Catching Up, Up, Up

Catching up on a few jazz vinyl sales from the recent auction by Carolinasoul, starting with Lee Morgan, Candy, Blue Note 1590. This was an original West 63rd Street pressing listed in VG+ condition for the record and the cover. The final price was $3,000. Kenny Dorham, Quiet Kenny, New Jazz 8225. This was an original purple label mono with deep grooves. The record was VG and the cover as VG+. The final price was $1,598. Doug Watkins, Watkins at Large, Transition 20. This was an original pressing with the booklet. The record and cover were VG. The final price was $1,415. Read more

A Supreme Love Supreme, Prestiges and Blue Notes

Still here. Still watching jazz vinyl on eBay. Here’s one: John Coltrane, A Love Supreme, Impulse A-77.  Gotta give the seller credit for being loquacious and highly descriptive about this record. We know why he is selling it, what equipment he played it on, how loud. It is one of the more unique listings I’ve seen. Anyway, after reading all that, I would guess, as the seller does, that the record is in VG+ condition, that it is an original pressing and the cover is probably in VG+ or VG++ condition. The start price is $400 and so far there are no bidders with a bit more than a day left on the auction. The seller says he is ambivalent about selling the record because he is afraid to play it, so maybe the market will make it an easy decision for him to keep it. Read more

Hot and Heavy

Here are some jazz vinyl auctions we are watching this week, starting with a couple of heavy hitters: Tommy Flanagan Overseas, Prestige 7134. This is an original pressing listed in VG+ condition for both the record and the cover. The bidding is in the $800 range with more than six days left on the auction. Tina Brooks, True Blue, Blue Note 4041. This looks to be an original West 63rd Street pressing. The record looks to be in VG++ condition and the cover is probably VG+. The current price is $2,995. There is one bidder and five-plus days left on the auction as of this writing. Last week we saw a copy sell for more than $8,000 (WOW). Read more

Wow

The comments on the previous post were intriguing, to say the least, so I jumped over to eBay to see this auction in particular: Tina Brooks, True Blue, Blue Note 4041. This was an original pressing with the West 63rd Street address from the seller vinyl-house-uk. The record was listed in Ex+ condition, which I translate into M-, and the cover was Ex/Ex+, which I translate to VG++. The final price was approximately 6,200 British pounds, which I translate to $8,132.92. By my calculation that’s the top price I’ve seen for True Blue, which seems to be confirmed by Popsike. For those who keep an eye on these sorts of things, is this the highest legitimate price we’ve seen for any 12-inch jazz LP? If not, what is? Looking at some of the other items from this auction, my eyes are popping out of my head. Read more

Volumes of Jazz Vinyl

I’ve been back in New York for the past week or so, but haven’t had a chance to visit any record stores. If you had a few days in New York, where would you shop these days? If you were shopping on eBay, here are some of the items you may have considered, starting with Pete LaRoca, Basra, Blue Note 4205. This was an original New York USA pressing that looked to be in VG+ condition for the record and VG+ for the cover, although the seller listed it as VG++ (it wasn’t). When we wrote about it last week, the bidding was in the $750 range. The final price was around $1,190. I kind of assumed this would have been the highest price ever for this record, but according to Popsike a copy last summer sold for $2,375. There were also a few others that ended up in the $1,000 bin, so my assumption was not quite accurate. Read more

The $3,000 Bin and More

Here we have Lee Morgan Volume 3, Blue Note 1557. This was another one of those records from the recent and ongoing auctions from the seller Carolina Soul. This was an original West 63rd Street pressing that was in VG+ condition for the record and VG- for the cover. The front and back of the cover were signed by Benny Golson, who plays tenor on the record and wrote the compositions and arrangements. I’m not sure if the presence of the signature adds or detracts from the interest in the record from collectors. This copy sold for $1,259.56. The Benny Golson signature reminded me of the Steven Spielberg “The Terminal” with Tom Hanks, in which a Benny Golson autograph plays a prominent role, believe it or not. If the record had been signed by Lee Morgan, it would have gotten a lot more interest, right? Perhaps even in the $3,000 bin like this one. Tubby Hayes Quintet, After Lights Out, Tempo TAP 6. This was an original British pressing that looked to be in M- condition for the record and VG++ or VG+ for the cover. The final price was about $3,210. Read more

Blue Notes, Millennials, Autographs

Back to eBay. Closing the files on some of those auctions from Carolina Soul, we start with The Magnificent Thad Jones, Blue Note 1527. This was an original pressing. The record was listed in VG condition with a slight warp. The cover was listed in VG- condition with a 6-inch seam split. The final price was $1,911.56. Thad Jones, Detroit-New York Junction, Blue Note 1513. This was another original Lexington Avenue pressing. This one was in VG+ condition for the record and VG for the cover. The final price was $1,525. Read more

A Modern Jazz Quintet

Let’s go back to the eBay watch list and catch up on some jazz vinyl auctions that may be of interest to the Jazz Collector masses, starting with Chet Baker, Chet, Riverside 299. This looked to be an original blue label deep groove pressing featuring, among others, Bill Evans on piano, which usually seems to generate added interest from collectors. This looked to be graded in EX condition for the record and the cover. The final price was $1,187.  Per Popsike, this is the second highest price ever recorded for this record. In 2018 a mintier copy sold for $1,225.

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Another Pretty Nice Batch of Sides

As I’ve been perusing eBay since my return from vacation, I’ve been randomly filling my watch list with items to write about for Jazz Collector. And as I’ve been doing that, I am finding that most of the records I’m saving this week have a common seller, which would be Carolina Soul.  I’m a little bit in awe, and a little bit in envy, of the huge collection of Blue Notes, Prestiges and others they have up for auction this week. Not sure if the awe/envy is about the money that will be coming their way in just one week’s worth of auctions, or if it’s the fact that they seem to have a virtually endless supply of interesting/collectible jazz records. Anyway, here are some of the items in my queue, starting with Thad Jones, After Hours With the Prestige All-Stars, Prestige 7118. This one caught my eye because of the cover: I have a copy of this record with the New York yellow label and a different cover. My cover has a generic picture of a city nightscape. This cover, as you see, has a picture of Thad and (I think) Frank Wess. With Prestige it’s challenging to figure out which cover came out first and why they would change it so quickly after the initial release of the record. If I were to guess, I would say the cover I have would be the first cover, but that is just a guess. The reason is that the orange cover has The Prestige All-Starts underlined and that strikes me as an idea that a marketing person would come up with as a way to boost sales by making a slight adjustment to an existing product. In my real job, I spend way too much time talking to marketing people, so I could be completely wrong. Rudolf will know for sure which was first, as will others out there in Jazz Collector World. Anyway, this copy is probably in VG condition for the record and VG+ for the cover. Bidding is in the $125 range, with four days left on the auction. Read more

Newk, Candy, Jug, Bird: A Jazz Vinyl Potpourri

Pardon the interruption. I decided to take a much needed vacation. Hopped in the car with The Lovely Mrs. and headed south. Ended up in the northern part of Florida, with a small Airbnb located right on the ocean. Damn, a fellow could get used to that. Didn’t think about work, didn’t think about records, didn’t think about much of anything. I’m back now and there’s still snow and ice on the ground and the winds were howling at about 40 MPH overnight and into this morning. Of course, you are not here for a weather report but for information about rare or not-so-rare jazz records. Let’s hop on over the eBay for the first time in a couple of weeks and see what is going on, shall we? We can start with Newk: Sonny Rollins, Saxophone Colossus, Esquire 32-045. This looks to be an original UK pressing. The seller describes it as EX with a lot of plus signs, so I would take that to be M- or so for the record and the cover. The bidding is in the $300 range and the auction closes later today, so by the time many of you see this, the bidding will be finalized and someone will be anxiously awaiting their copy of this very cool record. The music isn’t bad either. Read more

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