Category: $1000 Records

Catching Up on Some Rare Jazz Vinyl

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Let’s catch up with some of the jazz vinyl auctions we may have missed while we were caught up in our birthday euphoria, starting with: Jackie McLean, The New Tradition, Ad-Lib 6601. This was Rudolf’s listing in M- condition for the record and E for the cover. It long ago exceeded it’s reserve price and wound up selling for $2,247. We assume this was a duplicate.

Also for the $1,000 bin: Kenny Dorham, Afro-Cuban, Blue Note 1535. This was an original Lexington Avenue pressing. The record was listed in M- condition and the cover was VG+. The price was $1,680.55.

John Coltrane, et al, Tenor Conclave, Prestige 7074. This was an original pressing with the yellow label and New York address. The record looked to be VG++ for the vinyl and VG+ for the cover. When we first looked at this record there were no bids at a price start of about $100. Eventually bidders came along and it sold for $250, a relatively inexpensive price for a great record, IMHO.

 

 

 

 

 

The Blue Notes Keep Coming . . . And Going

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Missed this one from last week: Lee Morgan, Indeed, Blue Note 1538. This was an original Lexington Avenue pressing that looked to be in VG++ condition for both the record and the cover. It sold for $2,142.01. Wow. Quite a significant price tag for that, although we’ve seen it get even more than that several times in the Jazz Collector Price Guide, topping out at $2,927.

I think I missed this one as well: Sabu, Palo Congo, Blue Note 1561. This looked like an original pressing. The record was in M- condition and the cover was VG+.The top bid was more than $400, but it failed to meet the seller’s reserve price. Not surprising that the reserve was higher than that. We saw a copy of this sell for more than $800 just a few months ago. Another one I’ve never owned, but not one I’d place on my want list. Too many other records I’d prefer.

 

 

 

A Pristine Selection of Rare Jazz Vinyl

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Just got an email from the Jazz Record Center that they have a new auction up this week, so let’s take a look and see what’s there:

This one has a start price of $2,000, and it’s already gotten a bid, so we should expect quite a high price: Lee Morgan, Candy, Blue Note 1590. This is an original pressing in what is described as “near-new” condition, perhaps played once. The cover looks to be equally pristine.

Here’s another we wouldn’t mind putting on our own shelves: Elmo Hope, Meditations, Prestige 7010. This is an original New York yellow-label pressing, also in “near new” condition for the record and M- for the cover. The start price is $400 and there are no bidders yet, but there will be.

Bill Evans, Portrait in Jazz, Riverside 315. This is an original deep groove pressing with the small reel logos on the label, as opposed to the larger reels, which I had forgotten was a distinguishing characteristic of Riverside. Someday, perhaps in 2013, I will go through all of the vast research we have accumulated here at Jazz Collector and put together a more definitive guide to what makes an original pressing on various labels. I think the information is here on the site, it just needs to be mined. Anyway, this one is in near new condition and has a start price of $200.

Back in Business Watching Collectible Jazz Vinyl

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Bet you’re wondering if I’m OK. I am. Just been a busy period before the holidays. It’s been so long since I’ve posted on Jazz Collector or even been on eBay that all of the items I was watching are now closed. Which gives me a nice opportunity to give a big review, starting with:

Horace Parlan, Us Three, Blue Note 4037. This was an original West 63rd pressing in what was described as VG++ condition for both the record and the cover. It also had the original shrink wrap, if that means anything to anyone. I guess it means the cover was well protected for all of these years. The top bid on this was a very nice one, $1,136. But guess what? It didn’t meet the seller’s reserve price, so it didn’t sell. We’ve seen this one sell for as much as $1,725 in the Jazz Collector Price Guide, so I guess the seller had certain expectations. I had a copy of this record in very nice condition, mentioned it on Jazz Collector and was offered $1,500 to sell it. I did. Haven’t missed it since, to be perfectly honest.

Similar situation with this one from the same seller: Sonny Clark Trio, Blue Note 1579. This was an original West 63rd pressing. The record was in VG++ condition and the cover looked to be VG. The top bid was $717 but, again, it failed to sell because it didn’t meet the seller’s reserve price.

This one did sell and I thought it might fetch a higher price: Sonny Clark, Sonny’s Crib, Blue Note 1576. This one was in VG++ condition for the record and probably similar condition for the cover. It was offered by one of the top eBay sellers and sold for $1,405. A nice price, but we’ve seen this one sell for more than $3,000 in the Jazz Collector Price Guide.

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Three for the $1,000 Bin

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I’ve been so busy with real work lately, I’ve missed a lot of nice jazz vinyl on eBay, including some of the heavyweights that regularly occupy the $1,000 bin. Anyway, here’s an update of some items I’ve missed, all of which will eventually find their way into the Jazz Collector Price Guide.

Kenny Dorham, Quiet Kenny, New Jazz 8225. This was an original deep groove pressing with the purple label. It was listed in M- condition for both the record and the cover and from the pictures with the listing it looked absolutely pristine. It sold for $2,247.66.

Sonny Clark, Cool Struttin’, Blue Note 1588. This was an original pressing that looked to be in VG++ condition for the record and VG+ for the cover. It sold for $1,593.88

Paul Gonsalves, Boom-Jackie-Boom-Chick, Vocalion LAE 587. This was an original British pressing that looked to be in M- condition for the record and the cover. It sold for $1,783.

Jazz Vinyl: Four For the Money

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I mentioned yesterday that there were a bunch of jazz records I was watching on eBay. Here are a few more, starting with: Paul Chambers, Go, VeeJay 1014. This was an original pressing with the maroon label. We don’t often see VeeJay records getting collectible prices, but this one has appeared before in the Jazz Collector Price Guide. The previous top bid was $189. This one sold for $255, in M- condition for the record and probably VG++ for the cover. What always excited me about this record was the appearance of Cannonball Adderley as a side man, but the listing highlights Wynton Kelly instead. I guess it worked. The record fetched top dollar. Speaking of Paul Chambers, there is this: Paul Chambers, Whims of Chambers, Blue Note 1534. This is a West 63rd pressing, which makes it a second pressing. Early and nice, and some would even characterize it as an “original” Blue Note, but definitely not a first pressing. I’m always curious to watch the market for these second pressings because they look great and sound great but, for a collector, there’s always the knowledge that, hmmmm, I don’t have an original. This one is in VG+ or VG++ condition for the record, and VG+ for the cover. The price is around $200 and so there there is one bidder, with the auction closing tomorrow.

Here are a couple for the $1,000 bin:

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Jazz For A Friday Afternoon: Miles, Cannon, Newk

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Here’s a few more jazz vinyl items we’ve been watching or are watching on eBay, starting with: Miles Davis, Kind of Blue, Columbia 1355. This one is listed as sealed, although it seems it is not the outside cover that is sealed but the inner plastic sleeve. If that is the case, it is pretty cool, better than the cover being sealed because you can actually see the label and the record. The cover is listed in VG++ condition and the record, of course, is listed in mint, unplayed condition. There are a couple of days left and the bidding has topped $300. Seller also took a nice, clear picture, which always helps to secure a top price.

Speaking of Miles, this one got a nice price: Cannonball Adderley, Somethin’ Else, Blue Note 1595. I say speaking of Miles, because after all of these years I still tend to think of this as more of a Miles record, than a Cannonball record. It’s got much more of the Miles vibe than the Cannon vibe. This one was in M- condition for both the record and the cover and it sold for $1,475.

One more Blue Note while we’re at it:

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Watching Some Nice Jazz Collectibles

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Catching up on life and on eBay, so here are some jazz records I am watching and have been watching.

Tina Brooks, True Blue, Blue Note 4041. This was an original pressing, still in some kind of shrink wrap with a $1.79 price sticker. Wouldn’t that be great, $1.79 for an original pressing of True Blue. This one was in VG+ condition for the record and M- for the cover. It did not sell for $1.79. It sold for $1,414. Not a bad price, all in all. So, when you get this home do you take off the shrink wrap or do you leave it on? If it’s me, I’m pretty sure I take it off and put the record in a nice plastic sleeve.

This one also ended up in the $1,000 bin: Lee Morgan, Candy, Blue Note 1590. This was an original West 63rd pressing. The record was in VG+ condition and the cover was VG++. The price was $1,280.55

This one closes later today. Price is still out my range: Clifford Jordan Sextet, Blue Note 1565. This is an original pressing. The record is in M- condition and the cover is VG+. The picture in the listing could be better, but that doesn’t seem to be effecting the bidding, which is now up to $800.

And let’s throw in a couple of non-Blue Notes:

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Tracking a Blue Note Quartet

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Been light on the posts again lately. Super busy with real work. Here are a few high-priced jazz records, all Blue Notes,  we missed on eBay:

Sonny Clark Trio, Blue Note 1579. This was an original pressing in M- condition. The price was $1,531.

John Jenkins with Kenny Burrell, Blue Note 1573. This too was an original pressing. The record was in M- condition and the cover was probably VG++. The price was $1,500.

Cliff Jordan, Cliff Craft, Blue Note 1582. Another original pressing, of course, this one in M- condition for the record and VG+ for the cover. This one sold for $1,250.

Lou Donaldson, Wailing with Lou, Blue Note 1545. This was an original pressing in M- condition from the seller who had access to the Leon Leavitt collection. This one sold for $900.

 

A Jazz Vinyl Trio for the $1,000 Bin

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Here’s some high-end jazz vinyl we’ve missed in the past couple of weeks:

Marty Paich Quartet Featuring Art Pepper, Tampa 28. This was sold by the same seller who claimed exclusive access to the best of Leon Leavitt’s collection and was selling some other high-end items a few months ago. This one was an original pressing with the red vinyl and it was listed in M- condition for both the record and the cover. It sold for $2,000, on the nose. Hmmm.

Hank Mobley and Lee Morgan, Peckin’ Time, Blue Note 1574. This was listed as an original pressing in M- condition for the record and the cover. It sold for an even $1,300 and there was only one bid. Hmmm.

Dave Bailey Sextet, Bash!, Jazz Line. This one is quite rare, with Kenny Dorham on trumpet, Curtis Fuller on trombone, Tommy Flanagan on piano. It was listed in M- condition for the record and VG+ for the cover. It sold for $1,111. No Hmmm for this.

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