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	Comments on: Today&#8217;s Jazz Vinyl Watch: Prestige, Blue Note(s)	</title>
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	<link>https://jazzcollector.com/blue-note/this-mornings-jazz-vinyl-watch-a-prestige-and-blue-notes/</link>
	<description>For those who love jazz</description>
	<lastBuildDate>Wed, 11 Sep 2013 08:52:19 +0000</lastBuildDate>
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		<title>
		By: Rudolf		</title>
		<link>https://jazzcollector.com/blue-note/this-mornings-jazz-vinyl-watch-a-prestige-and-blue-notes/comment-page-1/#comment-300129</link>

		<dc:creator><![CDATA[Rudolf]]></dc:creator>
		<pubDate>Wed, 11 Sep 2013 08:52:19 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=4060#comment-300129</guid>

					<description><![CDATA[this dépends, some people want the original US productions, others will be as happy with the simultaneous UK pressing. Some want them both. The UK versions are certainly collectible, but fetch less than the US productions.]]></description>
			<content:encoded><![CDATA[<p>this dépends, some people want the original US productions, others will be as happy with the simultaneous UK pressing. Some want them both. The UK versions are certainly collectible, but fetch less than the US productions.</p>
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		<title>
		By: Geoff		</title>
		<link>https://jazzcollector.com/blue-note/this-mornings-jazz-vinyl-watch-a-prestige-and-blue-notes/comment-page-1/#comment-300086</link>

		<dc:creator><![CDATA[Geoff]]></dc:creator>
		<pubDate>Tue, 10 Sep 2013 17:41:23 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=4060#comment-300086</guid>

					<description><![CDATA[Question for Rudolf  I have several names, Sonny Rollins, Miles Davis, John Coultrane all on Esquire label are they as collectable as on some of the bigger labels?]]></description>
			<content:encoded><![CDATA[<p>Question for Rudolf  I have several names, Sonny Rollins, Miles Davis, John Coultrane all on Esquire label are they as collectable as on some of the bigger labels?</p>
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		<title>
		By: Rudolf		</title>
		<link>https://jazzcollector.com/blue-note/this-mornings-jazz-vinyl-watch-a-prestige-and-blue-notes/comment-page-1/#comment-299952</link>

		<dc:creator><![CDATA[Rudolf]]></dc:creator>
		<pubDate>Sun, 08 Sep 2013 12:34:20 +0000</pubDate>
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					<description><![CDATA[Drew: Aaron on Jan. 12th 2012 hereinabove gives the situation as I know it beyond any doubt. However with your remark, it may very well be that there have been four versions, the three as mentioned by Aaron and then the one you witnessed, being the penultimate. Interesting stuff indeed!]]></description>
			<content:encoded><![CDATA[<p>Drew: Aaron on Jan. 12th 2012 hereinabove gives the situation as I know it beyond any doubt. However with your remark, it may very well be that there have been four versions, the three as mentioned by Aaron and then the one you witnessed, being the penultimate. Interesting stuff indeed!</p>
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		<title>
		By: Drew		</title>
		<link>https://jazzcollector.com/blue-note/this-mornings-jazz-vinyl-watch-a-prestige-and-blue-notes/comment-page-1/#comment-299885</link>

		<dc:creator><![CDATA[Drew]]></dc:creator>
		<pubDate>Sat, 07 Sep 2013 17:04:16 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=4060#comment-299885</guid>

					<description><![CDATA[Rudolph says Prestige changed the color of Miles 7014 from green to blue when they moved to NJ, but I&#039;ve seen blue covers with the W. 50th NYC address on a few blue covers.  What&#039;s the deal?  Did they have some NYC back cover sheets left over and match them with the new colored cover?  If so, they why do some of these copies come with NYC labels on the records?  Just a little confused....]]></description>
			<content:encoded><![CDATA[<p>Rudolph says Prestige changed the color of Miles 7014 from green to blue when they moved to NJ, but I&#8217;ve seen blue covers with the W. 50th NYC address on a few blue covers.  What&#8217;s the deal?  Did they have some NYC back cover sheets left over and match them with the new colored cover?  If so, they why do some of these copies come with NYC labels on the records?  Just a little confused&#8230;.</p>
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		<title>
		By: Rudolf		</title>
		<link>https://jazzcollector.com/blue-note/this-mornings-jazz-vinyl-watch-a-prestige-and-blue-notes/comment-page-1/#comment-246340</link>

		<dc:creator><![CDATA[Rudolf]]></dc:creator>
		<pubDate>Sun, 15 Jan 2012 13:20:45 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=4060#comment-246340</guid>

					<description><![CDATA[Maarten/BigBear: thanks.
Correct, Worktime 7020 is another example, the purple one with the script being the original. The green version has Prestige Hi Fi 7020 in print, and a broad spine with album title. The purple version has a kakubuchi frame cover and thin spine.]]></description>
			<content:encoded><![CDATA[<p>Maarten/BigBear: thanks.<br />
Correct, Worktime 7020 is another example, the purple one with the script being the original. The green version has Prestige Hi Fi 7020 in print, and a broad spine with album title. The purple version has a kakubuchi frame cover and thin spine.</p>
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		<title>
		By: BigBear		</title>
		<link>https://jazzcollector.com/blue-note/this-mornings-jazz-vinyl-watch-a-prestige-and-blue-notes/comment-page-1/#comment-246325</link>

		<dc:creator><![CDATA[BigBear]]></dc:creator>
		<pubDate>Sun, 15 Jan 2012 07:35:57 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=4060#comment-246325</guid>

					<description><![CDATA[Rudolf:

As always, thanks for sharing your knowledge.  Prestige 7020 (Sonny Rollins Work Time) is another example of changing colors but keeping same photo/design.  I was under the impression that the purple version was earlier than the lime green version..hope so, as mine is purple!]]></description>
			<content:encoded><![CDATA[<p>Rudolf:</p>
<p>As always, thanks for sharing your knowledge.  Prestige 7020 (Sonny Rollins Work Time) is another example of changing colors but keeping same photo/design.  I was under the impression that the purple version was earlier than the lime green version..hope so, as mine is purple!</p>
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		<title>
		By: maartenkools		</title>
		<link>https://jazzcollector.com/blue-note/this-mornings-jazz-vinyl-watch-a-prestige-and-blue-notes/comment-page-1/#comment-246303</link>

		<dc:creator><![CDATA[maartenkools]]></dc:creator>
		<pubDate>Sat, 14 Jan 2012 22:24:49 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=4060#comment-246303</guid>

					<description><![CDATA[great info Rudolf!]]></description>
			<content:encoded><![CDATA[<p>great info Rudolf!</p>
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		<title>
		By: Rudolf		</title>
		<link>https://jazzcollector.com/blue-note/this-mornings-jazz-vinyl-watch-a-prestige-and-blue-notes/comment-page-1/#comment-246230</link>

		<dc:creator><![CDATA[Rudolf]]></dc:creator>
		<pubDate>Fri, 13 Jan 2012 21:57:42 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=4060#comment-246230</guid>

					<description><![CDATA[Al: It may be a marketing ploy, confusing people.
As already pointed out above by Aaron, the first original 7014 has a script catalogue number on a green kakubushi cover with a thin spine and NY adress on first pressing labels and on the rear.
The second original is also green, but with Prestige HI FI 7014 in print, no kakubushi, broad spine with album title, NYC on second style labels and on the rear.
The third original is similar to type two, but in blue, with NJ adress on second style labels and no adress on the rear.
(The first re-issue of 7014, PrLp 7254 has a new cover design.)
7014 is an example of minor (colour) changes, no design changes.
Other examples 7029, 7168, 7128.
Then we have design changes but maintaining the same artist:
7005, 7130, 7123, 7028, 7008, 7009 to mention a few.
To confuse people and to follow the trends, the original leaders were sometimes degraded to accompanying artists:
7043 Elmo Hope&#039;s Informal Jazz became a Hank Mobley / John Coltrane album in the second original 7043. In the third original version it becomes a 7043 Coltrane album.
The original 7033 is a Jon Eardley album, the re-packaging of 7033 becomes a Zoot Sims - Phil Woods album.
Ditto 7021 Elmo Hope first version becomes a Frank Fostger album in the second version.]]></description>
			<content:encoded><![CDATA[<p>Al: It may be a marketing ploy, confusing people.<br />
As already pointed out above by Aaron, the first original 7014 has a script catalogue number on a green kakubushi cover with a thin spine and NY adress on first pressing labels and on the rear.<br />
The second original is also green, but with Prestige HI FI 7014 in print, no kakubushi, broad spine with album title, NYC on second style labels and on the rear.<br />
The third original is similar to type two, but in blue, with NJ adress on second style labels and no adress on the rear.<br />
(The first re-issue of 7014, PrLp 7254 has a new cover design.)<br />
7014 is an example of minor (colour) changes, no design changes.<br />
Other examples 7029, 7168, 7128.<br />
Then we have design changes but maintaining the same artist:<br />
7005, 7130, 7123, 7028, 7008, 7009 to mention a few.<br />
To confuse people and to follow the trends, the original leaders were sometimes degraded to accompanying artists:<br />
7043 Elmo Hope&#8217;s Informal Jazz became a Hank Mobley / John Coltrane album in the second original 7043. In the third original version it becomes a 7043 Coltrane album.<br />
The original 7033 is a Jon Eardley album, the re-packaging of 7033 becomes a Zoot Sims &#8211; Phil Woods album.<br />
Ditto 7021 Elmo Hope first version becomes a Frank Fostger album in the second version.</p>
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		<title>
		By: Tim		</title>
		<link>https://jazzcollector.com/blue-note/this-mornings-jazz-vinyl-watch-a-prestige-and-blue-notes/comment-page-1/#comment-246137</link>

		<dc:creator><![CDATA[Tim]]></dc:creator>
		<pubDate>Thu, 12 Jan 2012 20:24:39 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=4060#comment-246137</guid>

					<description><![CDATA[Thanks Al.  I&#039;m fortunate to have a copy with the first cover.  I had seen both versions with the NYC label and wondered what the deal was.]]></description>
			<content:encoded><![CDATA[<p>Thanks Al.  I&#8217;m fortunate to have a copy with the first cover.  I had seen both versions with the NYC label and wondered what the deal was.</p>
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		<title>
		By: Aaron		</title>
		<link>https://jazzcollector.com/blue-note/this-mornings-jazz-vinyl-watch-a-prestige-and-blue-notes/comment-page-1/#comment-246135</link>

		<dc:creator><![CDATA[Aaron]]></dc:creator>
		<pubDate>Thu, 12 Jan 2012 20:13:30 +0000</pubDate>
		<guid isPermaLink="false">http://jazzcollector.com/?p=4060#comment-246135</guid>

					<description><![CDATA[maartenkools,
Prestige 7014 “Miles” was originally released with a green cover and “Prestige LP 7014? in script font on the upper right, then the text changed to “Prestige Hi-Fi 7014? in print, followed by the blue cover which retained the “Prestige Hi-Fi 7014? in print.  I had an original green cover copy and it had a strange off-time low frequency thumping sound throughout that it appears Rudy filtered out on the later cuts.]]></description>
			<content:encoded><![CDATA[<p>maartenkools,<br />
Prestige 7014 “Miles” was originally released with a green cover and “Prestige LP 7014? in script font on the upper right, then the text changed to “Prestige Hi-Fi 7014? in print, followed by the blue cover which retained the “Prestige Hi-Fi 7014? in print.  I had an original green cover copy and it had a strange off-time low frequency thumping sound throughout that it appears Rudy filtered out on the later cuts.</p>
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