Category: 78-RPM Records

Jazz Vinyl Countdown: Ike Quebec, Blue Note

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We were watching this record carefully on eBay: Ike Quebec, It Might As Well Be Spring, Blue Note 4105. It was an original pressing in M- condition, both the record and the cover. It sold for $276, which is about as high a price as we’ve seen for one of the Ike Quebec LPs on Blue Note. We figured perhaps it would be a good time to sell our copy as well. Turns out, we don’t have a copy. We have three other Ike Quebec Blue Notes: Blue And Sentimental, Blue Note 4098; Heavy Soul, Blue Note 4093; and Soul Samba, Blue Note 4114. Anyway, we figured we’d try one out and see if it will make the cut as we reduce our collection to 1,000 records. The one we chose is Heavy Soul, figuring this was the least likely to stay, since the rhythm section

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More 78s Anyone?

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In my last post, I’d mentioned the autographed Andy Warhol cover that may or may not still be available. Another inquiry that came into my email box came from a guy who has 17 Blue Note 78s: Nine of these are 10-inch and eight are 12-inch. No bebop among them, but there are a couple of Ike Quebec’s, plus Sidney Bechet, James P. Johnson, Art Hodes, T-Bone Walker, Albert Ammons and the Port of Harlem Seven. I get the sense he’d love to sell them all in one batch. If there are any Blue Note 78 collectors out there, just let me know and I’ll put you in touch with him.

Adventures in Jazz Collecting: 78s

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I asked the question the other day: Does anyone out there collect 78s? No one replied, so I figured I would get the ball rolling.

The answer to the question, for me, is that I don’t collect 78s. I do, however, have more than 1,000 78s. The reason I say I don’t collect 78s is because if I did collect them, I’d be obsessed about them and worried about filling in my collection and getting all the Blue Notes and searching for 78s and hunting them down on eBay. That is what I do with my LP collection. I have never done that with 78s. Yet, through the years I have accumulated them.

It started back in the 1980s. There was an ad in the classified section of the local newspaper. A guy had a collection of jazz 78s and wanted to get rid of them. Normally I wouldn’t have cared, but I was curious: What if there were some original Bird 78s on Dial? So I called him and, indeed, there were some original Bird 78s on Dial: Yardbird Suite, Moose The Mooche, A Night in Tunisia. Holding these in my hand, it really felt like I was holding a piece of jazz history. The guy had about 1,000 78s and wanted $100 for them. That night I walked into the house and began unloading crates of 78s. Mrs. JC just looked at me and sighed.

Then, of course, I had to get a 78 player. I still have the first one I ever purchased: A crank-handle

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78s Anyone?

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Does anyone out there collect 78s? I mention this because, over the past several weeks several people have gotten in touch with me with 78s to sell and I’m not sure what kind of market there is for them. I’ll pass along some of the information and we’ll see what happens. The most interesting of the items is the Norman Granz project called The Jazz Scene, which is a packaged set signed and numbered by Norman Granz. The owner of this item described it as being in mint, immaculate, unplayed condition. It is number 2747 of a series of 5,000 copies. We’ve seen this sell for a lot of money on eBay, but it’s not something we’ve tracked in the Jazz Collector Price Guide. The following is a description of the item from the seller:

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