Category: Blue Note

JRC Auction: A Little Trane, A Few Blue Notes

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It’s always interesting to watch the Jazz Record Center auctions on eBay and the latest is closing today. Here are a few of the items:

John Jenkins and Kenny Burrell, Blue Note 1573. This is an original pressing that looks to be in M- condition for both the record and the cover. The start price on this was $1,000 and there is a bid on it, so it will be sold and will enter the virtual $1,000 bin.

John Coltrane, Giant Steps, Atlantic 1311. Here’s a more clear explanation of this than we’ve heard before. Jazz Record Center refers to this as the “pinwheels” label, although we’ve most often seen it described as “bulls-eye.” It is described as an “original deep-groove second press,” which kind of makes sense. It’s still valued among collectors, even though it is not a first press. This one looks to be in M- condition for the record and the cover and is already at more than $170. Speaking of original Coltranes on Atlantic: John Coltrane and Milt Jackson, Bags and Trane, Atlantic 1368. This is an original mono pressing with the red and purple labels, although I’m still not 100 percent sure how to distinguish it as a first pressing. This one is in M- condition and so far there are no takers at $50.

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A Jazz Vinyl Christmas?

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I did my usual eBay searches last night and there is a lot of really, really nice collectible jazz vinyl available now. These things tend to go in cycles. Perhaps the Christmas season brings out the inner retailer in some of us. Here is just a sampling of the jazz vinyl we’re watching now:

Walter Davis Jr., Davis Cup, Blue Note 4018. This looks to be an original pressing in not-too-great condition. Record looks to be VG or VG+ and the cover is rated as VG. The auction closes later today and the bidding is in the $150 range. I have a United Artists pressing of this record and would love an original, even one in VG condition. But this will probably sell for somewhere around $300, so I think I’ll wait.

I’m still surprised to see these Benny Golson LPs selling for such high prices, although I’ve always been a fan myself: Benny Golson, Gone With Golson, New Jazz 8235. This is an original purple label pressing and it is listed in M- condition for the record and Ex for the cover, which is probably VG++? There are more than two days left on this auction and the bidding is already nearing $400. Speaking of which, here is a copy of my favorite Benny Golson record: Benny Golson, The Modern Touch, Riverside 256. This is an original deep groove blue label pressing that is listed in M- condition for both the record and the cover. The price is well less than $100 at this point, with a few days to go. If you don’t know this record, it’s one to check out. Really nice arrangements, some great Kenny Dorham, and a fantastic rhythm section with Paul Chambers, Max Roach and Wynton Kelly. Doesn’t get much better than that.

Here’s another favorite, with a great cover:

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Jazz Vinyl Watch: Setting Some New Records

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Here’s some of the jazz vinyl we’ve been watching on eBay:

Art Tatum/Ben Webster Quartet, Verve 8220. This is an original pressing with the trumpeter logo. The record was in M- condition and the cover was VG++. There were four bidders, 15 bids and the ultimate price was $290. My sense is most of the readers here at Jazz Collector tend to prefer post-bop era jazz — I generally do as well — but this is one of those must-have records, in my opinion, that always sounds beautiful and fresh when you put it on the turntable.

Haven’t seen this one sell for such a high price before: Sheila Jordan, Portrait of Sheila, Blue Note 9002. This was described as an original U.S. pressing in “superb” condition. It sold for $405. Our previous high for this record in the Jazz Collector Price Guide was just $123, so that’s quite a leap. Great record, though.

Here’s a perennial for the ever-more-crowded $1,000 bin:

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Watching, And Appreciating, 10-Inch Jazz Vinyl

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I have my eye on a couple of 10-inch LPs today, not that I’m interested in buying them, just interested to see if they’ll sell: Fats Navarro Memorial Album, Blue Note 5004. This is an original pressing, but you have to love the seller’s listing of 161 Lexington Ave. as opposed to 767 Lexington Ave. That early script was tough to read, I guess. This one is listed in VG+ condition for both the record and the cover and it has a start price of about $160. It closes early tomorrow and so far there are no bidders. From the same seller is Jay Jay Johnson, Blue Note 5028. This one is also in VG+ condition, is also closing early tomorrow, is also priced at about $160 and is also without any bidders. We’ll see. I think part of my interest in the 10-inchers is because this week I finally got my 10-inch LPs and my 78s out of storage. It was not a simple process and required deep negotiations with

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If It’s Blue Note, It Must Be Collectible

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Admittedly my headline is a bit of an exaggeration. As we’ve seen, the early traditional jazz Blue Notes such as the Sidney Bechet and James P. Johnson records, don’t seem to fetch collectible prices these days. But anything and everything Blue Note from the post-bop era of the mid-1950s to the early 1960s, seems to be in demand these days. Take this record: The Three Sounds, Bottoms Up!, Blue Note 4014. In seven or so years of doing the Jazz Collector Price Guide we’ve only listed three records from The Three Sounds and the highest price was around $200. Not anymore. This one, in M- condition for the record and the cover, sold for $305. I’ve never been a big fan of these records and I’ve had them pass through my hands on several occasions, but perhaps I should give them another listen? What’s the consensus (as if we could actually find a consensus here at Jazz Collector).

From the same seller came this Blue Note, well worth any price IMHO: Dexter Gordon, Our Man in Paris, Blue Note 4146. This was also an original pressing and it was also in M- condition. The price was $549. I have a special place in my heart for this one: It was the first Dexter record I ever purchased and to this day it remains a favorite. It was a rare treat to hear Bud Powell in such fine form from this era and there’s an edge and an energy on this record that makes it special. It feels as if Dexter and Bud were highly inspired by one another and elevated their playing (if possible) in order to please and prod the other. Perhaps that wasn’t the case, but it’s fun to speculate and believe and aspire for the best, right?

 

Into the $1,000 Bin, Including Rare Autographs

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We’ve been away, now we are back, and we see that we’ve missed some pretty heavy-duty sales on eBay for some pretty heavy-duty dollars.Let’s catch up.

I think we predicted these two would sell for more than $2,000 and they did: Hank Mobley Quintet, Blue Note 1550. This was an original pressing in M- condition for both the record and the cover. It sold for $2,350. From the same seller was Kenny Dorham, Quiet Kenny, New Jazz 8225. This was also in M- condition for the record and the cover. The price: $2,075.

How about this one? Cannonball Adderley Quintet in Chicago, Mercury 60134. This was an original stereo pressing and it’s the one that features John Coltrane. What does it normally sell for, maybe $30? This one, however, offered by Euclid Records, happened to have been autographed by both Cannonball and Coltrane. What does that make it worth? How about $1,037. Don Lucky, where were you on this one? I know many of you are blase about autographs and actually prefer records that don’t have autographs, but to me, having a record signed by two of my heroes, that’s just priceless. Well, perhaps not priceless, but $1,037 seems a reasonable price.

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Live From Las Vegas: Jazz Vinyl

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Sorry I’ve been delinquent in posting. I’ve been in Vegas on a work assignment and haven’t had as much time on my hands to peruse the jazz vinyl bins on eBay. So here’s a little bit of what I missed.

I’ve never owned this version of this record, just a reissue. I love the cover: Sonny Clark Trio, Time 70010. The record looked to be in M- condition based on the description, and the cover was probably VG++. This one sold for $845.

Once again I let a copy of this record pass me by: Freddie Redd, Shades of Redd, Blue Note 4045. This was an original pressing that looked to be in VG++ condition for both the record and the cover. This one sold for $749. I watch this record often, because I’d love an original pressing. Are there others out there who share my belief that this is one of the all-time best Blue Notes?

Speaking of all time Blue Notes there was this: Lee Morgan, Candy, Blue Note 1590. This was an original pressing that looked to be in VG++ condition for both the record and the cover. If you get a chance click on the link and look at the listing. It looks eerily similar to those of bobjdukic. Perhaps he’s moved to The Netherlands? Don’t think so. Just someone trying to us his methodology of attracting big bids, I would guess. This one sold for $1,505.

 

 

An Interesting Trio of Rare Jazz Vinyl

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Here’s some more rare jazz vinyl we’ve been watching on eBay, starting with: Thad Jones, Debut 127. This looks to be an original 12-inch LP, which looks to me like a combination of his 10-inch LP with Mingus and another 10-inch LP, also on Debut? Don’t have this particular record, so I’m not sure. Someone will know, i.e., Rudolf. Anyway, this one was listed in VG+ condition for the cover and Ex for the record, which is probably VG+ as well. It sold for $258.

Benny Golson seems to be more popular as a collectible artist than he ever was as a jazz artist, if you know what I mean: Benny Golson, Groovin’ With Golson, New Jazz 8220. This was an original pressing in M- condition for the record and the cover. It sold for $310.

Here’s a record that’s not only unplayed, it is actually in a virgin state: Lou Donaldson, Lou Takes Off, Blue Note 1591. It sold for $511.01.

A Tale of Two Blue Notes

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I did not get the Milt Jackson Blue Note 1509. When I wrote the post yesterday there was only one bidder at $200, so I figured it may not go for that much. I put in a snipe bid of about $280, but right after I wrote the post there were two new bids and the price went up to $235 quickly. I left the snipe where it was and the record wound up selling for $306. I could have bid higher and perhaps gotten the record. It’s a nice one, in M- condition, and it would have fit quite snugly in my collection. C’est la ebay.

As someone else pointed out, the Art Blakey and the Jazz Messengers, Blue Note 4003, sold for $1,125, making it the first time this record has entered the $1,000 bin in the Jazz Collector Price Guide. The record and the cover were in M- condition. We think of this as one of the more common of the Blue Notes because it was quite popular and successful and re-issued but, clearly, original pressings in this kind of condition are still quite hard to come by or else this would have never fetched such a high price.

Watching a Trio of Blue Note LPs

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I have quite a long watch list of jazz vinyl on eBay at the moment, including a bunch that are closing today from the same seller, including: Milt Jackson and the Thelonious Monk Quintet, Blue Note 1509. This is an original pressing with the Lexington Avenue address on both labels and, I think, on the cover as well if my aging eyes don’t deceive me. When I looked at this yesterday there were no bids at a $200 start price, but I see today there is at least one bid. Although this is an early 12-inch Blue Note and it is clearly an original, this one tends not to be as valued as some of the other early Blue Notes. Once of the reasons, for sure, is the fact that the tracks here were originally issued on 78 and don’t have the same sound or cachet as the later Van Gelder recordings that were made for the LP format. Also, as great as Milt Jackson was, his records aren’t in the same category as some of the other artists of his era. Must be the vibes. Still, this is a record I would love to have in my collection, particularly this one  — in M- condition for the record and cover. Will I actually bid? I think I may. Stay tuned.

This is from the same seller and is already at quite a high price tag, considering the popularity of this record and the number of copies out there:

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