Updating the $1,000 Jazz Vinyl Bin

Blue Train jazz vinylLooks like we’ll be updating the $1,000 bin this morning, starting with John Coltrane, Blue Train, Blue Note 1577. This was an original pressing with the New York 23 on one side. The record was listed in VG++ condition and the cover was just VG. No matter, it seems, because these New York 23 Blue Trains are quite hard to find. This one sold for $1,666.

No surprise seeing Blue Train in the $1,000 bin. This one, which I mentioned yesterday, was a surprise, not that it sold for more than $1,000, but that it sold for more than $1,500: Hank Mobley Quartet, Blue Note 5066. This was only in VG+ condition for the record and the cover, and when we looked at it yesterday the price was around $460. The final price was $1,525.

Here’s one that may have a chance at making the $1,000 bin:

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Mobley 1568: All Yours For Just $14,999

Mobley copyOff the soapbox and onto eBay. Let’s start with this: Hank Mobley, Blue Note 1568. This is an original original pressing with the New York 23 on one side. The record is described as VG+ to M- and the cover is described as G to VG, although I think the seller may be very conservative on his grading. A few weeks ago, we saw one of these without the New York 23 sell for $11,191.63 (which reminds me, I have to follow up and see if the sale actually went through). The seller of this copy must have seen that and is offering this on a “buy-it-now” basis for the bargain price of $14,999. What do you think? Ready to plunk down 15 grand on a single record?

Here’s another Mobley being offered by one of our regular readers/commenters: Hank Mobley Quartet, Blue Note 5066. This is an original 10-inch record. The record and cover are both listed in VG+ condition and, as an added bonus, the record comes with the brochure “The Blue Note Story,” which I’ve written about in the past. This one closes later today and the bidding is in the $460 range, yet is has not yet reached the seller’s reserve price.

Here are a couple of interesting ones from the U.K.:

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“Wow” Just about sums it Up

3 Sounds Vinyl copySorry for the lack of posts. My computer crashed last week. I was working in the country and it was a beautiful day and I had the windows open. Then I stopped working, did a few other chores and a thunderstorm came passing through. I hadn’t closed the windows in my office. Everything got soaked, including the computer. Yada, yada, yada, I now have a new computer. And when I finally logged back on, I was greeted by this quite amazing note from our friend CeeDee, with the subject line: “r u kiddin’ me?” Among other comments, was a listing with the statement: “‘Wow’ just about sums it up.” The listing in question? Blue Note Presents The 3 Sounds, Blue Note 1600. This was an original West 63rd pressing with the deep grooves, RVG, ear. It was in M- condition for both the record and the cover. The price? Pardon me while I take a deep pause . . . .

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Monk, Blue Notes, Warhol: Another Day on eBay

Monk Jazz Vinyl copyWe’re going to ask our European readers about this one: Thelonious Monk, Piano Solo, Swing 33.342. This is a 10-inch LP that I think is an original French pressing. I’m not sure if it’s a re-issue of Blue Note tracks. I’m not sure of much about it at all, in fact. When I did a Google search, the previous mentions that came up were from postings here at Jazz Collector, showing that the record has sold for more than $500 in the past. This one is listed at M- condition for the record and Ex+ for the cover and is now in the $150 price range with just a few hours left in the auction. Anyone doing a search for this record may be stymied because the seller didn’t realize that the label is “Swing” and not “Wing.” Any background on this rare record would be most appreciated. Awesome cover, by the way.

Meanwhile there are always Blue Notes and more Blue Notes:

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Four Listings: Two That Are New To Us, One On Our Want List and One That Doesn’t Make a Lot of Sense

Cliff copyWe’ve got some interesting jazz vinyl in the Jazz Collector watch list on eBay, including a couple we’ve never seen before. Let’s start with one we’ve seen many times, but still don’t own: Cliff Jordan and John Gilmore, Blowing in From Chicago, Blue Note 1549. This is an interesting listing because the seller was able to post really clear pictures of the record and the label. It also raises an interesting question for the Blue Note diehards out there: One side of this record has the New York 23 address, the other just has West 63rd. Is it an original pressing. In my book it would be, but I didn’t write the book on Blue Notes. In any case, this one is listed in VG+ or VG++ condition for the vinyl and VG for the cover and the price is in the $225 range. The auction closes later today and the bidding has not yet reached the seller’s reserve.

Now for the two that are new to us:

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A Rare Trio: Fats Sadi, Yusef Lateef, Duke Jordan

Fats Sadi copyForgive me for my lack of familiarity with this record and this artist: Fats Sadi, The Swinging Fats Sadi Combo, Blue Note 5061. I guess I must have seen this record somewhere on a discography or on The Blue Note Story, but, honestly, seeing this record on eBay, I thought it was a mistake. Then I did a Google search and Fats Sadi was a Belgian vibist who played with a wide range of artists, including Django Reinhardt, Don Byas and, later on, the Kenny Clarke-Francy Boland Big Band. I don’t know anything about this 10-inch record or how it came about that Fats Sadi recorded for Blue Note in the early 1950s. I do know that this copy of the record is listed in VG+ condition for the record and Ex for the cover and has a start price of about $80. With more two days left on the auction there are no bidders.

This one went for a pretty steep price:

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Oh, Those Blue Notes

Horace copyOh, those Blue Notes. Look at this one: Horace Silver, Blowin’ the Blues Away, Blue Note 4017. This was an original pressing with the West 63rd Street address, deep grooves, ear, etc. It was listed in M- condition for the record and M- for the cover. It sold for $355 with only four bidders. This is a great album, one of Silver’s very best, but I’ve never viewed it as a top-shelf collectible only because it seemed to be more available than many of the other Blue Notes. Perhaps I had an assumption that because Silver was one of Blue Note’s most popular artists they would have printed more copies of his records. Plus, this one had what would prove to be a jazz classic in Sister Sadie. I realize I have not been diligent in updating the Jazz Collector Price Guide, but still the highest price we had recorded for this record was just about $200. Does this new high-water mark surprise me? Not at all. Hey, it’s near mint, it’s a great album, it’s an original Blue Note. Nothing would surprise me. As they say in the commercials: “Priceless.”

I had my eye on this Blue Note beauty, but wouldn’t pull the trigger:

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The $1,000 Bin is Getting Crowded

Kenny Dorham copyWow, looks at the prices on these two:

Kenny Dorham, Afro-Cuban, Blue Note 5065. This was an original Lexington Avenue 10-inch pressing listed as Ex condition for both the record and the cover. The seller hyped up the condition, suggesting that the record was only played once or twice. It sold for $1,684.

Roland Kirk, Triple Threat, King 539. This was an original pressing that was probably in VG++ condition for the record and VG+ for the cover. It had been listed previously at about $2,000, didn’t sell and was listed again. This time it sold for $1,259.56.

Well, while we’ re filling the $1,000 bin, let’s add a few more: Sonny Clark, Cool Struttin’, Blue Note 1588. This was an original pressing listed in Ex condition for both the record and the cover. There were 17 bidders and 79 bids, which is a pretty high amount. The record sold for $2,604.54.

This came from the same seller:

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Two for the Jazz Collector Wish List

Hank Mobley copyJaphy sent me a note on the following listing: Hank Mobley Quartet, Blue Note 5066. This was an original 10-inch pressing that was listed in M- condition for both the record and the cover. It was listed as having been from the original owner and was offered at $1,400 or best offer. It was sold for best offer, which keeps it somewhat of a mystery to all of us here. Popsike lists it as $1,200, but we’re not sure how they know that. In any case, Japhy notes that this is the second highest price Popsike has ever recorded for this record. He also suggests that the pictures were underwhelming and the listing lacking in details. I actually think the pictures are pretty good. However, if you blow up the picture of the front cover you can see some minor damage on the lower right corner and some definite seam wear on the bottom, so I’d be hesitant to believe the accuracy of the M- cover. Otherwise, the cover does look quite nice. Beyond all of that,  one of the important take-aways is this: Japhy is considering selling his copy,

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Seven for the Jazz Collector Price Guide

Hank Mobley copyLet’s catch up on some of the jazz vinyl auctions we’ve been watching on eBay, starting with: Hank Mobley Quartet, Blue Note 5066. This one was in just VG condition for the record with what the seller described as “some feelable scratches.” It apparently plays well for the condition, but the condition isn’t so great. The cover was VG+. It was, of course, an original 10-inch LP with a very cool cover. This one sold for $665.

Kenny Dorham, Quiet Kenny, New Jazz 8225. This was an original pressing with the purple labels and the deep grooves. The record was listed in VG+ condition and the cover was VG-. It sold for $711.07.

Sonny Clark, Sonny’s Crib, Blue Note 1576. I had thought this was an original but in an earlier post Earl corrected me and noted that only one side has the New York 23 cover, so perhaps it is not a first press? It’s definitely an early press. This one was listed in M- condition for the record and VG++ for the cover. It sold for $1,344. As for those other Sonny Clark records we were watching:

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