Clearing the Dex in an LA Dumpster

And now we have a very interesting item in the Jazz Collector in-box. A few days ago we received an email with the intriguing subject line: “Dexter Gordon record found dumpster diving in LA.” It’s not something you see very often. And here were the contents of the note: “Hello, I was dumpster diving in LA today outside a house they cleaned out. The bottom on the dumpster was thousands of jazz records of someone’s collection. The owner of the house was old and I think the just threw out all his stuff. It was a shame it was such a huge collection. I grab two crates that I could get to. One record that made me think was a Dexter Gordon record, looks like maybe a tear press as it was just hand written on. I have a pic. Is this something that might be worth something?” I asked him to send me a picture, and he did, as follows:

 

Dexter Gordon

 

Now immediately recognized the two tracks as coming from the Dexter Gordon album, Doin’ All Right, Blue Note 4077. But on the original album these two songs are on different sides.  Read more

Propheting and Profiting From Jazz Vinyl and Memorabilia

Kenny Dorham Jazz VinylHad my eye on this one: Kenny Dorham and the Jazz Prophets, ABC Paramount 122. This was an original deep groove pressing listed in Ex condition for the record and VG+ for the cover. It sold for $343. I’d recently had an email exchange with a reader who said he’s been watching this record and, in a period of just a few weeks, he’d seen the price range from $28 to $1,000. I saw I thought of it as as $400-$500 record, but more in pristine condition. So, from my perspective, this seems to be around the market value. At least it was the market value for this particular copy. I once had an opportunity to buy a beautiful copy of this record at the Jazz Record Center in New York for $100. I wasn’t particularly flush at the time, so I passed. Then I went home and changed my mind. Came back a few days later and the record was gone. I asked Fred about it. He said he had made a mistake in pricing it at just $100 and I should have jumped at the opportunity. That was probably 25 years ago. I finally got a copy of this record in the Baltimore collection almost exactly two years ago. Have yet to listen to it. Perhaps I will correct that oversight later this evening.

Here’s some stuff from my email inbox:

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A Price Supreme. A Price Supreme

A Love Supreme Promo Jazz VinylThis one comes from CeeDee in an email with the above headline and all I can say is “WOW!” John Coltrane, A Love Supreme, Impulse 77. This was an original white label promo copy. The record was listed in M- condition and the cover was Ex. The final price was $1,225, which is the most we’ve seen for A Love Supreme. It is certainly a classic record, and there is definitely a limited supply of promo copies, so I guess if you want to own one you have to pay the price. The same seller also sold this: Tina Brooks, True Blue, Blue Note 4041. This was an original pressing listed in VG+ (or slightly better) condition for both the record and the cover. The final price was $2,550.

 

 

Jazz Vinyl From Some of Our Favorite Cats

The Cats New Jazz VinylI’m cleaning out my eBay watch list so here are various odds and ends from the past six weeks or so, starting with Tommy Flanagan, The Cats, New Jazz 8217. This was an original pressing with the deep grooves and the purple labels. The record and cover both looked to be in M- condition, very nice indeed. Of course, one of the attractions of this record is that it  features John Coltrane. When I acquired this record I filed it with my Coltranes because I was just building my Trane collection and every collectible record with Coltrane was a treasure to me. I hate to tell you when this was, but it was more than 40 years ago. I can’t believe I’m that old. Anyway, now that my Coltrane collection is more robust, this is properly filed with the Flanagans. This copy sold for a very nice $600. Nice for the seller and I’m sure very nice for the buyer, who will have a lovely record for his turntable and collection.

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A Few From the Jazz Record Center

Gigi copyOur friends at the Jazz Record Center had an auction close yesterday and here are some of the items of interest, starting with Gigi Gryce, The Hap’nin’s, New Jazz 8246. This was an original pressing with the purple labels and deep grooves. The record looked to be in M- condition and the cover was probably around VG+. The final price was $338.

Sonny Clark, Leapin’ and Lopin’, Blue Note 4091. This one does not look to be a first pressing, since they don’t call it a first pressing and don’t mention the ear. It looks to be really clean in M- condition for the record and the cover. And it is a mono pressing. The price was $212.50.

Speaking of Sonny Clark, there was also:

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What’s A Signature Worth, And What If It’s More Than Just An Autograph?

Joe Henderson AutographHere are a few odds and ends from the Jazz Collector in box. Mark sent us this link: Joe Henderson, In ‘N Out, Blue Note 84166. The back cover is all messed up with writing all over it. Except, here’s the explanation from Mark: “So the seller claims the notes and signature are by Joe..an inquiry made to the seller revealed that this album came from the collection of a fellow who booked shows for the Left Bank Jazz Society in Baltimore.  Apparently there were many signed albums in his collection along with a photograph of Monk and Wynton Kelly sitting on his own couch! Anyway..interesting piece…” I kind of have a soft spot for memorabilia such as this, although I don’t actually collect it. The record and cover looked to be an original stereo pressing. The final price was $275. Not sure if the writing and signature ensured a higher price, or whether it actually diminished the price. I would guess a stereo copy would get less than $275, so someone probably through the writing was worth something. That’s how I would view it.

There was also this signed record, noted by one of our readers:

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Monday Morning Blue Notes

Hank Mobley Jazz VinylCatching up on some jazz vinyl from eBay, staring with Hank Mobley, Blue Note 1568. This was a West 63rd Street pressing without the New York 23. It had the deep grooves, ear and other hallmarks of a first pressing, or second depending upon your interpretation. The record was in VG+ condition and the cover looked to be about VG. The final price was $2,575. This seems to be one of those records that has taken on mythic proportions in the collectibles market. Who would have thought even a few years ago that VG+/VG would translate into a value of more than $2,500? A few years from now I would expect the value to be even higher. Speaking of Blue Notes in less than stellar condition:

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Temptation, Thy Name is Blue Note

Lou Donaldson Jazz VinylDoes a listing like this one tempt you: Collection of 40 RARE Original Jazz Albums LP’s All on the Blue Note Label? The seller states clearly that the records are all in VG condition or below. He also shows pictures with a lot of damaged covers. Yet . . . I see that picture of Lou Donaldson, Quartet, Quintet and Sextet, Blue Note 1537, and I think: Maybe it’s not that bad, maybe if I clean up the record, it would play nicely on my turntable and sit nicely on my shelf. There are also some other nice potentialities in the listing, such as Hank Mobley Roll Call, Whims of Chambers, Bass on Top, and a bunch of Blakeys, among others. There’s also a lot of junk. Anyway, my answer to the question is “Yes I am tempted.” At what price? That remains to be seen. So far the bidding is at $743.

 

Less Than 50 Copies? Really??????

Ornette Coleman jazz vinyl on jazzcollector.comHere are some odds and ends from the jazz vinyl world on eBay, starting with Ornette Coleman, ESP 1006. This is an original pressing with the silkscreen cover. The record is listed in Ex+ condition, which I interpret to VG++ in the terms we use here at Jazz Collector. The start price is about $700 and so far there are no bids. What struck me about this listing were that the seller described it as a “holy grail” LP, which is a term I have come to detest after all these years watching eBay. The second thing that struck me was that the seller states as fact that there were less than 50 of these pressed. I find that hard to believe. I feel like I’ve seen at least 50 of these on eBay these past dozen or so years. I tend to doubt it’s the same 50 records going back and forth between collectors. Clifford would probably have a better sense of the veracity and reality behind this record, so please enlighten us when you get a chance.

This one looks appealing, particularly since I still don’t have an original pressing:

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Lee Morgan, Indeed!!!!!!!!!!!!!!!!!!!!

Lee Morgan Jazz VinylPeople have already commented on this, but it must have its own post. That Lee Morgan record I mentioned the other day, Lee Morgan, Indeed!, Blue Note 1538. If you recall, I kind of joshed with the seller, chiding him for stating that his copy was “the finest on planet earth.” Apparently the hyperbole worked quite well, indeed! There were at least nine bidders that I could identify and 25 bids. The final price was, get this, $7,786. Not counting that weird Hank Mobley Blue Note 1568 from a few months back that got a bid of more than $11,000 — which turned out to be not a real bid, but some kind of barter — this is the highest price we can recall seeing for any jazz record. I hope the buyer gets a lot of joy out of it. I’m sure the seller already has.

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