<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	
	>
<channel>
	<title>
	Comments on: Random Rarities	</title>
	<atom:link href="https://jazzcollector.com/blue-note/random-rarities/feed/" rel="self" type="application/rss+xml" />
	<link>https://jazzcollector.com/blue-note/random-rarities/</link>
	<description>For those who love jazz</description>
	<lastBuildDate>Fri, 29 Mar 2019 01:15:42 +0000</lastBuildDate>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.9.4</generator>
	<item>
		<title>
		By: NELSON SALAS		</title>
		<link>https://jazzcollector.com/blue-note/random-rarities/comment-page-1/#comment-450608</link>

		<dc:creator><![CDATA[NELSON SALAS]]></dc:creator>
		<pubDate>Fri, 29 Mar 2019 01:15:42 +0000</pubDate>
		<guid isPermaLink="false">https://jazzcollector.com/?p=8157#comment-450608</guid>

					<description><![CDATA[i have a collection of records 1950&#039;s 1960&#039;s including the John Contrane record Love Supreme and wonder what the
true market value is today. Anybody has any ideal?]]></description>
			<content:encoded><![CDATA[<p>i have a collection of records 1950&#8217;s 1960&#8217;s including the John Contrane record Love Supreme and wonder what the<br />
true market value is today. Anybody has any ideal?</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: eileenj		</title>
		<link>https://jazzcollector.com/blue-note/random-rarities/comment-page-1/#comment-450604</link>

		<dc:creator><![CDATA[eileenj]]></dc:creator>
		<pubDate>Wed, 27 Mar 2019 15:58:16 +0000</pubDate>
		<guid isPermaLink="false">https://jazzcollector.com/?p=8157#comment-450604</guid>

					<description><![CDATA[Just wanted to jump in...I have  John Coltrane A 77 M- and I do love it.  However I also have a special original print (12x24 silk screen)from Saint John&#039;s African Orthodox Church, San Francisco when the store front church was on Turk and Eddy. This licensed church canonized John Coltrane and the entire sermon every Sunday for apprx 4 hours of solid music playing only &quot;LOVE SUPREME&quot; and then have a Sunday supper.  About 1/3 of the congregation was street people and left over&#039;s and the rest was musicians in all ages, shapes, forms and background with amazing musical talent. Throughout the sermon in black robes, the preaches played tenor, 2 pseudo nuns kept all under control, and 2 pianos - various musicians would walk up to the pulpit on their knees playing Love Supreme and would be blessed.  
Was there twice and what an experience!  I believe the church is still in existence but moved.  Just thought I would share this treasure and wonder if anyone else has ever been there.]]></description>
			<content:encoded><![CDATA[<p>Just wanted to jump in&#8230;I have  John Coltrane A 77 M- and I do love it.  However I also have a special original print (12&#215;24 silk screen)from Saint John&#8217;s African Orthodox Church, San Francisco when the store front church was on Turk and Eddy. This licensed church canonized John Coltrane and the entire sermon every Sunday for apprx 4 hours of solid music playing only &#8220;LOVE SUPREME&#8221; and then have a Sunday supper.  About 1/3 of the congregation was street people and left over&#8217;s and the rest was musicians in all ages, shapes, forms and background with amazing musical talent. Throughout the sermon in black robes, the preaches played tenor, 2 pseudo nuns kept all under control, and 2 pianos &#8211; various musicians would walk up to the pulpit on their knees playing Love Supreme and would be blessed.<br />
Was there twice and what an experience!  I believe the church is still in existence but moved.  Just thought I would share this treasure and wonder if anyone else has ever been there.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Clifford Allen		</title>
		<link>https://jazzcollector.com/blue-note/random-rarities/comment-page-1/#comment-450602</link>

		<dc:creator><![CDATA[Clifford Allen]]></dc:creator>
		<pubDate>Thu, 21 Mar 2019 15:51:14 +0000</pubDate>
		<guid isPermaLink="false">https://jazzcollector.com/?p=8157#comment-450602</guid>

					<description><![CDATA[Yeah, Esquires are expensive indeed. The issue with them (beyond being made in smaller numbers) is that the thin covers don&#039;t really survive, so finding a clean one is next to impossible. Same with Tempo releases, from what I gather.]]></description>
			<content:encoded><![CDATA[<p>Yeah, Esquires are expensive indeed. The issue with them (beyond being made in smaller numbers) is that the thin covers don&#8217;t really survive, so finding a clean one is next to impossible. Same with Tempo releases, from what I gather.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Blind Boy		</title>
		<link>https://jazzcollector.com/blue-note/random-rarities/comment-page-1/#comment-450601</link>

		<dc:creator><![CDATA[Blind Boy]]></dc:creator>
		<pubDate>Wed, 20 Mar 2019 02:36:58 +0000</pubDate>
		<guid isPermaLink="false">https://jazzcollector.com/?p=8157#comment-450601</guid>

					<description><![CDATA[Thank you Clifford. it&#039;s been interesting seeing how much Esquire pressings have gone up too as I have some of them. I plan to enjoy what i have for a long time but it&#039;s nice to know they&#039;re a good investment as well as a great pleasure to listen to, appeases my wife :)]]></description>
			<content:encoded><![CDATA[<p>Thank you Clifford. it&#8217;s been interesting seeing how much Esquire pressings have gone up too as I have some of them. I plan to enjoy what i have for a long time but it&#8217;s nice to know they&#8217;re a good investment as well as a great pleasure to listen to, appeases my wife 🙂</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Aidan		</title>
		<link>https://jazzcollector.com/blue-note/random-rarities/comment-page-1/#comment-450600</link>

		<dc:creator><![CDATA[Aidan]]></dc:creator>
		<pubDate>Wed, 20 Mar 2019 01:09:26 +0000</pubDate>
		<guid isPermaLink="false">https://jazzcollector.com/?p=8157#comment-450600</guid>

					<description><![CDATA[No way that Louis Smith cover is VG+. I mean look at that staining on the back (obscuring some of the liner notes, too!), the taped corners, and the chipping on the spine. That&#039;s a weak VG at best, and only because the front is presentable. I don&#039;t envy whoever is on the hook for $2,600 for that copy, yikes! That&#039;s the third highest eBay price for 1594, according to Popsike. Not sure what&#039;s going on with this one...]]></description>
			<content:encoded><![CDATA[<p>No way that Louis Smith cover is VG+. I mean look at that staining on the back (obscuring some of the liner notes, too!), the taped corners, and the chipping on the spine. That&#8217;s a weak VG at best, and only because the front is presentable. I don&#8217;t envy whoever is on the hook for $2,600 for that copy, yikes! That&#8217;s the third highest eBay price for 1594, according to Popsike. Not sure what&#8217;s going on with this one&#8230;</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Clifford Allen		</title>
		<link>https://jazzcollector.com/blue-note/random-rarities/comment-page-1/#comment-450598</link>

		<dc:creator><![CDATA[Clifford Allen]]></dc:creator>
		<pubDate>Mon, 18 Mar 2019 18:10:42 +0000</pubDate>
		<guid isPermaLink="false">https://jazzcollector.com/?p=8157#comment-450598</guid>

					<description><![CDATA[Yeah, Sparton LPs don&#039;t command quite the value of original US pressings, although they&#039;re creeping up for sure.]]></description>
			<content:encoded><![CDATA[<p>Yeah, Sparton LPs don&#8217;t command quite the value of original US pressings, although they&#8217;re creeping up for sure.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Blind Boy		</title>
		<link>https://jazzcollector.com/blue-note/random-rarities/comment-page-1/#comment-450596</link>

		<dc:creator><![CDATA[Blind Boy]]></dc:creator>
		<pubDate>Mon, 18 Mar 2019 00:41:09 +0000</pubDate>
		<guid isPermaLink="false">https://jazzcollector.com/?p=8157#comment-450596</guid>

					<description><![CDATA[Thank you for this site (even though i can&#039;t afford the prices commanded by good jazz now :) I still enjoy hearing of other peoples finds and purchases. The question I have is being in Canada some of my pressings are Canadian, one being A Love Supreme that is Impulse Mono A-77 but Spartan Records, a product of Am-Par Record Corp, London Ontario. Does the value differ between this and US pressings? Thank you in advance.]]></description>
			<content:encoded><![CDATA[<p>Thank you for this site (even though i can&#8217;t afford the prices commanded by good jazz now 🙂 I still enjoy hearing of other peoples finds and purchases. The question I have is being in Canada some of my pressings are Canadian, one being A Love Supreme that is Impulse Mono A-77 but Spartan Records, a product of Am-Par Record Corp, London Ontario. Does the value differ between this and US pressings? Thank you in advance.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Rob		</title>
		<link>https://jazzcollector.com/blue-note/random-rarities/comment-page-1/#comment-450594</link>

		<dc:creator><![CDATA[Rob]]></dc:creator>
		<pubDate>Thu, 14 Mar 2019 16:30:25 +0000</pubDate>
		<guid isPermaLink="false">https://jazzcollector.com/?p=8157#comment-450594</guid>

					<description><![CDATA[The seller of the Thad Jones has zero feedback which would make me uneasy about spending that kind of money. Also I don&#039;t recall ever seeing a &quot;discontinued&quot; stamp like that. Even if I had the cash I would pass on that one.]]></description>
			<content:encoded><![CDATA[<p>The seller of the Thad Jones has zero feedback which would make me uneasy about spending that kind of money. Also I don&#8217;t recall ever seeing a &#8220;discontinued&#8221; stamp like that. Even if I had the cash I would pass on that one.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: dottorjazz		</title>
		<link>https://jazzcollector.com/blue-note/random-rarities/comment-page-1/#comment-450593</link>

		<dc:creator><![CDATA[dottorjazz]]></dc:creator>
		<pubDate>Thu, 14 Mar 2019 16:00:58 +0000</pubDate>
		<guid isPermaLink="false">https://jazzcollector.com/?p=8157#comment-450593</guid>

					<description><![CDATA[mono first edition of Impulse label up to A-80 should not have suffix -A on labels, except A-79-A.]]></description>
			<content:encoded><![CDATA[<p>mono first edition of Impulse label up to A-80 should not have suffix -A on labels, except A-79-A.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: gregorythefish		</title>
		<link>https://jazzcollector.com/blue-note/random-rarities/comment-page-1/#comment-450592</link>

		<dc:creator><![CDATA[gregorythefish]]></dc:creator>
		<pubDate>Thu, 14 Mar 2019 15:43:30 +0000</pubDate>
		<guid isPermaLink="false">https://jazzcollector.com/?p=8157#comment-450592</guid>

					<description><![CDATA[ALS has absolutely skyrocketed in value over the last 5 years. It used to be a $50-$75 record on a good day. Heck, I got a minty WLP copy for $113 on eBay back in 2015, and sold the double for about the same amount, which I was very pleased with at the time. Meanwhile, the true rarity of the Impulse catalog, &quot;Out of the Afternoon&quot;, has sat stable at around $100. Interesting.]]></description>
			<content:encoded><![CDATA[<p>ALS has absolutely skyrocketed in value over the last 5 years. It used to be a $50-$75 record on a good day. Heck, I got a minty WLP copy for $113 on eBay back in 2015, and sold the double for about the same amount, which I was very pleased with at the time. Meanwhile, the true rarity of the Impulse catalog, &#8220;Out of the Afternoon&#8221;, has sat stable at around $100. Interesting.</p>
]]></content:encoded>
		
			</item>
	</channel>
</rss>
