Category: Blue Note

A Nice Batch of Jazz Vinyl For Today

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Here’s a nice list of jazz vinyl now on eBay that would be a fine addition to any jazz collection:

Jutta Hipp with Zoot Sims, Blue Note 1530. This is an original Lexington Avenue deep groove pressing. The record is listed in near mint condition and the cover is VG. The bidding is in the $200 range, there are two days left and it has yet to reach the seller’s reserve price. While we’re on the subject: Jutta Hipp, New Sounds From Germany, Blue Note 5056. This is an original 10-inch record. The record is in VG+ condition and the cover is listed as M-. There are five days left on this one and the bidding is now in the $140 range. It will go quite higher.

Tommy Flanagan Overseas, Prestige 7134. This is an original New York yellow label in what is described as M- condition for both the record and the cover. The seller does mention “three tiny clicks, barely audible,” which is honest of him to mention and perhaps doesn’t diminish from the M- grade. Can you listen to almost any record without three tiny clicks somewhere? This one is now in the $335 range and has not yet met the seller’s reserve price.

Here’s a nice jazz vocal LP I wouldn’t mind owning:

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Various Vinyl Odds and Ends

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Haven’t been on eBay in a few days. Here are the results of some of the jazz vinyl auctions we missed:

John Coltrane, Giant Steps, Atlantic 1311. This was an original black label pressing. It was listed in VG++ condition for both the record and the cover. It sold for $510. It’s nice posting Giant Steps every once in a while so I can put a picture with the post and just take a look at it again — inspiring me to put the record on the turntable.

Perhaps I owe CeeDee an apology for this one: Donald Byrd and Pepper Adams, Out of this World, Warwick 2041. This was an original pressing in what looked to be VG+ condition for the vinyl and probably VG+ or VG++ for the cover. It sold for $159.99, higher than I would have expected. CeeDee and I made a trade involving this record and Dexter Calling a few months ago and at some point I may have made some kind of disparaging remark about the Byrd/Adams record. No doubt, it had more to do with the quality of the recording than the quality of the music. My copy just sounded very dull and flat, particularly compared to a Blue Note pressing from the same era.

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A Trio of Rare Jazz Vinyl From the ’50s

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Here are the results of some jazz vinyl auctions we’ve been watching on eBay:

Sonny Criss Plays Cole Porter, Imperial 9024. This was an original pressing in VG++ condition for the record and VG+ for the cover. It sold for $810.

J. R. Monterose, Blue Note 1536. This was an original Lexington Avenue pressing. The record was somewhere between VG and VG++, which means the seller said it didn’t look so great but it sounded great. Gotta love those old Blue Notes. The cover was a clear VG. The price as a clear $787.

Betty Blake Sings in a Tender Mood, Bethlehem 6058. This is another one I’ve never seen or heard. How is it? It features Zoot Sims, Roland Alexander and Mal Waldron, among others, so I imagine it is quite interesting. This one was in VG+ condition for both the record and the cover. It sold for $735.55

 

 

 

Catching Up on Jazz Vinyl Auctions

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Here’s an update on some of the jazz vinyl we were watching last week, and a few that we’re watching this week:

Jackie McLean, The New Tradition, Ad Lib 6601. This was an original pressing. The record was listed in VG+ condition and the cover was VG. The price was $1,025.

Sonny Rollins, Volume 1, Blue Note 1542. This was not an original pressing, but was an early pressing with the West 63rd Street address. The record was in M- condition and the cover was lasted at VG+. It sold for $251.39.

Grant Green, Idle Moments, Blue Note 4154. This was an original pressing that was listed in VG++ condition for both the record and the cover. The seller was bobdjukic and it was only listed as “rare” not “insanely rare.” No matter. It still got top dollar: $570.

And here are a few we’re watching for this week:

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Another Batch of Blue Notes For Your Perusal

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We’ve got a bunch of Blue Notes on our watch list. Here are a few:

These closed yesterday: Sabu, Palo Congo, Blue Note 1561. I must admit, this is one I’ve never owned in any form, so 1561 has always been a blank in my Blue Note Collection. How is this record? Is it worth a listen? This one was in VG++ condition for the record and VG for the cover. It sold for $811. This one didn’t look quite right to me: Sonny Rollins, Volume 1, Blue Note 1542. It was listed as an original pressing, although it was a West 63rd Street pressing, so it wasn’t quite an original as we define it here. And it looked like the wrong cover for an original. The start price was about $300 and there were no bidders, which seems appropriate.

This one also has no bids and is closing in just a few hours: Kenny Burrell, Blue Lights Volume 2, Blue Note 1597. This is an original pressing with the Andy Warhol cover. The record is listed in VG condition with “quite a few surface scratches.” The cover is listed as VG++. The start price is around $200, which is pretty tempting if the cover is, indeed, really VG++.

Here’s another temptation:

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3 LPs From the Heart of the Jazz Collector Era

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Here’s some jazz vinyl we’re watching now on eBay.

This one is closing soonL Jackie McLean, 4, 5 & 6, Prestige 7048. This one is rated at VG++ for the cover and somewhere between VG+ and VG++ for the vinyl. The seller mentions that the sound is VG++ but the visual is VG+. I tend to go with the visuals when grading, particularly for records of this era, because they are almost always going to sound better than they look. But I can see what the seller is getting at. The price on this is more than $800.

Don’t see this one all that often: Gil Melle, Patterns in Jazz, Blue Note 1517. This is an original Lexington Avenue in M- condition for the vinyl and what looks to be about VG+ for the cover, based on the description. The price is about $500 and there are still a few days left on the bidding.

No bids on this one yet, but there probably will be soon: Art Blakey and the Jazz Messengers A Night at the Bohemia Volume 2, Blue Note 1508. This is an original Lexington Avenue flat-edge pressing. The record is another of those VG+ or VG++ and the cover is VG+. The start price is about $300.

 

A Few For the $1,000 (And More) Bin

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Here are the results of some of this week’s jazz vinyl auctions from the Jazz Record Center:

Sonny Rollins, Saxophone Colossus, Prestige 7079. This was a New York pressing in M- condition for both the record and the cover. It sold for $2,483. I have to admit, I just got a copy in similar condition from the Irving Kalus collection, which I am happy to be keeping. Also from Sonny: Sonny Rollins Volume 2, Blue Note 1558. This was an original West 63rd Street pressing that also looks to be in M- condition. The price was $780.

Wow, did you see what the Mobley sold for? You will now: Hank Mobley Quintet, Blue Note 1550. This was an original West 63rd Street pressing also in M- condition for the record and cover. It sold for $3,728.90.

Another Wow: Kenny Burrell, Blue Lights Volume 2, Blue Note 1597. This was an original pressing and it has the Andy Warhol cover. It was a review copy in M- condition. It sold for $2,728.90. Volume 1 sold for $1,350.

I’ll be reviewing some more of the results from this auction in another post. There was a lot to take in.

 

 

Dealing With a Case of Vinyl Envy

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Sometimes I get vinyl envy. I see a record on eBay, one that I don’t have as an original pressing, usually a Blue Note, and I think my collection isn’t complete until I get that record. But then, if I get it, there’s always another to remind me that the collection will never be complete. So I think the vinyl envy is not such a bad thing. What would be the fun of collecting if there was nothing more to collect? So this is a record that gives me vinyl envy: The Magnificent Thad Jones, Blue Note 1527. I have a United Artists pressing and I’ve probably never even listened to it, so I’m not even sure of the quality of the music, although I bet it’s great: It’s really that Lexington Avenue label and cover in the pictures that does it. You can almost feel the cardboard and the heavy vinyl. Anyway, this one is in VG++ condition for the record and M- for the cover and it is approaching $300 and will probably sell for closer to $1,000, so it will not be added to the Jazz Collector collection.

This is a cool one I’ve never seen before:

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Watching Rare Jazz Vinyl In Tip-Top Condition

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We’re watching the latest auction of jazz vinyl from the Jazz Record Center, which closes in a few days. Here are some of the highlights:

Sonny Rollins, Saxophone Colossus, Prestige 7079. This is an original New York pressing that looks to be in M- condition for both the record and the cover. This one is in the $900 range. I am happy to say, I recently purchased a near mint New York copy of Colossus in the Irving Kalus collection, which I will be writing about as soon as I get a chance.

Hank Mobley Quintet, Blue Note 1550. This is an original pressing in beautiful M- condition for both the record and the cover. This price is already more than $1,800 and at the rate it is going you would expect that it may even top $3,000.

Kenny Burrell, Blue Notes Volume 1, Blue Note 1596. This is an original pressing and of course it has the Andy Warhol cover. This one is also in beautiful condition and is currently at $500. I’d expect this do break into the $1,000 bin, wouldn’t you?

A couple more:

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Tracking Some Very High End Jazz Vinyl

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While we were busy buying the Irving Kalus collection, a lot of rare and valuable (and high priced) jazz vinyl was being sold on eBay. Here are some of the high-end items we’ve missed.

Tommy Flanagan, Overseas, Prestige 7134. This is one of the major rarities and it sold like one. The record and cover were both in M- condition. The price was $3,216.66. That’s the first time we’ve seen the record surpass the $3,000 mark in the Jazz Collector Price Guide.

While we’re on the topic of $3,000 records: Sonny Clark, Cool Struttin’, Blue Note 1588. This was an original pressing listed in M- condition for the record and the cover. This is the listing that mentioned Jazz Collector as a pricing/value source, which we appreciate. The sale price was $3,600.

This didn’t quite make the $3,000 bin, but it gave it a good run: Kenny Dorham, Quiet Kenny, New Jazz 8225. This was an original purple label pressing in near mint condition for the record and the cover. It sold for $2,650. Do you think there’s a distinction between a record described as “near mint” versus one described as “mint minus?” Just thought I’d ask. “Near mint” has a nicer ring to it, IMHO.

One more:

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