Comments on: Tracking Later Blue Note Pressings From the ’60s https://jazzcollector.com/blue-note/tracking-later-blue-note-pressings-from-the-60s/ For those who love jazz Sun, 06 Jan 2013 15:56:02 +0000 hourly 1 https://wordpress.org/?v=6.9.4 By: Deepak https://jazzcollector.com/blue-note/tracking-later-blue-note-pressings-from-the-60s/comment-page-1/#comment-275325 Sun, 06 Jan 2013 15:56:02 +0000 http://jazzcollector.com/?p=4676#comment-275325 I can’t say I understand this mono hype either. Stereo fold downs never did anything for me.

]]> By: Andy https://jazzcollector.com/blue-note/tracking-later-blue-note-pressings-from-the-60s/comment-page-1/#comment-275221 Sat, 05 Jan 2013 23:44:53 +0000 http://jazzcollector.com/?p=4676#comment-275221 I have a mono copy of that Sam Rivers with NY labels.. Would this still be considered an ‘original pressing’ with the liberty labels?

]]> By: Artie https://jazzcollector.com/blue-note/tracking-later-blue-note-pressings-from-the-60s/comment-page-1/#comment-275203 Sat, 05 Jan 2013 21:53:57 +0000 http://jazzcollector.com/?p=4676#comment-275203 kb,
that is correct.

]]> By: Charlie https://jazzcollector.com/blue-note/tracking-later-blue-note-pressings-from-the-60s/comment-page-1/#comment-275192 Sat, 05 Jan 2013 20:25:45 +0000 http://jazzcollector.com/?p=4676#comment-275192 Great titles but I’m getting tired of that mono hype. wtf

]]> By: kb https://jazzcollector.com/blue-note/tracking-later-blue-note-pressings-from-the-60s/comment-page-1/#comment-275165 Sat, 05 Jan 2013 18:09:59 +0000 http://jazzcollector.com/?p=4676#comment-275165 I notice these are all monos. I’d guess that late NY/early Liberty monos would be relatively rare pressings, given the general move to stereo for the entire record industry. Do you think that’s partially what’s going on with these prices?

The last mono Blue Note I’m aware of (and have a copy of) is BLP4277 (Horace Silver’s “Serenade to a Soul Sister”). Anybody know if that’s truly the last one from Blue Note?

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