Now Available: Vintage Autographs, High End Audio

We get all kinds of random inquiries here at Jazz Collector. We’ll post a few here, in case anyone is interested or has any comments.

One of our readers has a set of three vintage photos, autographed, framed and mounted. All three photos appear to be made out to Eddie “Lockjaw” Davis. The signatures are from Dizzy Gillespie: “To my Dixieland friend — Dizzy G” (that’s what it is, although it would be tough to associate Lockjaw with Dixieland); Dave Tough: “To Jaws, Dave Tough;” and Sidney Catlett: “Blow that horn Jaws! — Sidney Catlett.” It is certainly an interesting piece of jazz memorabilia. If you are interested drop us at note at al@jazzcollector.com and we’ll put you in touch with the seller.

Another of our readers is moving from New York to California and has a batch of high-end audio equipment he is looking to sell. This includes a Klyne pre-amp; B&K stereo amp; Carver tuner; Sota turntable; Sumiko tonearm; Snell speakers and

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Jazz Vinyl Countdown: Bird’s First, Autographed

Here’s an interesting test: With this winnowing down of the jazz vinyl collection, are we still a collector or have we morphed into something else  — perhaps a dealer-slash-collector-slash-aficionado or something other equally endearing term? Well, we have two copies of this pretty rare 10-inch record: Jay McShann, Kansas City Memories, Decca 5503. This record is noteworthy because it is the first studio recording of one Charles Christopher Parker Jr. Bird’s solos on The Jumpin’ Blues and (especially) Hootie Blues usher in a new era in jazz. It doesn’t get any better than that, does it? Both of our copies of this record are in pretty nice condition, but one of them has a bonus feature: An autograph on the back by

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Warhol Anyone?

I had mentioned a few weeks ago how I’d been getting a few requests a week from people interested either in selling collections or in getting advice on what to do with their collections. I’ve seen some interesting items. Here’s one: A guy in Toronto goes into a store and buys the Count Basie record with the Andy Warhol cover (RCA 1112). It costs him 25 cents. He takes it home and notices that there’s a name written on the cover and figures, no big deal, it’s just the previous owner. Then he looks closer. The signature reads “Andy Warhol.” He goes online to look at other Warhol autographs. Sure enough, it’s a stone-cold match. So here he is, sitting with an original Warhol cover signed by Warhol. And he has no idea what it’s worth. He sent me a note looking for advice, and I told him I had no idea what it was worth either. I suggested he try Soetheby’s or Chistie’s or some other auction house. He was advised to start any auction with a price of $500. I haven’t heard back from him, but, if anyone is interested

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One For the $3,000 Bin

Here’s one that sold for more than $3,000 the other day: Sonny Clark, Cool Struttin’, Blue Note 1588. This was an original pressing in M- condition, both record and cover. It had the advantage of being sold by Euclid Records, which is one of the larger sellers on eBay and has an excellent reputation. This copy sold for $3,416, which puts it among the Top Five we’ve recorded on the Jazz Collector Price Guide.  If you click the previous Price Guide link, it should take you to a page where all of the records are sorted by highest prices first, which is always a fun way to view the Price Guide. 

Speaking of prices, we’ve got some nice items closing tomorrow at pretty reasonable prices, and we just put up some interesting new items that are closing next week. Among the more interesting items we have up now are a Lexington Avenue pressing of Paul Chambers, Whims of Chambers, Blue Note 1534. This is closing tomorrow and is currently about about $180. For next week

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For Sale: Louis Armstrong Autograph

I just posted an interesting item on The Jazz Collector Store on eBay: A copy of the Louis Armstrong autobiography Satchmo, My Life In New Orleans, which is autographed by Louis Armstrong. It is signed in large print on the title page: “To Joel From Satchmo Louis Armstrong.” The Satchmo is underlined. I have a receipt stating that I paid $270 for this item nearly 10 years ago, but I just posted it for $200. I did a quick search on eBay and there are not that many Armstrong autographs available and none quite as strong as this one, since it is an inscribed autobiography. Since the item is in the store and not up on auction, it could go fast, so I wanted to make sure I gave a heads-up to all of you who read Jazz Collector in case you wanted to grab it. If you buy it and tell me you read about it at Jazz Collector, I’ll give you an additional $10 discount. Can’t beat that.

Today on Ebay: Fuller, Parlan and McCoy (For Sale)

SHHHHHHHHHH. It’s so quiet on eBay today we wouldn’t want to disturb any of the sleeping buyers and sellers. I have a sense that the economy is starting to wreak a little havoc on the jazz collectibles market — not on the high-end collectibles — but in the mid-tier. We’ll see. These things tend to go in cycles. Perhaps it’s a good time to be buying. Anyway, it is quite quiet on eBay today, but there are a few things worth noting, including:

Curtis Fuller, Bone and Bari, Blue Note 1572. This is an original pressing in M- condition, both record and cover, and it features an autograph by Curtis Fuller. Not to mention the presence of Sonny Clark on piano. The opening bid price for this record is about $140 and, as of now, there are no bids. In the Jazz Collector Price Guide we’ve seen this record sell for nearly $700 in M- condition without an autograph. So maybe it is a time to be buying.

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Getz & An Autographed Stitt for the Price Guide

Here are some records we’ve been watching at Jazz Collector and which will be entered soon into the Jazz Collector Price Guide. We’re big fans of the Verve label and we believe there are still bargains to be had among Verve, Norgran and Clef LPs. This one, however, usually fetches a pretty collectible price, as it did recently with two separate copies: Stan Getz in Stockholm, Verve 8213. One of these was sold by Euclid Records and went for $210.50 in M- condition, both record and cover. The other copy was sold by a relatively new seller and was in VG++ condition, both record and cover, and it sold for $205.50. 

We often like to watch autographed copies of records signed by our favorite artists. Here’s one: Sonny Stitt, Prestige 7024. This was an original New York pressing signed by Stitt. The record was VG+ and the cover was VG. The price was $133.61. 

Some of the items we watch fail to get any bids. Here’s one: Donald Byrd, Byrd’s Eye View, Transition 4. This was in VG condition, both record and cover, and did not have a booklet. The starting price was $349 and there were no bids. We used to keep track of these in the Jazz Collector Price Guide, but not anymore. Now we track records that actually sell.

Today on Ebay, February 10, 2009

Pretty quiet on eBay today, although there are a few nice items, as always. We at Jazz Collector have a few auctions closing today, including: Art Farmer with Sonny Rollins, Prestige 177. This is a 10-inch LP. It’s in VG/VG+ condition and is currently in the $30 price range. We’re also selling this nice jazz guitar LP: Johnny Pisano and Billy Bean, Take Your Pick, Decca 9212. This is an original pressing that’s in VG+/VG++ condition and it’s also in the $30 range as of now. We’re also selling LPs with autographs by Woody Herman, plus George Barnes and Bucky Pizzarelli, so please, take a look. 

Among other items, there’s an original pressing of Sonny Clark, Sonny’s Crib, Blue Note 1576. This one looks to be in VG++ condition. the current price is $282, but it has yet to meet the seller’s reserve. As a buyer, I’m not a big fan of reserve-price auctions. I’d rather the seller set a high base price if he

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A Mint Curtis Fuller, Autographs from Herbie Mann and Maynard Ferguson

Among the interesting items on eBay the next couple of days, are a couple that we at Jazz Collector are offering under our nom d’ebay AJDoctor. This one is particularly interesting: The Curtis Fuller Jazztet with Benny Golson, Savoy 12143. We had this album in our collection for many years and it was sealed and we never opened it. When we decided to sell it, we figured we’d have to open it to see if it was an original pressing. We didn’t expect it to be, but it was. An original, red label pressing, unplayed. It’s also some pretty solid music, with Lee Morgan and Benny Golson on the front line with Fuller.

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Latest Additions to Price Guide

Here are updates on some of the records we’ve mentioned here in the past few days. We’re not using links with these, since there are links on these elsewhere on the site. You can just do a search if you want to look at the original. Nothing too crazy here as far as prices, but nothing at all that would lead you to believe there’s any kind of slowdown. These will also be added to the Price Guide, as soon as I finish this post. Here goes: 

Ben Webster, The Consummate Artistry, Norgran 1001. When we first spotted this, it was at about $30 with just a few hours to go. It sold for $203.51. It was an original pressing in M-/VG++ condition.

Ornette Coleman, The Shape of Jazz to Come, Atlantic 1317. This was with the bulls-eye label in VG++/VG++ condition. It sold for $72.60

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