Category: $1000 Records

For the $2,000 Bin: Marable and Flanagan

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Let’s update the $2,000 bin, shall we?

The Lawrence Marable Quintet, Tenorman, Jazz West 8. The vinyl on this was listed as VG++ and the cover was listed as excellent, which I generally take to mean either VG+ or VG++ depending upon the seller and the description. For this item, I would think VG++ would be appropriate based on my grading terminology. This copy sold for $2,024.99. I admit: I don’t own a copy of this LP. Generally the LPs that have the high price tags are not just rare, but the music is good as well. Anyone want to share a review/opinion on this LP?

Also entering the $2,000 club, again, was this:

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Sealed Giant Steps? $2,025? Huh?

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I know this is going to give some of you a heart attack: That sealed copy of Giant Steps of unknown provenance sold for $2,025.55. What happens with something like that? Does the buyer even open it? If he does, what if it’s just a standard red and green label? What happens? I think it’s amazing that this seller is able to get these prices for some of his offerings. But I do wonder if there’s an alternate reality going on that we’re not aware of, like whether there is one set of buyers that are completely rapt by his marketing wizardry and only bid on his stuff and are not bidding on any other records. Here are a couple of other auctions we were watching from him: Louis Armstrong at the Crescendo Volume 2, Decca 8169. This is a pretty routine record that you could probably find pretty regularly for $10 or $20 at a weekend record show. This one sold for $103.50. How about: Billie Holiday, Lady in Satin, Columbia 8048? This was a 6-eye stereo pressing. Nothing special, right? This one sold for $157.55. As I was copying the picture of Giant Steps, I took another look at the listing. Someone asked about the label and this was the seller’s reply:

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On eBay: Blue Note, Transition & Hyperbole

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Was watching this later pressing to see if it would sell: John Jenkins with Kenny Burrell, Blue Note 1573. This was a United Artists pressing. The vinyl was in M- condition, but the cover had a corner clip. The starting price was $44.44 and there were no bidders. Not sure where the market is for these United Artists pressings. I do have a bunch of them and I’m planning to hold onto them. They sound fine, not like the original pressings, but not like the reprocessed stereo editions either.

Here’s an interesting one from our “friend” Bobdjukic: Don Byas, Tenor Sax Solos, Atlantic 11233. This is a 10-inch LP with an interesting cover. The listing notes that it is an uncredited David Stone Martin illustration and, I have to admit, it looks like one for sure. But when this seller says something is “absolutely certain” I tend to wonder. In this case, I think he’s accurate, but it would nice to get confirmation from one of the experts out there as well. The rest of the hyperbole in the listing is a true work of art. Here is some of the language: “One of the rarest jazz albums in existence,” plus “We are reasonably certain that less than four copies

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A Few More For the $1,000 (and $2,000) Bin(s)

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This one has been breaking the $1,000 barrier pretty consistently: Louis Smith, Smithville, Blue Note 1594. This copy seemed to be in VG+ condition for the record and VG condition for the vinyl, based on the seller’s description. Still, it sold for $1,148.

Jazz Record Center had a few more in the $2,000 bin, including: Tommy Flanagan Overseas, Prestige 7134. This one was in beautiful M- condition and sold for $2,650.07. One of the nice things Fred often does in the listings is provide little details that help to expand our knowledge of the market. In this case the little tidbit is that there is no address on the cover because Prestige at the time was transitioning from New York to New Jersey.

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Updating the $1,000 Bin, Thanks To JRC

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As I’m catching up on the eBay action I’ve been missing the past few weeks, I’ve noticed that the Jazz Record Center recently made quite a large contribution to the $1,000 bin. Here are some of the choice items, all Blue Notes:

Lee Morgan, Candy, Blue Note 1590. This was an original pressing that looked to be in new, pristine condition. It sold for $2,905.55.

Jutta Hipp With Zoot Sims, Blue Note 1530. This was an original pressing. The vinyl appeared to be in new near-mint condition, while the cover had a few minor issues, perhaps VG++. The price was $1,954.49.

Hank Mobley, Peckin’ Time, Blue Note 1574. This was an original pressing that also looked to be in near mint condition. The price was $1,580. Where does he find these records in such immaculate condition?

There was also this: Paul Chambers Quintet, Blue Note 1564. This was

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Back on eBay and The Bidding is Busy

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Hey, everyone. Seems since I came back everyone stopped using the Reader Forum. It would be a shame if that trend continues, because I find it very useful and, at times, more interesting than my own posts. Nevertheless, I am back and I am back to posting and I am back to looking at records every day on eBay. Which means today I am looking at pretty nice auction from Fred Cohen at the Jazz Record Center, which many of you were also watching in the Reader Forum. Here are some of the choice items, closing soon:

Donald Byrd, Byrd Blows on Beacon Hill, Transition 17. This is an original pressing, labels unattached (of course) with the booklet in beautiful condition. The current price is $1,791. I’m saying the record sells for $3,300. Anyone want to take the over or the under?

There’s also this on Transition:

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For the $1,000 Bin: Griffin, JJ, Hubbard

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It’s been a while since we’ve updated the $1,000, and there are, as expected, a few new entries. Here goes:

Introducing Johnny Griffin, Blue Note 1533. This was an original Lexington Avenue pressing and it was listed in M-, pristine condition. The price: $2,651.01.

Also from the same seller were these: The Eminent Jay Jay Johnson, Volume 1, Blue Note 1505. This was also an original Lexington Avenue pressing and it was also in pristine condition. It sold for $1,507, which is way more than we’ve ever recorded in the Jazz Collector Price Guide. In fact, our previous high price for any JJ Johnson record was less than $400. There there was: The Eminent Jay Jay Johnson Volume 2, Blue Note 1506. This was

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Updates: $1,000 Bin, Dizzy, Sonny, Trane

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Still updating the Jazz Collector Price Guide. It can be a bit tedious, but it’s important, isn’t it? Let’s hope so. Anyway, here are a few items on the extremes: A couple more for the $1,000 bin and a few that normally don’t make the Price Guide but, for one reason or another, have broken through.

First the big ones: Walter Davis, Davis Cup, Blue Note 4018. This was an original pressing and it was listed in M- condition for both the record and the cover. It sold for $1,300. Also, Paul Chambers Quintet, Blue Note 1564. This was an original pressing. The record and cover looked to be in VG+ or VG++ condition. The price was $1,032.

Here are a couple that don’t often get collectible prices: Dizzy Gillespie, Afro, Norgran 1003. This was an original yellow label pressing with a cover design by David Stone Martin. It was only in VG condition and sold for $72. That may not be a Blue Note price, but it is still somewhat surprising. Few of the Dizzy record

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Updating The $1,000 Bin: Miles, Mobley

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Let’s update the good old $1,000 bin, which seems to be getting pretty crowded these days, no?

This one was certainly expected: Hank Mobley, Blue Note 1568. This was an original pressing. The vinyl was only in VG+ condition. The cover was M-. The price was $2,615.50. The surprise was the high price for the VG+ condition.

One of The Miles Davis Blue Notes sold for more than $1,000, which was a new high. Miles Davis, Volume 1, Blue Note 1501. This was an original Lexington Avenue pressing from a very reliable seller. The record was in M- condition, as was the cover. We had written about this one when it was at $250. It eventually sold for $1,007. Also, Miles Davis Volume 2, Blue Note 1502, from the same seller, in the same pristine condition, sold for $765.55.  There was another Miles that made the $1,000. That was:

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Bird & Newk for the $1,000 and $2,000 Bins

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Two of those Sonny Rollins LPs we were watching passed the $2,000 barrier: Sonny Rollins, Saxophone Colossus, Prestige 7079. This was an original pressing in near mint condition from a reputable seller in Italy. The final price tag was $2,850. Also: Sonny Rollins Volume 1, Blue Note 1542. This was an original Lexington Avenue pressing, also in near mint condition. This one sold for $2,025.22. Breaking the $1,000 barrier was:

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