For the $1,000 Bin: Jordan/Gilmore On Blue Note, Saxophone Colossus

It’s time to throw a few more items into the $1,000 bin. These are some of the rare jazz records that have recently crossed the $1,000 price threshold.

Cliff Jordan and John Gilmore, Blowin’ in From Chicago, Blue Note 1549. This was an an original pressing with the West 63rd Street address and deep groove. The record was listed in M- condition and the cover appeared to be at least VG+, perhaps better. The price was $1,199.99.

Sonny Rollins, Saxophone Colossus, Prestige 7079. This was an original pressing. The record was in VG++ condition and the cover was VG+. The price was $1,266.66. The item had more than 500 page views, compared to less than 200 for the Cliff Jordan/,John Gilmore LP. The seller, bobdjukik, seems to have a knack for getting people to view his records.

A Couple of Rare Birds, One For the $1,000 Bin

We’re still running the contest to give away a free copy of The Charlie Parker Memorial Album, Savoy 12000. Please comment on the site to be eligible to win. Meanwhile, here are a couple of nice bird collectibles that sold recently on eBay, including one for the $1,000 bin.

Charlie Parker, Alternate Masters Volume 2, Dial 905. This was an original 12-inch Dial, quite rare. It was in very nice VG++ condition and was sold by the seller Herschel78, who has been selling some beautiful items lately. This was fetched a price of $1,350.

Also from Bird is this: The Charlie Parker Story, Savoy 12079. This was an original pressing, with a great cover of a relaxed Bird sitting on a throne. This was from the same seller and was listed in M- condition for both the record and the cover. It sold for $150.  You don’t often see the Bird Savoys selling for these prices.

Joining Bird in the $1,000 record bin is this:

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Some More Blue Notes, Some More $1,000 LPs

We casually mentioned the Lexington Avenue version of Sonny Rollins Volume One, Blue Note 1542 and there, lo and behold, is a beautiful M- copy that is ready for the $1,000 bin. This one sold for $1,225.

Also entering the $1,000 bin is Dizzy Reece, Blues in Trinity, Blue Note 4006. This was an original West 63rd Street pressing that was in M- condition, both record and cover. It sold for $1,595.

John Jenkins with Kenny Burrell, Blue Note 1573. This was an original pressing n VG+ condition with a light scratch. The cover was listed as excellent-minus, which is, what, VG+ at best? It too is in the $1,000 bin, fetching

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How Would You Like These in Your Collection?

We’ve gotten so tied up in the J.R. Monterose stuff the past couple of days, we forgot to go back to eBay to catch up on all of those hot records we were watching last week. So we just took a look and, WOW! The prices are quite staggering, and we will be adding more records to the $1,000 bin — and $2,000 bin — and $3,000 bin — than we have ever previously added at one time. Here’s the list:

Dexter Gordon, Dexter Blows Hot and Cool, Dootone 207. This was an original pressing with the red vinyl. It was in M- condition, both the record and cover. It sold for $3,059. The seller was Herschel78, who had a bunch of hot records last week, a few more of which will appear in this post. I had tried to reach out to Herschel78 to find out more about these beautiful records, but he never replied. Perhaps I’ll try again.

Cliff Jordan, Cliff Craft, Blue Note 1582. This was an original pressing in M- condition, both record and cover. It sold for $2,303.

Cliff Jordan and John Gilmore, Blowing in From Chicago, Blue Note 1549. This was another original pressing in M- condition. It sold for $1,692. A second copy of this record, this one in VG+ condition for the record and the cover, sold for $676.

Lee Morgan Volume 3, Blue Note 1557. This was a Mint copy, sold by our friend and  Read more

Price Updates: Roy & Diz, Tal, Stone Martin, Drew

Time to catch up on some of the items we were watching earlier in the week. We’ll do another of these catch-ups tomorrow or Monday when some of the high-tagged Blue Notes close.

We don’t often see Dizzy Gillespie among the higher-priced LPs, but here was a nice one that was sold earlier this week by Euclid records: Dizzy Gillespie and Roy Eldridge, Roy & Diz #2. This record was in M- condition, both record an cover, and sold for $145. No doubt helping the value of the LP is the great illustration by David Stone Martin.

Also featuring a David Stone Martin illustration is The Tal Farlow Album, Norgran 1047. This was also sold by Euclid and was also in M- condition. It sold for $83, not bad for a quality record like this in today’s market. Seems that within the Norgran/Clef/Verve pantheon there are still bargains to be found. Also, please take a look at our earlier post on this album Today on eBay: Tal, Drew, Kenny Dorham, True Blue. I had mentioned that my good friend Dan Axelrod was a good friend and protege of Tal, and he shares some personal insight about the album that’s worth reading.

Speaking of Kenny Drew, that copy of The Kenny Drew Trio, Riiverside 224, that

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Today on eBay: Tal, Drew, Kenny Dorham, True Blue

We had a couple of hours to kill last night, so we did something we used to do every day: Scroll through a full 24 hours worth of jazz records listed on eBay. It was good timing, because we found some nice items for our Jazz Collector readers and one item we plan to bid on for ourselves.

Our friends at Euclid Records have a nice batch closing today, including: Kenny Drew Trio, Riverside 224. This is an original white label pressing and is listed in M- condition for both the record and the cover. The current price is $1,256, so, Kenny Drew, welcome again to the $1,000 bin. Also from Euclid is The Tal Farlow Album, Norgran 1047. This is the 12-inch version with the beautiful cover by David Stone Martin. It is in M- condition for both the record and the cover and is currently in the $60 price range. My friend Dan Axelrod, who was Tal’s good friend and protege, swears that the 10-inch version of this record offers far better sound quality than the 12-inch version. I suppose that’s why he has more than a dozen copies of the 10-inch version. Nonetheless, the 12-inch Tal Farlow Album is quite lovely to listen to and quite collectible and is certainly a worthy addition to any collection.

It always pays to read the eBay listings carefully. Here’s an example why:

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This Week on EBay: Some Blue Notes . . . Plus

Got home late yesterday afternoon from Providence, where my son had directed a play (quite well done, I must say) and popped onto eBay to see what was there for my friends at Jazz Collector. As soon as I did my normal search under jazz records, the first two items that popped up were real beauties: Lee Morgan,  Volume 3, Blue Note 1557 and Cliff Jordan/John Gilmore, Blowing in From Chicago, Blue Note 1549. Both of this records are listed in near mint condition and both sellers promise that you will never see a better copy. Digging a little deeper, the seller of the Jordan LP has a bunch of other, similar, high-end beautiful condition jazz collectibles on auction this week. It promises to be an interesting week, with a few more additions to the $1,000 bin. It is my expectation that each of these records will sell for more than $1,000 — in fact,

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The $1,000 Bin Welcomes an Old Friend

When I first became aware many years ago that there was actually a sub-culture of jazz collecting and collectible jazz records, one of the first of the “rare” jazz records I heard about was Tommy Flanagan Overseas, Prestige 7132 (I was not aware of the Metronome version). In all the early years of collecting and searching for records in the bins of hundreds of record stores around the world, I never saw a copy of this record. By the time I did find a copy, by then the collectibles market had taken off and the price tag was out of reach. I’ve looked on eBay for affordable copies, but, somehow the words “eBay” and “affordable” don’t always go together. I’m content now to watch the record sell and listen, if I desire, to my very fine Japanese pressing. This is all a long way toward getting to the point, which is:

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J.R. Monterose In Action and In the $1,000 Bin

I hadn’t updated the $1,000 bin in a while, so I went searching for interesting new items and I came upon this: J. R. Monterose In Action + The Joe Abodeely Trio, Studio 4. According to the seller, this original pressing was one of approximately 250 issued and sold from the cloak room of Abodeely’s The Tender Trap night club in Cedar Rapids, Iowa. It was also described as an original Columbia pressing from Rock Island, Ill. The record and the cover were both listed in VG++ condition and the price was $1,703.98. In addition to the price tag, what caught my attention was the memory somewhere deep in the back of my recesses of my brain that I actually own this record. So, I ran downstairs, trailed excitedly by my dog Marty, and searched through the shelves of Part II of my collection and there it was, sitting there. I pulled out the copy, ready to bask in the glow of a $1,700 record. But, alas, to my chagrin the copy I pulled out was

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Sonnys Crib, No Deep Groove, At What Price?

Lots of focus on Blue Note this week. Sometimes, that’s just the way things break. Here’s one of interest, closing soon: Sonny Clark, Sonny’s Crib, Blue Note 1576. This, of course, is one of the hot ones, featuring John Coltrane. This one has the West 63rd Street address, is mono and seems to be in pristine condition. Yet . . . it is not a deep-groove pressing. So, what’s it worth? The seller has a buy-it-now price of $1,000 — or you can make an offer — and there are two hours to go, so it seems unlikely that he will get his asking price. If this was a deep-groove copy in this condition, at $1,000 it would have been gobbled up long ago. Without the deep groove, all bets are off. Isn’t it interesting how specific the market has become. One of our loyal readers commented on another post about a John Jenkins Blue Note he purchased from us, probably for around $15 o $20. It was a United Artists mono pressing and he is quite pleased and getting a lot of joy out of it. And he didn’t need to get a second mortgage on his home.

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