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	Comments on: Red, White and Blue Note	</title>
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	<link>https://jazzcollector.com/blue-note/red-white-and-blue-note/</link>
	<description>For those who love jazz</description>
	<lastBuildDate>Mon, 08 Aug 2022 16:52:22 +0000</lastBuildDate>
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		<title>
		By: Mark Hall		</title>
		<link>https://jazzcollector.com/blue-note/red-white-and-blue-note/comment-page-1/#comment-459553</link>

		<dc:creator><![CDATA[Mark Hall]]></dc:creator>
		<pubDate>Mon, 08 Aug 2022 16:52:22 +0000</pubDate>
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					<description><![CDATA[That Red Rodney on signal is very hard to obtain in  Exc or above condition, i had a chance to get a near mint copy     25 years ago,but felt  the $ 2000 price was to high at the time]]></description>
			<content:encoded><![CDATA[<p>That Red Rodney on signal is very hard to obtain in  Exc or above condition, i had a chance to get a near mint copy     25 years ago,but felt  the $ 2000 price was to high at the time</p>
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		<title>
		By: Dimitri		</title>
		<link>https://jazzcollector.com/blue-note/red-white-and-blue-note/comment-page-1/#comment-459534</link>

		<dc:creator><![CDATA[Dimitri]]></dc:creator>
		<pubDate>Fri, 05 Aug 2022 16:18:32 +0000</pubDate>
		<guid isPermaLink="false">https://jazzcollector.com/?p=9007#comment-459534</guid>

					<description><![CDATA[Hello to my fellow jazz aficionados. I haven’t posted here in awhile. However something came to my attention that’s especially concerning. It seems Mobile Fidelity has been misleading us regarding their sourcing. I’m sorry to say but it seems MoFi has been sourcing their recordings not from original analog tape as they’ve advertised  but digital files. 

Unbelievably, disappointing….

See link below with full article 

 https://www.msn.com/en-us/music/news/how-a-phoenix-record-store-owner-set-the-audiophile-world-on-fire/ar-AA10kCWg]]></description>
			<content:encoded><![CDATA[<p>Hello to my fellow jazz aficionados. I haven’t posted here in awhile. However something came to my attention that’s especially concerning. It seems Mobile Fidelity has been misleading us regarding their sourcing. I’m sorry to say but it seems MoFi has been sourcing their recordings not from original analog tape as they’ve advertised  but digital files. </p>
<p>Unbelievably, disappointing….</p>
<p>See link below with full article </p>
<p> <a href="https://www.msn.com/en-us/music/news/how-a-phoenix-record-store-owner-set-the-audiophile-world-on-fire/ar-AA10kCWg" rel="nofollow ugc">https://www.msn.com/en-us/music/news/how-a-phoenix-record-store-owner-set-the-audiophile-world-on-fire/ar-AA10kCWg</a></p>
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		<title>
		By: Rudolf		</title>
		<link>https://jazzcollector.com/blue-note/red-white-and-blue-note/comment-page-1/#comment-459529</link>

		<dc:creator><![CDATA[Rudolf]]></dc:creator>
		<pubDate>Thu, 04 Aug 2022 14:04:15 +0000</pubDate>
		<guid isPermaLink="false">https://jazzcollector.com/?p=9007#comment-459529</guid>

					<description><![CDATA[Jan, London was a Decca enterprise. 
I have a Ducretet-Thomson recording by the Zoot Sims Sextet.  It is a London pressing though, so basically Decca.
I have a Ducretet--Thomson pressing of Nat Adderley&#039;s quintet session for Savoy, featuring Jerome Richardson. Excellent audio quality. 
I had a Henri Renaud trio/orchestra recording on Ducretet-Thomson,  but sold it. Excellent audio quality too.]]></description>
			<content:encoded><![CDATA[<p>Jan, London was a Decca enterprise.<br />
I have a Ducretet-Thomson recording by the Zoot Sims Sextet.  It is a London pressing though, so basically Decca.<br />
I have a Ducretet&#8211;Thomson pressing of Nat Adderley&#8217;s quintet session for Savoy, featuring Jerome Richardson. Excellent audio quality.<br />
I had a Henri Renaud trio/orchestra recording on Ducretet-Thomson,  but sold it. Excellent audio quality too.</p>
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		<title>
		By: lennib		</title>
		<link>https://jazzcollector.com/blue-note/red-white-and-blue-note/comment-page-1/#comment-459528</link>

		<dc:creator><![CDATA[lennib]]></dc:creator>
		<pubDate>Thu, 04 Aug 2022 12:51:18 +0000</pubDate>
		<guid isPermaLink="false">https://jazzcollector.com/?p=9007#comment-459528</guid>

					<description><![CDATA[early NOT esrly!! Geesh!!!!!]]></description>
			<content:encoded><![CDATA[<p>early NOT esrly!! Geesh!!!!!</p>
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		<title>
		By: lennib		</title>
		<link>https://jazzcollector.com/blue-note/red-white-and-blue-note/comment-page-1/#comment-459527</link>

		<dc:creator><![CDATA[lennib]]></dc:creator>
		<pubDate>Thu, 04 Aug 2022 12:48:55 +0000</pubDate>
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					<description><![CDATA[“..I’ll go the lennib route.” Well Al, imagine my surprise!  I’m honored to be mentioned in this edition of’Jazz Collector.’ Perhaps this may soon become a catch phrase, to “ go the lennib route.”
I’m happy I took that route and if you ever decide to, you received plenty of applicable advice in previous post. I’ll just add that I really have no regrets. The music’s always with you.
 And yes I did feel the Ducretet-Thompson pressings were often exquisite and Clifford. ‘Affectionate Fink’ is one that got awsy from me too esrly.]]></description>
			<content:encoded><![CDATA[<p>“..I’ll go the lennib route.” Well Al, imagine my surprise!  I’m honored to be mentioned in this edition of’Jazz Collector.’ Perhaps this may soon become a catch phrase, to “ go the lennib route.”<br />
I’m happy I took that route and if you ever decide to, you received plenty of applicable advice in previous post. I’ll just add that I really have no regrets. The music’s always with you.<br />
 And yes I did feel the Ducretet-Thompson pressings were often exquisite and Clifford. ‘Affectionate Fink’ is one that got awsy from me too esrly.</p>
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		<title>
		By: Jan		</title>
		<link>https://jazzcollector.com/blue-note/red-white-and-blue-note/comment-page-1/#comment-459524</link>

		<dc:creator><![CDATA[Jan]]></dc:creator>
		<pubDate>Thu, 04 Aug 2022 10:34:08 +0000</pubDate>
		<guid isPermaLink="false">https://jazzcollector.com/?p=9007#comment-459524</guid>

					<description><![CDATA[Thank you Rudolf for your answer. Concerning the London pressings I agree. I do have some London pressings that were originally released on Riverside or Savoy e.g. Thelonious Monk or Nat Adderly. Is it correct that they were pressed by Decca in London?Never had the Chance to listen to a Ducretet-Thomson pressing.]]></description>
			<content:encoded><![CDATA[<p>Thank you Rudolf for your answer. Concerning the London pressings I agree. I do have some London pressings that were originally released on Riverside or Savoy e.g. Thelonious Monk or Nat Adderly. Is it correct that they were pressed by Decca in London?Never had the Chance to listen to a Ducretet-Thomson pressing.</p>
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		<title>
		By: Rudolf		</title>
		<link>https://jazzcollector.com/blue-note/red-white-and-blue-note/comment-page-1/#comment-459522</link>

		<dc:creator><![CDATA[Rudolf]]></dc:creator>
		<pubDate>Thu, 04 Aug 2022 09:06:11 +0000</pubDate>
		<guid isPermaLink="false">https://jazzcollector.com/?p=9007#comment-459522</guid>

					<description><![CDATA[As a rule London pressings of Bethlehem material are better than the US originals. I have a number of examples to prove this statement,  Mariano,  Candoli, where I decided to ditch the US copies and keep the Londonpressing. My copy of Daddy plays the Horn was a US cut out. I sold it because of the mediocre sound.]]></description>
			<content:encoded><![CDATA[<p>As a rule London pressings of Bethlehem material are better than the US originals. I have a number of examples to prove this statement,  Mariano,  Candoli, where I decided to ditch the US copies and keep the Londonpressing. My copy of Daddy plays the Horn was a US cut out. I sold it because of the mediocre sound.</p>
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		<title>
		By: Clifford Allen		</title>
		<link>https://jazzcollector.com/blue-note/red-white-and-blue-note/comment-page-1/#comment-459511</link>

		<dc:creator><![CDATA[Clifford Allen]]></dc:creator>
		<pubDate>Wed, 03 Aug 2022 17:31:56 +0000</pubDate>
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					<description><![CDATA[My understanding is that those Ducretet Thompson pressings can take a licking and keep on ticking.]]></description>
			<content:encoded><![CDATA[<p>My understanding is that those Ducretet Thompson pressings can take a licking and keep on ticking.</p>
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		<title>
		By: Adamski		</title>
		<link>https://jazzcollector.com/blue-note/red-white-and-blue-note/comment-page-1/#comment-459506</link>

		<dc:creator><![CDATA[Adamski]]></dc:creator>
		<pubDate>Wed, 03 Aug 2022 11:33:22 +0000</pubDate>
		<guid isPermaLink="false">https://jazzcollector.com/?p=9007#comment-459506</guid>

					<description><![CDATA[The Dexter Blows was a French original , not a UK]]></description>
			<content:encoded><![CDATA[<p>The Dexter Blows was a French original , not a UK</p>
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		<title>
		By: Jan		</title>
		<link>https://jazzcollector.com/blue-note/red-white-and-blue-note/comment-page-1/#comment-459503</link>

		<dc:creator><![CDATA[Jan]]></dc:creator>
		<pubDate>Wed, 03 Aug 2022 06:57:25 +0000</pubDate>
		<guid isPermaLink="false">https://jazzcollector.com/?p=9007#comment-459503</guid>

					<description><![CDATA[Can anybody here comment on the sound/ pressing quality of the UK pressing of Dexter blows? Rudolf maybe?]]></description>
			<content:encoded><![CDATA[<p>Can anybody here comment on the sound/ pressing quality of the UK pressing of Dexter blows? Rudolf maybe?</p>
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