Category: 78-RPM Records

What’s Happening With Jazz Vinyl?

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So, I lost the auction for The Unique Thelonious Monk. No big deal. The bigger revelation was the prices on some of the other records on the Jazz  Record Center auction. Having been off eBay for a few months dealing with other things in life, I wasn’t prepared for what I considered to be a fairly drastic change in the market. Or perhaps this has been going on for a while and I hadn’t noticed? Or perhaps this is just an aberration based on the reputation of the Jazz Record Center? Or just one or two sellers with lots of money to spend?  Let me share with you some of the biggest surprises that I encountered, starting with The Incredible Jazz Guitar of Wes Montgomery, Riverside 1169. This was an original stereo pressing that looked to be in M- condition for both the record and the cover. The final price was $787.22. Per Popsike, this is the highest price ever recorded for any copy of this record. But a stereo copy? Read more

Back in Action??????? Really????????

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Well, what do you know? I felt like going on eBay today. It’s kind of a bleak, rainy day here in the beautiful Berkshire Mountains of Massachusetts, I’m caught up on my work, taped my radio show yesterday (Roy Haynes, Memorial, Part 2), and I’m sitting at my computer and thinking to myself, man, you haven’t been on eBay in a long, long time. Months, I would guess. If any of you regular readers are still out there, what have I been missing? Here’s what I’m seeing today

Not a good start as I pore through some of the higher priced jazz vinyl. The first is Walter Davis Jr., Davis Cup, Blue Note 4018. This is an original pressing with the West 63rd Street address. Great record. I, for one, have never owned an original pressing of this record, but I did purchase a United Artists copy from my old friend Red Carraro for $10 back in the 1970s or 1980s. I still have it. This copy on eBay looks totally beat. The seller didn’t have the nerve to describe the condition. But he did have the nerve to put a price of $1,500 on the record. Read more

Jazz Records: One of a Kind! Too Good To Be True! Amazing Bargain$!

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I’m sure all of you get stopped in your tracks at times by weird listings on eBay or other outlets. Here are a few from my list, starting with Lester Young, Norgran MG N-1022. I’ve noticed this on eBay for at least a couple of months. I can’t imagine why it hasn’t sold yet. The buy-it-now price is only $250,000 U.S. dollars or, as we might say here in the states, a cool quarter of a million. Apparently what makes the record this valuable is the stamp that states: “For Demonstration Only Not For Sale.” This is what the seller says about this record: “Our extensive research shows that this may well be the only such demonstration copy in the world or the only surviving one, as there is no record of another such demonstration-only copy ever being sold and there is no catalogued example of it with even similar demo stamp designation or any of the professional vinyl websites.” The seller won’t show full pictures of the cover due to “confidentiality purposes.” I’m not going to make any catty comments, beyond the fact that I’m sharing this with you in a post about weird listings. I looked at the copy in my collection and it is a beauty, definitely from the collection I bought in Baltimore because the previous owner, Bruce M. West, kept his records in mint condition and put the date or month he acquired it in small ink on the back cover. The date was 5/56. Alas, there is no “For Demonstration Only Not For Sale” stamp on my copy, so I guess I will have to put off my retirement. That wasn’t too catty, was it? Read more

The First Blue Note, Anyone?

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Perusing eBay this morning and came upon this listing: “Ridiculously RARE Blue Note Number 1 Meade “Lux” Lewis Pink and Black label.” It stopped me in my browsing tracks because this is a record I have never had the opportunity to own or even to see in person, only as random and rare listings on eBay. It would be nice to own, the first Blue Note release, but the price tag is quite steep. This copy is listed in E+ condition, which is great for a 78. The start price is at $700 and so far there are no bidders, but I’m sure that will change over the course of the next six days until the auction closes. The seller says there were 200 copies pressed with this label. I don’t doubt him, just wondering where the information came from. Just a couple of weeks ago there was this article about this record on Discover Music, The First Blue Note Record is Released: Meade “Lux” Lewis ‘Melancholy Blues.’ Looking on Popsike, the high water mark for this record in the past was about $2,000, and there have been at least four other recorded instances of the record selling for more than $1,000. Pretty cool. Read more

Collectible Jazz Vinyl and Not Vinyl

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Yeah, that Bill Evans New Jazz Conceptions LP with the original cover sold for $1,725, as someone pointed out in comments. With a VG cover and VG record. I guess not even a global pandemic can halt the market for original jazz collectibles. A few more from the same seller: Gil Melle, Patterns in Jazz, Blue Note 1517. This was an original Lexington Avenue pressing in VG MINUS condition with a VG cover. Despite the condition it sold for $910. Curtis Fuller, Bone & Bari, Blue Note 1572. This was an original West 63rd Street pressing in VG MINUS condition for the record and VG for the cover. It sold for $706. Read more

Rare Blue Notes in All Shapes, Sizes and Formats

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Record temptation came and went. The Blue Note 78s from the Jazz Record Center sold for $910 and, by the time the auction came around, I had forgotten all about them. I seem to be less obsessive in my old age. I think this is a good thing. The Lovely Mrs. JC certainly does. I’m pretty sure I wouldn’t have topped $910 even if I had remembered. There was also this odd item from the same auction: Rare Blue Note Salesman’s Folio. This was a spiral-bound portfolio with promoting Blue Note releases from August 1967, with a “salesman’s demonstration record.” I have to admit, I’ve never seen one of these. It sold for $1,009.99. Imagine if there was a pre-Liberty portfolio, or one from the ‘50s? Read more

Record Temptation, Then and Now

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I had my eye on this one and someone also mentioned it in a comment on the previous post: Bill Evans, New Jazz Conceptions, Riverside 223. This was an original white label pressing with the original photo cover. The record was listed in M- condition and the cover was VG++, although perhaps VG+ may have been more accurate given the tape/tape residue on the back cover. Nevertheless, you rarely see the front cover this clean, and it’s such a gorgeous cover, you wonder what they were thinking at Riverside when they changed it. Anyway, this particular copy sold for $3,629, with the buyer and other bidders no doubt entranced by the clean picture of the cover. A quick click to Popsike tells us that this is by far the highest price ever paid for this record. Read more

Feeding the Obsession, Yet Again

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So that trip to Spike’s Record Rack in Catskill, NY, sparked a bit of inspiration for me, as far as listening to records and enjoying my collection. First of all, I realized, one again, and this is obvious to everyone who knows me, including all of you here who know me but don’t actually know me, that I really enjoy buying records. I know, it’s a big reveal, but sometimes it’s easy to forget. For years it has seemed that the era of going to record stores and actually finding collectible jazz records in nice condition was over and never coming back, having evolved to an online/eBay world. Who would have thought that there would a vinyl revival, not just in records but in stores that carry jazz vinyl and cater to vinyl enthusiasts such as us? It is a pleasant and wholly unexpected surprise that an activity that has given me so much enjoyment all of these years is now something I can do again. Now, if my knees would cooperate with basketball and my arm with stickball, I’d really be drinking from the fountain of youth. Read more

Hardee Bop

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Let’s catch up on some jazz records from our eBay watch list, starting with that John Hardee 78 album, Blue Note 101. When we last looked at this the start price was around $100 and there were no bidders. As noted, the condition leaved a lot to be desired and, alas, no one was willing to bid the $100 it would have taken to purchase it. The item is relisted at the same price, so maybe someone will see this and get the urge. One of the reasons I’m writing about it again is because I wanted to include the picture of the cover, which is quite cool, IMHO. Is it worth $100 just for that? Probably not, but close.

I’m always intrigued by records I’ve never seen before in my nearly 50 years of collecting jazz. This was one of them: Slide Hampton, Exodus, Phillips, B 77.915L. This was an original French issue from 1962. It was listed in at least VG++ condition for the record and M- for the cover. Looks like a good record, given the personnel (George Coleman, Richard Williams, Butch Warren, et al) and the tracks (Moment’s Notice, I Remember Clifford, Confirmation, Straight No Chaster, et al). Anyone have a copy and want to share some insight?

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Blue Notes, 78s and Idiocy: Happy Friday

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This record, like a lot of later Blue Note pressings, has increased quite a bit in value the past few years: Bobby Hutchinson, Happenings, Blue Note 4231. This was an original pressing with the New York USA label and it was in its original shrink wrap, which seems to have some appeal to collectors, although I’m not sure why. Perhaps because of the added protection for a record that is probably 50 years old? Anyway, this one was probably in M- condition for the record and maybe VG++ for the cover and sold for $299.99. Not one of my favorite Blue Note covers. I typically like the covers that feature the artists.

Here’s a rare Blue Note that did not sell:

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