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	<title>
	Comments on: Keeping an Eye on the $1,000 Barrier	</title>
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	<description>For those who love jazz</description>
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		<title>
		By: Rudolf A. Flinterman		</title>
		<link>https://jazzcollector.com/blue-note/keeping-an-eye-on-the-1000-barrier/comment-page-1/#comment-613</link>

		<dc:creator><![CDATA[Rudolf A. Flinterman]]></dc:creator>
		<pubDate>Sat, 06 Dec 2008 18:26:02 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=806#comment-613</guid>

					<description><![CDATA[I think because, after its initial limited issue, it was never re-printed at the time. The same goes for &quot;True Blue&quot; BLP 4041, Tina Brooks.]]></description>
			<content:encoded><![CDATA[<p>I think because, after its initial limited issue, it was never re-printed at the time. The same goes for &#8220;True Blue&#8221; BLP 4041, Tina Brooks.</p>
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		<title>
		By: Dave S		</title>
		<link>https://jazzcollector.com/blue-note/keeping-an-eye-on-the-1000-barrier/comment-page-1/#comment-612</link>

		<dc:creator><![CDATA[Dave S]]></dc:creator>
		<pubDate>Thu, 04 Dec 2008 15:14:50 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=806#comment-612</guid>

					<description><![CDATA[Why is this Freddie Hubbard considered so rare?

I found a similar copy (63rd, deep groove, VG+/VG+)for $8 locally a few months ago and knew I had a good score, but that one sold for over $600?  That&#039;s real money.]]></description>
			<content:encoded><![CDATA[<p>Why is this Freddie Hubbard considered so rare?</p>
<p>I found a similar copy (63rd, deep groove, VG+/VG+)for $8 locally a few months ago and knew I had a good score, but that one sold for over $600?  That&#8217;s real money.</p>
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