Category: Autographs

For Lady, For Lee . . . and Irving?

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More random jazz vinyl from recent eBay auctions starting with Webster Young and Paul Quinichette, For Lady, Esquire 32-084. This an original UK pressing of Prestige 7106. To me, this was always a Webster Young record, but the cover here has it as the Young/Quinichette Sextet. Great record and the UK cover is quite interesting, as always, and so much different than the American cover, which is really kind of weird when you look closely at it. The record was listed in excellent condition and the cover was very good. The final price was $194.25. I haven’t listened to my copy in a while, but I think it will be among the next set of records that will make it to my turntable. Read more

Collectible Jazz Vinyl on a Summer’s Day

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Here’s a pretty cool jazz collectible that is closing today on eBay: J. R. Monterose, Blue Note 1536. This looks to be an original Lexington Avenue pressing. The record is in VG+ condition, or perhaps even better. The cover has an autograph by J. R. that looks authentic to these eyes, but I am no expert. The cover is probably in VG or VG+ condition. This is a nice collectible with or without the autograph, which, to me, enhances the appeal, although some collectors differ on that account. Anyway, the bidding is in the $950 range with about 10 hours left on the auction. Read more

Autographed Jazz LPs, and Not Autographed Jazz LPs

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We’re watching some rare jazz vinyl on the current auction from The Jazz Record Center, starting with Duke Ellington & John Coltrane, Impulse A-30. This is an original promo mono copy with the white label. The record and the cover both look to be in mint or near mint condition. The start price is $200 and so far there are no bidders with two days left in the auction. Also, Charlie Rouse, Yeah!, Epic 16012. This is an original pressing with the yellow label and also looks to be in mint or near mint condition. The start price for this one is $300 and so far there is one bid. One more: Horace Parlan, Movin’ and Groovin’, Blue Note 4028. This is an original West 63rd Street pressing. The record looks to be M- and the cover maybe a notch below. There are six bids and the current price is in the $275 range. Read more

Catching Up (And We Mean Up!) on Rare Jazz Vinyl

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Here are a couple of nice $1,000 records we were watching on eBay: Dizzy Reece, Progress Report, Tempo TAP 9. This was an original U.K. pressing that was listed in excellent condition for the vinyl and great condition for the cover and, even though those terms are not precisely Goldmine-approved, you get the sense from the description and pictures that the record was in extremely nice condition. This one sold for about $1,025. Also, Lee Morgan, The Cooker, Blue Note 1578. This was an original West 63rd Street pressing listed in M- condition for the record and cover. We said “under normal circumstances” this record could set a new high water mark for the Cooker. What we meant was that we felt the pandemic would perhaps be dampening prices for high-end records. We were wrong. This record did set a new high at $1,625. So much for my theories and hypotheses—so far at least. Read more

Back on eBay: Vintage Blue Notes and a Coltrane Autograph

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I just spent a little time on eBay. There are a lot of nice rare vintage records from the Jazz Collector Era and I’m not noticing much of a drop in demand or prices since the pandemic. Here are some of the items I put into my watch list, starting with a few vintage Blue Notes: Lee Morgan, The Cooker, Blue Note 1578. This looks to be an original West 63rdStreet pressing listed in M- condition for both the record and the cover. The auction closes in three days and there are already 37 bids and 13 bidders. The price is in the $500 range. This record is a regular in the $1,000 bin, with a top price of about $1,600, according to Popsike. Under normal circumstances I would expect to see this record easily top $1,000 and perhaps set a new standard, given the condition of the record and cover. Let’s see what happens. Read more

Another Adventure, Part 1: Ornette, Monk, Dee and Me

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I owe you all a story.

It started last Halloween. A new commenter on Jazz Collector, who identified herself as Dee Dee, submitted the following:“I am Ornette’s stepdaughter – raised with Monk in the house frequently. I’m needing now to part with his and my mother’s vinyl collection, AND my original silver gelatin art photography – an AUTOGRAPHED edition of one single print of these historic musicians:

Count Basie
Miles Davis
Dizzy Gillespie
Horace Silver
Art Blakey and Billy Higgins
Gil Evans
Gerry Mulligan
Cecil Taylor and Tony Williams
Abbey Lincoln
Gato Barbieri
Pharaoh Sanders
Charlie Haden
Ernie Andrews
Mal Waldron
Steve McCall
Charlie Rouse
Freddie Greene
Bobby Bradford
Bela Fleck
Buster Williams
Chico Freeman and Pacquito d’Rivera
Eddie Palmieri
Eddie Gomez
Milton Nascimento
Djavan
Joao Bosco
Ivan Lins
Airto Moreira
Jose “Cheo” Feliciano
Francisco Aguabella
Willie Colon
Yomo Toro
Dave Valentin
Papo Lucca
Yolanda Rivera” Read more

Old Jazz Vinyl and a Young Jazz Singer

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Catching up on eBay, starting with Paul Chambers Quintet, Blue Note 1564. This looks to be an original West 63rd Street pressing in M- condition for both the record and the cover. The bidding is in the $250 range with three days left on the auction. How about Art Taylor, Tailor’s Wailers, Prestige 7117. This is an original yellow label with the New York address. The record and cover are both listed in VG+ condition, although the seller does mention “minimal noise,” which is better than lots of noise, but you do have concerns when there is mention of any noise at all. To be fair, I guess minimal noise does relate to some VG+ records, since VG+ is somewhat of a catchall description. Anyway, the start price for this record is $250 and so far there are no bidders. Read more

Jazz Vinyl, Autographs, Questions, Obits and Memories

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I’m watching a few items from the Jazz Record Center eBay auction that is closing later today, starting with Max Roach, Jazz in ¾ Time, Mercury 80002. This is an “original” Stereo pressing, quotation marks to signal that the original stereo pressing is not the same as the original album. The Stereo pressing was issued later than the original mono, and with two fewer tracks. What makes this more interesting to me is the Max Roach dated autograph on the cover. Pretty nice. It’s also a favorite record of mine. My father had a copy that he played often, and, of course, look at the personnel, Roach, Rollins, Dorham, Ray Bryant, George Morrow and another pianist named Billy Wallace, whose credentials, I have to admit, I had to Google. Here’s an interesting thread. Anyway, I’m thinking of even bidding on this record in honor of dad, who would have been 94 next week. Read more

Prestiges, Blue Notes and a Boyd

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Where was I? Oh, yes, I had a watchlist on eBay that I haven’t looked at in two weeks. Let’s see what’s there. Phil Woods et al, Four Altos, Prestige 7116. This was an original New York yellow label pressing that was listed in VG++ condition for the record and VG++ for the cover, although I’d say VG+ for the cover. My feeling about cover gradings is if there is a seam split, then VG++ is a bit too optimistic. But that’s me. Anyway, this was a promotional copy and a pressing from a library, which always gives me pause because who knows how the record was handled all these years. This one sold for $451.99. Now the four alto players on this record are Woods, Gene Quill, Sahib Shihab and Hal Stein. And my question is this, for those of us, like me, who mostly organize records alphabetically by artist: Is there any collector out there who files this record under anyone else besides Phil Woods?

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Dolphy Vinyl, Autograph Updates

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Here are a few odds and ends we’ve been watching on eBay, starting with some Dolphy: Eric Dolphy at the Five Spot Volume One, New Jazz 8260. This was an original purple label, deep groove pressing. The record and cover were both listed in V++ condition, although the picture of the back cover would be more VG+ in my eyes. It’s always tempting when the front cover is so nice to try to ignore other blemishes. In my eyes, VG++ is reserved for covers that would otherwise be M- but have a single minor flaw, such as the original owner writing the date on the back, which was the case with all of the records I purchased in the Bruce M. West collection in Baltimore. A cover such as this, with blemishes and tape stains doesn’t quite say VG++ to these eyes, but I’m sure the buyer will be pleased, otherwise, he wouldn’t have bid $612.50.

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