Jazz Vinyl on eBay: KD for the $1,000 Bin & 2 More

Here’s some more jazz vinyl we’ve been watching on eBay:

Kenny Dorham, Afro-Cuban, Blue Note 1535. This was an original Lexington Avenue pressing with the deep grooves and flat edge. It was in M- condition for the vinyl and VG++ for the cover. It sold for $1,727.

Here’s one we’ve never seen before: Freddie Redd, Session in Stockholm, Nixja Records NJL 14. This one looked to be in VG+ condition for the record and VG++ for the cover. It sold for $531. I always find it thrilling that I’ve been collecting jazz records for more than 40 years and I still come across records I’ve never seen nor heard of. I bet this is a great one, too.

We don’t usually track records that sell for $22, but we were watching this one because it’s symbolic of something: A great record, great cover, great label, great condition, but no real interest from a collectible standpoint, at least not anymore:

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Some More Jazz Vinyl For the $1,000 Bin

There’s quite a bit of jazz vinyl to catch up on, which will be have to do in a few posts, so let’s start simply this morning with the $1,000 bin, much of which, it seems, we predicted.

Kenny Dorham, Quiet Kenny, New Jazz 8225. This was an original pressing in VG++ condition for both the record and cover and, as noted, it had the promo stamp. It sold for $1,525. Probably would have gotten more without the promo stamp.

Dexter Gordon, Dexter Blows Hot and Cool, Dootone 207. This was an original pressing with the red vinyl. The record was VG+ and the cover was listed in VG+, although there was a full split on the bottom and a partial split on the top. There was some question whether this would prevent it from breaking the $1,000 barrier, but it did not: This one sold for $1,136.

This one had it all going for it: Helen Merrill, Emarcy 36006. It was an original pressing, with the blue writing on the back cover, the seller was Euclid Records and the pictures accompanying the listing were quite clear and bright. The price was $1,568.

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Tracking Four For the $1,000 Bin

Here is some jazz vinyl we are watching now on eBay that we expect will end up in the proverbial $1,000 bin:

Kenny Dorham, Quiet Kenny, New Jazz 8225. This is an original pressing with the deep grooves and purple label and it is a promo copy as well. The seller has it listed in VG++ condition for both the record and the cover and the bidding is already more than $700 with five days to go. This will end up in the $2,000 bin, won’t it?

This one may end up there as well: Dexter Gordon, Dexter Blows Hot and Cool, Dootone 207. This is an original pressing with the red vinyl. The record is VG+ and the cover is VG++. This one is around $200 and there are still five days of bidding.

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Back on eBay: Lee, Bird, Newk and Mr. PC

It’s been days since we caught up on eBay, so let’s take a look and see what’s been going on:

There was this one that came close to the $1,000 bin: Lee Morgan Sextet, Blue Note 1541. This was an original Lexington Avenue pressing that was listed in VG++ condition for the vinyl and VG+ for the cover. It sold for $919.

We were also watching a bunch of records from the seller bobjdukic, which is always an interesting pastime. In a way you have to admire his ability to promote a 1978 Savoy reissue of Charlie Parker as an original and get someone to pay a fairly decent collectible price. Case in point: Charlie Parker, The Complete Savoy Studio Sessions, a boxed set issued in 1978 by Arista Records. This sold for $112.50. This one seemed to get a fair price: Sonny Rollins With the Modern Jazz Quartet, Prestige 7029. This was a New York pressing with the yellow cover. An original first press would have the orange cover and the kakubshi cover. This one seems to

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Jazz Vinyl on eBay: Blue Notes, Bird, Transition

Here’s some nice jazz vinyl we missed:

Lee Morgan, Lee-Way, Blue Note 4034. This was an original West 63rd Street pressing. The record was listed in M- condition and the cover was VG++. The price was $847, which is by far the highest we’ve seen for this record in the Jazz Collector Price Guide.

Kenny Dorham, Afro-Cuban, Blue Note 5065. This  was an original 10-inch pressing that looked to be in very nice condition: The record was VG++ and the cover was M-, with a crisp, clear picture. The price was $811.91.

Doug Watkins, Watkins at Large, Transition 10. This was an original pressing that was listed in

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A Mobley Day at Jazz Collector

Here are some updates on some of the items we’ve been watching on eBay.

Those Mobley’s from the seller bullsite2000 did all right, particularly if you were bullsite2000. There was Hank Mobley With Donald Byrd and Lee Morgan, Blue Note 1540. This was an original Lexington Avenue flat edge pressing and it looked to be in beautiful condition. In fact, if you have a second you should click on the link and look at the pictures posted with the listing: They are absolutely pristine, looking as if they could have come out of the Blue Note catalogue in 1957. Anyway, it sold for  $2,382, which is quite a bit more than it would have sold for in 1957 and quite a bit more than what Mobley got paid to actually record the session, right? This one also made it into the $1,000 bin: Hank Mobley, Soul Station, Blue Note 4031. This was also

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On Ebay: Lou, Lou & Some Wailers

Here is some of the jazz vinyl we’ve been watching this weekend:

Lou Donaldson, Quartet, Quintet, Sextet, Blue Note 1537. This was an original Lexington Avenue flat-edge pressing. It was listed in M- condition for both the record and the cover. The price was $1,008.80. Rudolph asks if perhaps there is a slowdown. We have seen this sell for more than $1,800 recently, so who knows. I find so much of what happens on eBay arbitrary: Depends who’s looking that week, how competitive the bidding gets, how the record is listed, who does the listing, etc. Here’s another Donaldson: Lou Takes Off, Blue Note 1591. This was a bit of a strange

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A Few For the $1,000 Bin, Happy B-Day Newk

Ahhh, it’s nice to be back posting regularly again. We haven’t updated the $1,000 bin in a while, so let’s do that this morning, starting with: Lee Morgan, Indeed, Blue Note 1538. This looks to be an original pressing with the deep grooves and Lexington Avenue address. Although there is no mention of a flat edge in the listing, the seller confirmed that it is, Indeed (pun intended), a flat-edge pressing. The record was listed in M- condition and the cover was described as “very good” but it sounded more liked VG+ or even VG++ based on the description. This beauty sold for $1,925. Since we’re doing the $1,000 bin this morning, it must be a Blue Note day here at Jazz Collector. Here’s another:

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More Jazz Vinyl For the $2,000 Bin

Here’s some jazz vinyl for the $2,000 bin:

Hank Mobley Quintet, Blue Note 1550. This was an original pressing and it was listed in M- condition for both the record and the cover. The price was $2,142. A few months ago, I catalogued all of my Blue Notes for insurance purposes. For each record, I put down the condition and assigned a value to it, based on current market conditions and historical trends from the Jazz Collector Price Guide. Well, based on price trends, I’m going to have to go back and reassess the values and make them higher in most cases. For example, I don’t have an original pressing of this record, but I have an original of Hank, Blue Note 1560. My copy is M- for the record and VG++ for the cover. When I did the spreadsheet earlier this year, the value I assigned to this record was just

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More Questions About “Original” Blue Notes

I went back to look at some of those listings from Paperstax that have generated all of this discussion and controversy. I started with Jackie McLean, Swing, Swang, Swingin’, Blue Note 4024. When you look at the listing, it seems to have it all: West 63rd Street address, deep groove, but . . . when you look closely, Van Gelder in the dead wax as opposed to RVG, no mention of the ear. In bidding, I would assume — and did — that this was an original and that the seller inadvertently did not mention the ear and used Van Gelder descriptively as opposed to using the RVG. The reason is because I don’t quite understand how this can be a Liberty pressing and still have the deep grooves. The same thing with:

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