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		<title>
		By: Gregory the Fish		</title>
		<link>https://jazzcollector.com/blue-note/keeping-an-eye-on-jazz-vinyl-pricing-trends/comment-page-1/#comment-437258</link>

		<dc:creator><![CDATA[Gregory the Fish]]></dc:creator>
		<pubDate>Thu, 15 Sep 2016 20:36:42 +0000</pubDate>
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					<description><![CDATA[wow, i didn&#039;t expect everyone to be so interested. the last two orange label impulse albums i was missing were the two i got: johnny hartman - &quot;the voice that is&quot; and the one exploding lately was &quot;duke ellington and john coltrane&quot;.

Down to 14 of the catalog, all of which just need to be available for the right price. none of the remaining ones are rare.]]></description>
			<content:encoded><![CDATA[<p>wow, i didn&#8217;t expect everyone to be so interested. the last two orange label impulse albums i was missing were the two i got: johnny hartman &#8211; &#8220;the voice that is&#8221; and the one exploding lately was &#8220;duke ellington and john coltrane&#8221;.</p>
<p>Down to 14 of the catalog, all of which just need to be available for the right price. none of the remaining ones are rare.</p>
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		<title>
		By: Rudolf A. Flinterman		</title>
		<link>https://jazzcollector.com/blue-note/keeping-an-eye-on-jazz-vinyl-pricing-trends/comment-page-1/#comment-437255</link>

		<dc:creator><![CDATA[Rudolf A. Flinterman]]></dc:creator>
		<pubDate>Thu, 15 Sep 2016 20:22:35 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=7207#comment-437255</guid>

					<description><![CDATA[Strange that the Verve re-issue of  Norgran Getz material fetched twenty dollars more than a Getz Norgran  original, also auctioned by Bullsite.]]></description>
			<content:encoded><![CDATA[<p>Strange that the Verve re-issue of  Norgran Getz material fetched twenty dollars more than a Getz Norgran  original, also auctioned by Bullsite.</p>
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		<title>
		By: Clifford		</title>
		<link>https://jazzcollector.com/blue-note/keeping-an-eye-on-jazz-vinyl-pricing-trends/comment-page-1/#comment-437250</link>

		<dc:creator><![CDATA[Clifford]]></dc:creator>
		<pubDate>Thu, 15 Sep 2016 18:39:06 +0000</pubDate>
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					<description><![CDATA[Haha - clean copies of the Black Unity Trio are pretty near impossible to find. Guess that&#039;s the origin of the acronym - rare *BUT* hammered!]]></description>
			<content:encoded><![CDATA[<p>Haha &#8211; clean copies of the Black Unity Trio are pretty near impossible to find. Guess that&#8217;s the origin of the acronym &#8211; rare *BUT* hammered!</p>
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		<title>
		By: Mark		</title>
		<link>https://jazzcollector.com/blue-note/keeping-an-eye-on-jazz-vinyl-pricing-trends/comment-page-1/#comment-437248</link>

		<dc:creator><![CDATA[Mark]]></dc:creator>
		<pubDate>Thu, 15 Sep 2016 18:14:03 +0000</pubDate>
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					<description><![CDATA[I should add that discogs is not immune to foolishness either - witness the hammered copy of the black unity trio on offer for $750 with no cover!!!?]]></description>
			<content:encoded><![CDATA[<p>I should add that discogs is not immune to foolishness either &#8211; witness the hammered copy of the black unity trio on offer for $750 with no cover!!!?</p>
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		<title>
		By: Mark		</title>
		<link>https://jazzcollector.com/blue-note/keeping-an-eye-on-jazz-vinyl-pricing-trends/comment-page-1/#comment-437240</link>

		<dc:creator><![CDATA[Mark]]></dc:creator>
		<pubDate>Thu, 15 Sep 2016 16:34:50 +0000</pubDate>
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					<description><![CDATA[Yikes.  I think I paid $35 or so for my clean stereo copy!  $415 is nuts but I guess if there were two well-heeled Jackie McLean fans gunning for a stone mint mono pressing then...well...there you go.

As for discogs my biggest issue is the lack of pictures.  In the last year only(!) I&#039;ve been burned by paying for reissues sold as originals.]]></description>
			<content:encoded><![CDATA[<p>Yikes.  I think I paid $35 or so for my clean stereo copy!  $415 is nuts but I guess if there were two well-heeled Jackie McLean fans gunning for a stone mint mono pressing then&#8230;well&#8230;there you go.</p>
<p>As for discogs my biggest issue is the lack of pictures.  In the last year only(!) I&#8217;ve been burned by paying for reissues sold as originals.</p>
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