A “Rare” Evans And Really Rare Blue Notes

bill evansCeeDee is back with another missive under the subject “Bob dj strikes again!!!!!” Attached is a link to the following record: Bill Evans, Trio 64, Verve 8578. This was an original stereo pressing. It has never really fetched collectible prices, being a later Verve and pretty readily available for many years. It is a terrific record, however, one of my personal favorites among the Evans trio records. This one happened to sell for $153.50, due, of course, to whatever black magic it is that bobjdukic uses to get higher prices than anyone else selling jazz vinyl in eBay. The record was in M- condition and the cover was listed as VG++. Point of fact, for those of you interested: When I write about bobjdukic auctions, which I do just as a matter of course, the traffic on Jazz Collector tends to spike a bit. Why do you think that is?

I imagine Mr. Djukic would have liked to be selling this one: Sonny Clark, Cool Struttin’, Blue Note 1588. This is an original West 63rd Street pressing that looks to be in M- condition for both the record and the cover. The bidding is already at $3,100 and there’s still nearly 20 hours to go. Wow.

This one also fetched quite a nice price:

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For What It’s Worth (Or More)

freddie hubbardI’m way, way behind on my posting. Let me catch up on a little on some of the items I was watching, and then we can move forward with some new stuff. Sorry about that. Promise not to wait that long between posts anymore.

Freddie Hubbard, Open Sesame, Blue Note 4040. This was an original West 63rd pressing listed in M- condition for the record and VG++ for the cover. It sold for $1,136.22.

Sonny Clark Trio, Blue Note 1579. This was an original West 63rd Street pressing listed in M- condition for the record and VG++ for the cover. This one sold for $1,555. As many of you may recall, I recently purchased a copy of this in the Baltimore collection. I have been going through this weird process of putting a label on each of my records, describing the condition, whether it is an original and assigning a value to it. Why am I doing this? Well, if I were to die suddenly, it would prevent my kids from getting ripped off. Anyway, for my copy of this record, in M- condition for both the record and the cover. I had put in $1,000. Perhaps it’s time to make an adjustment.

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Two For the $1,000 Bin

bishopWe’re watching a couple of records now that look as if they will sell for big dollars, including: Walter Bishop Jr., Speak Low, Jazz Time 002. The record and cover are both in M- condition. What I find interesting here is that it is a Canadian pressing. Typically, Canadian pressings are not considered nearly as collectible as their U.S. counterparts. This one seems to be doing okay in the bidding, however. The current price is $1,111 with a full day left on the auction. The other thing is that the cover is listed as M-, but there seems to be some clear ring wear in the picture. I don’t quite understand the bidding, but it is not my record to buy or sell.

Jutta Hipp with Zoot Sims, Blue Note 1530. This is an original Lexington Avenue pressing listed in VG++ condition for the record and VG for the cover. The bidding had been slow, but it has picked up steam. There are now 28 bids and the price is $1,136.

 

 

Weighing in on Mobley, Catching Up on Newk

mobleyInteresting comments on the previous post. My first exposure to Hank Mobley was as a sideman on some of the records that my dad owned, most prominently Donald Byrd’s A New Perspective and Miles Davis Someday My Prince Will Come. He always struck me as a solid player, but in the early days of discovering jazz it was the more passionate players and the innovators that got my attention: Sonny Rollins, John Coltrane, Dexter Gordon and Stan Getz on tenor and Charlie Parker and Cannonball Adderley on alto. I always relegated Mobley to the second tier, which is certainly no insult when compared to the players I just mentioned. When I became more of a “collector” I was surprised to see the Mobley records so highly valued. So I have turned to him again, often, to reassess, but I always come back to my original assessment. If I want to listen to genius I put on Coltrane or Rollins. Otherwise, Mobley will do just fine. And, as a collector, it’s really nice to look at those original Mobley Blue Notes, Prestiges and Savoys on my shelves and occasionally put them on the turntables. They rarely overwhelm, but they never disappoint.

Meanwhile, while all that discussion has been taking place here at Jazz Collector, there have been auctions going on at eBay, including: Read more

A Triple Play of Rare Jazz Vinyl

Kenny DorhamI went to eBay to peruse the jazz listings and right off the bat saw three of the rarest of the rare jazz vinyl, each of which will probably sell for at least $2,000 this week.

First up is Kenny Dorham, Quiet Kenny, New Jazz 8225. This is an original pressing in M- condition for both the record and the cover, and it is being offered by the Jazz Record Center, so there is the added assurance of a top seller. Bidding is already close to $2,200 and the auction is closing later today.

The second one that came up is also from the Jazz Record Center: Sonny Rollins, Saxophone Colossus, Prestige 7079. This is an original pressing. The record is in M- condition and the cover is probably M- or VG++, depending upon how you feel about a small number written on the back. The bidding for this one is in the $1,700 range.

Finally, there is:

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Really, McCoy?

mccoyTime to catch up on some more jazz vinyl auctions starting with this one sent by our friend CeeDee: McCoy Tyner, The Real McCoy, Blue Note 4264. This was an original Liberty pressing listed in VG+ condition for both the record and the cover. It sold for $171.05, quite a high price for a later Liberty, although this one has the advantage of at least looking like a Blue Note from the pre-Liberty era. We’ll ask CeeDee why he felt that this one should be called out for scrutiny?

I had thought this one might make the $2,000 bin, but it fell short: Tina Brooks, True Blue, Blue Note 4041. This was an original pressing in VG+ condition for both the record and the cover. It sold for $1,790. This one also made it into the $1,000 bin: Kenny Dorham, Quiet Kenny, New Jazz 8225. This was an original pressing in VG+ condition for the record and just VG for the cover. It sold for $1,035.

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A Few For the Jazz Collector Price Guide

hankLet’s catch up on some of the earlier jazz vinyl auctions we were watching on eBay, starting with Hank Mobley All Stars, Blue Note 1544. This was an original pressing with the New York 23 labels and deep grooves. The record was listed in probably VG++ condition and the cover was probably VG++ as well, with a small cut-out hole, which you don’t often see on Blue Notes of this vintage. The record wound up selling for $1,009.

Sonny Clark, Leapin’ and Lopin’, Blue Note 4091. This was an original New York USA mono pressing in VG++ condition for both the record and the cover. It sold for $567, which is the highest price we’ve recorded for this record in the Jazz Collector Price Guide.

Art Taylor, Taylor’s Tenors, New Jazz 8219. This was an original purple label pressing in M- condition for the record and VG++ for the cover. It sold for $394. Read more

Jazz Vinyl for the New Year

Lee MorganWe’ll close out 2013 with a look at some of the jazz vinyl sitting in our year-end watch list on eBay.

Lee Morgan, Candy, Blue Note 1590. This was an original pressing listed in VG+ condition for both the record and the cover. It sold for $1,777. You know a record is rare when it can get a bid of nearly $1,800 in only VG+ condition.

Here’s another Lee, now quite as valuable: Lee Morgan, City Lights, Blue Note 1575. This was also an original pressing. The record was listed in VG++ condition and the cover was just VG. It sold for $588.77.

How about a Lee Morgan trifecta: Lee Morgan, The Cooker, Blue Note 1578. This looked to be an original pressing in VG condition for the record and Ex for the cover. The record had a start price of $400 and did not sell, so we’re expecting to see it back on eBay at some point.

Speaking of records back on eBay, there was:

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Four For the Jazz Collector Price Guide

Griffin Jazz VinylHere’s some more high-end jazz vinyl we’ve been watching:

Kenny Dorham, Afro-Cuban, Blue Note 1535. This was an original Lexington Avenue pressing that was in very nice M- condition for the record, but just VG for the cover. The cover condition did not seem to dampen the interest by too much. There were 28 bids and the record wound up selling for $1,802.

Johnny Griffin, The Congregation, Blue Note 1580. This looked to be an original pressing in VG++ condition for the record and VG+ for the cover. It has the cover by Andy Warhol, of course. I would have expected this to perhaps get into the $1,000 bin, but it didn’t. It sold for $767.

Jutta Hipp, At the Hickory House Volume 1, Blue Note 1515. This was an original Lexington Avenue pressing in VG++ condition for the record and VG+ for the cover. It sold for $1,164.

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Breaking Jazz Vinyl Barriers

BudIn my mad frenzy to and from Baltimore, and now sorting through, cleaning and listening to records from that score, I have been ignoring the usual eBay watching that is part of the regular routine here at Jazz Collector. Here are a couple of items that readers have pointed to, both of which have been mentioned in comments, but certainly worthy of their own post and some more discussion.

This was one that seemed to strike a nerve: Bud Powell, The Scene Changes, Blue Note 4009. This was an original pressing in M- condition for both the record and the cover. The seller was one of the regulars on eBay, with a good reputation. The condition and seller and something in the air combined to somehow drive the price of this record to $2,125, quite astonishing wouldn’t you say?

This other one also caught some attention, partly because of the price and partly because I mentioned it as part of the collection I purchased: Tommy Flanagan Overseas, Prestige 7134. This was Read more

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