Category: Blue Note

More Peak Prices, Plus Miles, Sonny, Trane For Sale

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In mentioning records reaching new price peaks, I inadvertently left out a couple of records among the ones I’ve sold recently. These aren’t records we’ve tracked often, but we haven’t seen higher prices for either of them:

Granchan Moncur III, Some Other Stuff, Blue Note 4177. This was a New York USA pressing. The record was M- and the cover was VG++. It sold for $223. 70.

Anthony Williams, Spring, Blue Note 4216. This was also a New York USA pressing in beautiful condition, M- for the record and VG++ for the cover. This one sold for $202.50.

We have a bunch of records up on eBay now, although none will fetch those kinds of prices. Here are a few of the records that are available:

John Coltrane (et al), Wheelin’ and Dealin’, Prestige 7131. This is an original pressing, with the New York

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Is The Market Slowing? Not Based on These Prices

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Sometimes, as summer approaches, eBay slows down. Not so far this summer. We’ve seen a lot of rare jazz records setting new highs for prices over the past few weeks, as we’ve been upgrading the Jazz Collector Price Guide. If you look at the prices of some of these records, you’ll get an idea:

Kenny Drew, The Kenny Drew Trio, Riverside 224. This was an original white label pressing. The record was listed in M- condition and the cover was listed as VG++. The price was $898.88.

Kenny Dorham, Whistle Stop, Blue Note 4063. This was an original West 63rd Street mono pressing that was listed in M- condition, both record and cover, and it was posted by a reputable seller. It sold for $898.89.

Jackie McLean, 4, 5 & 6, Prestige 7048. This was an original Yellow label pressing with

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This Weekend on eBay: Thad, Jackie, Kenny Dorham

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Here are a few items we’re watching on eBay this weekend. As always, it’s a good idea to check the seller’s other items because many sense, such as yours truly, tend to offer decent records in bunches:

Thad Jones, The Magnificent Thad Jones Volume 3, Blue Note 1546. This is an original West 63rd Street pressing. I’m not sure why, but the seller mentions Lexington Avenue pressings selling for more than $2,000, but I’ve never seen or heard of a Lexington Avenue pressing of this LP. Has any of you? Anyway, this one looks like it’s in about VG condition and has a starting bid of around $150 and, as of now, has no bids.

Jackie McLean, 4, 5 and 6, Prestige 7048. This is an original pressing with the New York address and the yellow label. It looks to be in VG+/VG+ condition, although the seller uses different terminology that we do, and is currently priced

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For the Price Guide: Dolphy, Jackie, Criss, Kamuca

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Time to catch up on some recent collectible items on eBay and update the Jazz Collector Price Guide, which has now surpassed more than 4,000 entries, each one, I’m proud to say, hand-entered and hand-selected by yours truly. Here are a few more I’ll be hand-entering this weekend:

Eric Dolphy, Last Date, Fontana 681008ZL. This is the original Dutch pressing. The record was listed as M- and the cover as VG++. It sold for $661. Also from Eric Dolphy, Outward Bound, New Jazz 8236. This was an original deep groove purple label. The record was M- and teh cover was VG++. The price was $283.

Jackie McLean, Swing, Swang, Swingin’, Blue Note 4024. This was an original West 63rd Street pressing. The record was listed as VG++ and the cover as VG+. The price was $547.11.

Sonny Criss, Jazz USA, Imperial 9006. This was an original pressing. The record was listed as

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Horace Silver on Blue Note: Comments Anyone?

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OK, we’re still in the midst of the contest to give away the book: Blue Note The Album Cover Art. To be eligible to win this book — free, we even pay for shipping — all you have to do is post a comment on the Jazz Collector Web site before July 2. The winner will be announced July 3. When we did the original post announcing the contest, we promised to share with you the foreward of the book, written by Horace Silver. Here goes:

“Blue Note Records were very meticulous in every aspect of their production: They used he best vinyl, they paid for rehearsals and when I asked to be in on other parts of my album Alfred Lion (the label’s founder) gave me every opportunity. A lot of musicians in those days worked very hard to make good music and once the music was done, they let Alfred Lion go on with the rest of it. One day I went to Alfred and said,

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This Week on eBay: Prestige, 10-Inch & a Blue Note

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I’ve been putting more records on eBay lately — just a function of time and how much work my real job entails — and I actually structured some organization to the items I posted last week. I had accumulated a bunch of Prestige duplicates, so today is Prestige Day and there are 10 Prestiges closing later. Then I had pulled out a bunch of 10-Inch LPs, so tomorrow is 10-Inch Day, and there are 16 10-inchers. Then, on Thursday, I decided to go back to Prestige with another 10 items. Then I figured we can’t let a week go by without a proper Blue Note, so on Thursday night I put up a heavy-duty Blue Note collectible. Here’s a sampling of items of interest, and you can always see my eBay Items if you click Items For Sale above:

Gil Melle, Gil’s Guests, Prestige 7063. This is a nice copy in VG+ condition, both record and cover, and it plays really well. Not to mention that it features some great Kenny Dorham. This one is only at $49, so it could be a bargain, depending upon how heavily trafficked eBay is today.

John Coltrane and Hank Mobley, Two Tenors, Prestige 7043. This is a yellow label with the New Jersey address and it’s also in nice VG+ condition, plays great. This is one of those second pressings I was talking about in an earlier post: It’s not the first issue of this LP — which was under Elmo Hope’s name — but it’s a great package, great cover and great record and it’s Prestige and it’s yellow label and it’s Coltrane. To me, it’s irresistible (which is why I have two copies, I guess).

And the heavyweight Blue Note is:

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Adventures in Jazz Collecting: 78s

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I asked the question the other day: Does anyone out there collect 78s? No one replied, so I figured I would get the ball rolling.

The answer to the question, for me, is that I don’t collect 78s. I do, however, have more than 1,000 78s. The reason I say I don’t collect 78s is because if I did collect them, I’d be obsessed about them and worried about filling in my collection and getting all the Blue Notes and searching for 78s and hunting them down on eBay. That is what I do with my LP collection. I have never done that with 78s. Yet, through the years I have accumulated them.

It started back in the 1980s. There was an ad in the classified section of the local newspaper. A guy had a collection of jazz 78s and wanted to get rid of them. Normally I wouldn’t have cared, but I was curious: What if there were some original Bird 78s on Dial? So I called him and, indeed, there were some original Bird 78s on Dial: Yardbird Suite, Moose The Mooche, A Night in Tunisia. Holding these in my hand, it really felt like I was holding a piece of jazz history. The guy had about 1,000 78s and wanted $100 for them. That night I walked into the house and began unloading crates of 78s. Mrs. JC just looked at me and sighed.

Then, of course, I had to get a 78 player. I still have the first one I ever purchased: A crank-handle

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Win A Free Collectible: Blue Note Cover Art

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OK, we’ve been putting up some interesting posts, but we’re not getting all that many comments these days, aside from Michel and Rudolf and a few of our other consistent (and always compelling) contributors. That means it must be time to give away another free collectible.

So, here it is, a new free giveaway contest from Jazz Collector, and it’s a Blue Note (no not an original copy of Candy by Lee Morgan, or even a second pressing of Newk’s Time by Sonny Rollins). It is (drum roll, please):

BLUE NOTE: THE ALBUM COVER ART

This is a 128-book of album cover art from the Blue Note catalogue, first published in 1991 by Chronicle Books. It features page after page of classic Blue Note covers from the 1950s and 1960s, featuring so many of the great designs by Reid Miles and photos by Francis Wolff. The book also includes a foreward by Horace Silver, which I will present in a separate post later in the week. 

Best of all, the book will be given away FREE to one lucky reader of Jazz Collector. To be eligible to win all you have to do is

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Two More For the $1,000 Bin

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Here are a couple more records we’ve been watching that recently crossed the $1,000 barrier. Both of these will be added to the Jazz Collector Price Guide, which is growing quite nicely, thank you. Please check it out.

Hank Mobley With Donald Byrd and Lee Morgan, Blue Note 1540. This was a beauty: An original Lexington Avenue pressing with vinyl in M- condition and a VG++ cover. At 1540, Blue Note was nearing the ends of the Lexington Avenue addresses and this one is hard to find a an original. The final price was $1,616.

Here’s one we’re not familiar with, so any insight would be appreciated (Michel?): Georges Arvanitas Quintet, Soul Jazz, Columbia FPX 193. This was an original French pressing from 1960. The record was listed as M- and the cover was VG+. The price was $1,325.

The Rise of the Second Pressing?

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There was a time, and perhaps that time will come again, when jazz collectors seemed only interested in original pressings of original LPs. That seems to be changing somewhat, at least with the Blue Notes and Prestiges. I noticed that with a couple of items I was selling, and with another item that caught my eye as I was watching other records on eBay. Last week, I put up the record Miles Davis Volume 2, Blue Note 1502. This was a nice old copy of the record with heavy vinyl, but it was a West 63rd Street pressing, as opposed to an original Lexington Avenue pressing. The record was in nice condition: I graded it conservatively at VG++ for the vinyl and VG+ for the cover. It sold for $140.50. The other record I was watching was also a Miles Davis LP: 

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